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Finding Dissertations

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Introduction

Nyu dissertations.

The Division of Libraries maintains a non-comprehensive collection of doctoral dissertations completed at New York University. Many of the dissertations available in our collection are cataloged in BobCat.  Recent dissertations completed at NYU can be found in the database  Dissertations and Theses Global .   Guidance on the use of both resources is included in this guide.

Non-NYU Institutions' Dissertations

NYU holds very few dissertations completed at other institutions. For those dissertations which are not in our collection this guide also provides guidance on how to acquire or borrow copies.

Information for Dissertation Authors

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ISAW Dissertation Collection

About the NYU Libraries ISAW Dissertation Collection

The ISAW Dissertation Collection provides graduates of ISAW the option of depositing an electronic copy of their dissertation with NYU to provide long-term storage and online access to their work. The ISAW Dissertation Collection is hosted by NYU’s institutional repository, the Faculty Digital Archive ( archive.nyu.edu ).

The Dissertation Collection is intended to promote access to and scholarly reuse of NYU dissertations, benefitting dissertation authors, NYU Libraries, and the greater scholarly community.

Benefits for Dissertation Authors

1. A permanent URL for the dissertation that will never change and can be used as a citation or link in the author’s CV, online profiles, etc. 2. Greater discoverability: the ISAW Dissertation Collection is intended to be a highly visible repository of NYU digital scholarship and can be picked up by major search engines, such as Google Scholar. 3. The ability to include images or other third-party copyrighted materials within the dissertation, in accordance with fair use. ProQuest, which handles the traditional deposit and distribution of NYU dissertations, has a more restrictive policy regarding images and other copyrighted materials. 4. A no-cost option for making a dissertation publicly available to anyone with internet access, and/or “open access” via a Creative Commons license. Making dissertations available openly can broaden audience, increase citations, and allow potential employers and publishers to more easily find the work. ProQuest, which handles the traditional deposit and distribution of NYU dissertations, charges a fee for open access publication.

5. The ability to embargo your work for the same amount of time allowed under the ProQuest Dissertation Agreement.

6. Archival preservation: The ISAW Dissertation Collection through the NYU Faculty Digital Archive will preserve a complete digital copy of your dissertation.

ISAW Dissertation Collection Deposit Process

Beginning immediately, ISAW dissertation authors will have the option of depositing their dissertation with the ISAW Dissertation Collection.

1. If you wish to deposit a copy of your dissertation in the ISAW Dissertation Collection, please contact the ISAW Curator ( [email protected] ) and provide a PDF copy of your dissertation.

2. Before we can add your dissertation to the Collection, you will need to complete and sign a Dissertation Deposit Form & License Agreement . This form is your grant of permission to NYU to store your dissertation in the Collection and to make copies available for scholarly use. 3. The Dissertation Deposit Form  gives you several licensing options. You may elect to make your dissertation available under a Creative Commons license, to use a standard “All Rights Reserved” copyright statement, or to opt out of the ISAW Dissertation Collection entirely.

4. The Dissertation Deposit Form  also gives you the option of placing an embargo on access to your dissertation. Embargoes are available for 6 months, 1 year, or 2 years. These periods align with the options for ProQuest’s dissertation database.

5. If your dissertation includes images: Images that are subject to copyright or other third party rights may be used when consistent with fair use law and best practices, or with permission from the rights holder. Licensed images must be used in a manner consistent with license terms and conditions. The Dissertation Deposit Form  asks you to warrant that any third party copyrighted materials are used appropriately. April Hathcock, Scholarly Communications Librarian at NYU, created this comprehensive guide to copyright law  as it relates to academic research, teaching, and publication, which includes a section on fair use .  If you have further questions on what constitutes fair use, please contact [email protected] . 6. The ISAW Curator ( [email protected] ) will notify you when your dissertation has been deposited with the Collection.

NYU ISAW Dissertation Collection: FAQ

Q. What is the ISAW Dissertation Collection?

The ISAW Dissertation Collection provides graduates of ISAW the option of depositing an electronic copy of their dissertation with NYU to provide long-term storage and online access to their work. The ISAW Dissertation Collection is hosted by NYU’s institutional repository, the Faculty Digital Archive ( archive.nyu.edu ). The collection is intended to promote access to and scholarly reuse of NYU dissertations, benefitting dissertation authors, NYU Libraries, and the greater scholarly community.

Q. What are the benefits of depositing with the ISAW Dissertation Collection?

Benefits to authors include:

1. A permanent URL for the dissertation that will never change and can be used as a citation or link in the author’s CV, online profiles, etc. 2. Greater discoverability : the ISAW Dissertation Collection is intended to be a highly visible repository of NYU digital scholarship and can be picked up by major search engines, such as Google Scholar. 3. The ability to include images or other third-party copyrighted materials within the dissertation, in accordance with fair use . Under ProQuest/UMI’s current policies and practices, authors are required to submit proof of copyright permission in order to include any third-party images or other copyrighted works. Images without accompanying permissions are typically removed by ProQuest prior to distribution via PQDT. This means that authors must either deal with the potentially burdensome and/or expensive process of obtaining permissions from rights holders, or have images stripped from their dissertation. 4. A no-cost option for making a dissertation publicly available to anyone with internet access, and/or “open access” via a Creative Commons license . ProQuest also offers an open access publishing option, but charges authors a fee for this (currently $150). Making dissertations available openly can broaden audience, increase citations, and allow potential employers and publishers to more easily find the work.

5. An embargo option: The ability to restrict access to your work for the same amount of time allowed under the ProQuest Dissertation Agreement (6 months, 1 year, or 2 years).

6. Archival preservation : ProQuest has made no commitment to preserve NYU dissertations. The ISAW Dissertation Collection through the NYU Faculty Digital Archive provides state-of-the-art archival digital preservation.

Q. Am I required to deposit my dissertation in the ISAW Dissertation Collection?

No. You are required to deposit your dissertation in ProQuest, but submission to the ISAW Dissertation Collection is optional. That said, ISAW strongly encourages you to deposit your dissertation in the ISAW Dissertation Collection as part of its commitment to fair use and open access and its interest in ensuring that a complete version of your dissertation is preserved. Q. Am I required to submit my dissertation to ProQuest?

Yes. NYU’s Graduate School of Arts & Sciences requires that all completed dissertations be electronically deposited with ProQuest. See: http://gsas.nyu.edu/page/grad.life.dissertation . ProQuest will in turn distribute your thesis via its online subscription database after a maximum embargo period of 2 years.

Q. I signed a ProQuest Dissertation Agreement. Can I still deposit my dissertation with ISAW?

Yes. The agreement that graduating students sign with ProQuest is non-exclusive, and allows for alternative distribution methods like the ISAW Dissertation Collection. As the author, you own the copyright to your work, and you retain that copyright under both the ProQuest agreement and the ISAW Dissertation Deposit Form .

Q. Can I place an embargo on access to my dissertation?

Yes. Theses included in the ISAW Dissertation Collection will have the same embargo period you selected on your ProQuest Dissertation Agreement. The embargo periods offered by ProQuest are 6 months, 1 year, or 2 years. After a maximum embargo period of 2 years, all NYU dissertations become available through ProQuest’s subscription database.

Q. Can I include images or other copyrighted materials?

Images can be included in dissertations distributed via the ISAW Dissertation Collection when in  accordance with fair use, or with permission from the copyright holder. (This is a more open policy than that offered by ProQuest, which requires you to obtain licenses for any third-party copyrighted material included in your dissertation.) Prior to submitting your thesis to the ISAW Dissertation Collection, you should ensure that any third-party copyrighted materials are used in a manner consistent with fair use law and best practices, as set forth in Visual Resource Association: Statement on the Fair Use of Images for Teaching, Research, &  Study , principle 6, and the Fair Use section of NYU’s guide to copyright law  as it relates to academic research, teaching, and publication, created by April Hathcock, Scholarly Communications Librarian at NYU. Q. Who will have access to my dissertation?

Dissertations included in the ISAW Dissertation Collection are available online to the general public under the copyright license you select with your submission. Please bear in mind that all NYU dissertations will be distributed by ProQuest as part of their subscription database after a maximum embargo period of two years.

Q. Who holds the copyright to my dissertation, and will including it in the ISAW Dissertation Collection affect its copyright status?

As the author of your dissertation, you retain full ownership rights to its copyright, including the right to republish or otherwise use all or part of the dissertation in future works (such as articles or books). Including your dissertation in the ISAW Dissertation Collection means granting a non-exclusive license to ISAW and NYU for online distribution, but the copyright itself belongs to you. 

Q. What does it mean to distribute my dissertation under a Creative Commons license?

Creative Commons licenses are a way for you as an author to retain the copyright to your work, while allowing others to copy, distribute, and make certain other uses of  it. The ISAW Dissertation Collection uses an Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) license. This license allows others to freely copy, share, and reuse your work for non-commercial purposes only, provided they attribute you as its creator.

To learn more, visit creativecommons.org   or see this useful guide   to Creative Commons licenses created by April Hathcock, NYU’s Scholarly Communications Librarian.

Q. Will issuing my dissertation online make it more difficult to find a publisher?

It’s understandable to be worried that making your dissertation available may harm your chances of finding a publisher. However, there’s little evidence to date to suggest that online distribution will make a book proposal less appealing to an academic press. Audrey Truschke, a postdoctoral fellow at Stanford University, has written a series of blog posts   about online publication of dissertations, concluding that “most university press editors said they never look for, much less at, the earlier dissertation form of a book they decide to publish... Editors evaluate revisions and whether a manuscript is ready for publication independent of any review of the dissertation and usually without even bothering to determine if the thesis is available online.” Indeed, making your dissertation available online could make your work more appealing by making your work more visible and increasing the likelihood of other scholars citing you. Most importantly, you should bear in mind that your dissertation will be available through ProQuest after a maximum of two years, regardless of whether you include it in the ISAW Dissertation Collection or not.

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Completed Dissertations

2020-2010 | 2009-2000 | 1999-1990 | 1989-1980 | 1979-1970 | 1969-1960 | 1959-1950 | 1949-1940 | 1939-1930

Barbara von Barghahn , The Pictorial Decoration of the Buen Retiro Palace During the Reign of Philip IV. Advisor: Jonathan Brown Lionel Bier , The “Sassanian Palace” Near Sarvistan. Advisor: Donald P. Hansen Barbara Bohen , The Attic Geometric Pyxis. Advisor: Günter H. Kopcke Edger Peters Bowron , The Paintings of Benedetto Luti (1666-1724). Advisor: Donald Posner Ronny H. Cohen , Alexandra Exter and Western Europe: An Iquiry into Russian-Western Relations in Art, Theater and Design in the Early Twentieth Century. Advisor: Gert Schiff Patricia D. Eichenbaum , The Development of a Narrative Cycle Based on the Life of the Buddha in India, Central Asia, and the Far East: Literary and Pictorial Evidence. Advisor: Alexander Soper Elizabeth Gordon , The Panel Reliefs on Marcus Aurelius. Advisor: Peter von Blanckenhagen Vivian A. Hibbs , The Mendes Maze: A Libation Table for the Genius of the Inundation of the Nile. Advisor: Bernard von Bothmer Ira S. Mark , Nike and the Cult of Athena Nike on the Athenian Acropolis. Advisor: Evelyn B. Harrison Melissa A. McQuillan , Painters and the Ballet, 1917-1926: An Aspect of the Relationship between Art and Theatre. Advisor: Robert Rosenblum Marc H. Miller , Lafayette’s Farewell Tour of America, 1824-25: A Study of the Pageantry and Public Portraiture. Advisor: Robert Rosenblum Linda Morey Papanicolaou , Stained Glass Windows of the Choir of the Cathedral of Tours. Advisor: Harry Bober Peninah Petruck , American Art Criticism: 1910-1939. Advisor: Jim M. Jordan Monica Strauss , The Master of the Barberinig Panels: Fra Carnevale. Advisor: Colin T. Eisler Edward J. Sullivan , Claudio Coello and Late Baroque Painting in Madrid. Advisor: Jonathan Brown Joan Diamond Udovitch , The Papeleu Master: a Parisian Manuscript Illuminator of the Early Fourteenth Century. Advisor: Florens Deuchler Estelle J. Whelan , The Public Figure: Political Iconography in Medieval Mesopotamia. Advisor: Richard Ettinghausen Paul Yule , Early Cretan Seals: A Study in Typology, Style and Chronology. Advisors: Donald P. Hansen and Jane Hayward

Marian Burleigh , George Russel (AE): The Painter of the Irish Renaissance. Advisor: Gert Schiff Marianne Eaton-Krauss , The Representations of Statues on Old Kingdom Private Tombs. Advisor: Henry G. Fischer Kristine Edmondson , The Psalter of Henry of Blois: A Study in Romanesque Manuscript Illumination. Advisor: Harry Bober Laurie S. Fusco , The Nude as Protagonist: Pollajuolo’s Figural Style Explicated by Leonardo’s Study of Static Anatomy, Movement, and Functional Anatomy. Advisor: Colin T. Eisler Kahtryn Moore Heleniak , William Mulready, R.A. (1786-1863): British Landscape and Genre Artist. Advisor: Robert Rosenblum Joel Herschmann , The Thirteenth Century Chevet of the Cathedral of Coutances. Advisor: Marvin L. Trachtenberg Judith W. Hurtig , The Armored Gisant Before 1400. Advisor: H.W. Janson Marilyn Jenkins , Medieval Maghribi Ceramics. Advisor: Richard Ettinghausen Charlotte Lacaze , The Vie de St. Denis Manuscript: (Paris, Bibliothèque Nationale, Ms. Fr. 2090-2092). Advisor: Florens Deuchler Sarah Bradford Landau , Edward T. And William A. Potter: American High Victorian Architects, 1855-1901. Advisor: Henry Russell Hitchcock Jay Alan Levenson , Jacopo de’Barbari and Northern Art of the Early Sixteenth Century. Advisor: Colin T. Eisler Charles B. McClendon , The Medieval Abbey Church at Farfa. Advisor: Richard Krautheimer Leatrice Mendelsohn-Martone , Benedetto Varchi’s “Due Lezzioni”: Paragoni and Cinquecento Art Theory. Advisor: H.W. Janson Anita Fiderer Moskowitz , Studies in the Sculpture of Andrea Pisano: Origins and Development of his Style. Advisor: Marvin L. Trachtenberg Robert S. Nelson , Text and Image in a Byzantine Gospel Book in Istanbul (Ecumenical Patriarchate, cod. 3). Advisors: Hugo Buchtal and H.W. Janson Charles E. von Nostitz , Late Gothic Sculpture of Cologne. Advisors: Colin T. Eisler Ellen C. Schwartz , The Original Fresco Decoration in the Church of the Holy Apostles in the Patriarchate of Pec. Advisor: Hugo Buchthal Nancy J. Scott , Vincenzo Vela (1820-91). Advisor: H.W. Janson Isabel Combs Stuebe , The Life and Works of William Hodges. Advisor: Robert Rosenblum Jaimee Elizabeth Uhlenrock , The Protomai from Gela: History, Chronology, Style. Advisor: Günter H. Kopcke Michael L. Ward , Studies on the Pórtico de la Gloria at the Cathedral of Santiago de Compostela. Advisor: Marvin L. Trachtenberg Sally West-Robertson , Marguerite Gerard: 1761-1837. Advisor: Robert Rosenblum Marina D. Whitman , Persian Blue-and-white Ceramics: Cycles of Chinoiserie. Advisor: Richard Ettinghausen Kathleen Isabelle Matics , An historical analysis of the fine arts at Wat Phra Chetuphon, a repository of Ratanakosin artistic heritage. Advisor: Alexander Soper

Robert Nicholas Adams , Baldassare Peruzzi: Architect to the Republic of Siena 1527-1535. Advisor: Kathleen Weil-Garris Brandt Carol Moon Cardon , The Berlin Painter and his School. Advisor: Dietrich von Bothmer Beth Cohen , Attic Bilingual Vases and their Painters. Advisor: Dietrich von Bothmer Kathleen Alden Giles , The Strozzi Chapel in Santa Maria Novella: Florentine Painting and Patronage 1340-1355. Advisor: Marvin L. Trachtenberg William E. Hood, Jr. , Titian’s Narrative Art: Some Religious Paintings for Venetian Patrons, 1518-1545. Advisor: Donald Posner Charles T. Little , The Magdeburg Ivory Group: a Tenth Century New Testament Narrative Cycle. Advisor: Harry Bober Vivian B. Mann , Romanesque Ivory Tablemen. Advisor: Harry Bober Temily Mark-Weiner , Narrative Cycles of the Life of St. George in Byzantine Art. Advisor: Hugo Buchthal Mario Thomas Martone , The Theme of the Conversion of Paul in Italian Paintings from the Early Christian Period to the Early Renaissance. Advisors: Colin T. Eisler and Günter H. Kopcke Andrea S. Norris , The Tomb of Gian Galeazzo Visconti at the Certosa di Pavia. Advisor: H.W. Janson Elizabeth Schwartzbaum , The Romanesque Sculpture of the Cathedral of Tournaui. Advisor: Harry Bober Susan Mullin Vogel , Baule Art as the Expression of a World View. Advisor: Robert Goldwater Sarah Wilk , Iconological Problems in the Sculpture of Tullio Lombardo. Advisor: Irving Lavin

Robert Steven Bianchi , The Striding Draped Male Figure of Ptolemaic Egypt. Advisor: Bernard von Bothmer Diana M. Buitron , Douris. Advisor: Dietrich von Bothmer Zimeri Alvin Cox , Ugolino di Preste Ilario, Painter and Mosaicist. Advisor: H.W. Janson Patrick M. De Winter , The Patronage of Philippe le Hardi, Duke of Burgundy 1364-1404. Advisor: Colin T. Eisler Martha Levine Dunkelman , Donatello’s Influence on Italian Renaissance Painting. Advisors: H.W. Janson, Roy Sieber Josephine Gear , Masters or Servants? A Study of Selected English Painters and their Patrons of the Late Eighteenth and Early Nineteenth Centuries. Advisor: Gert Schiff Michael Jacoff , A Bolognese Psalter of the Late Thirteenth Century and its Byzantine Sources. Advisors: Hugo Buchthal and Henry G. Fischer Constance Lowenthal , Conrat Meit. Advisor: H.W. Janson Jane Timken Matthews , The Pantocrator: Title and Image. Advisor: Hugo Buchtal Myra Dickman Orth , Progressive Tendencies in French Manuscript Illumination, 1515-1530: Goefroy la Batava and the 1520’s Hours Workshop. Advisor: Colin T. Eisler Maurice Poirier , Studies on the Concepts of Disegno, Invenzione and Colore in Sixteenth and Seventeenth-century Italian Art and Theory. Advisor: Craig Hugh Smyth Marie Tanner , Titian: The Poesie for Philip II. Advisor: Colin T. Eisler Burr E. Wallen , Hemessen: Style and Iconography. Advisor: Colin T. Eisler Carolyn Wilson , Bellini’s Pesaro Altarpiece: A Study in Context and Meaning. Advisor: Colin T. Eisler

Linda Freeman Bauer , On the Origins of the Oil Sketch: Form and Function in Cinquecento Preparatory Techniques. Advisor: Donald Posner Mary Braman Buchan , The Paintings of Pieter Aertsen. Advisor: Colin T. Eisler Slobodan Curcic , Granacia: History, Architecture and Relationship to Contemporary Paleogian Churchers. Advisor: Richard Krautheimer June Ellen Hargrove , The Life and Work of Albert Ernest Carrier-Belleuse. Advisor: H. W. Janson Dale Kinney , S. Maria in Trastevere form its Founding to 1215. Advisor: Richard Krautheimer Richard E. Lamoureux , Alberti’s Church of San Sebastiano in Mantua. Advisor: Richard Krautheimer Eunice Lipton , Picasso Critcisim, 1901-1939: The Making of an Artist-Hero. Advisor: Gert Schiff John Ferrata Omelia , Niccolò da Foligno and his Frescoes for S. Maria-in-Campis. Advisor: Colin T. Eisler Elizabeth Crawford Parker , The Descent from the Cross: Its Relation to the Extra-liturgical Depositio Drama. Advisor: Harry Bober Sheila Schwartz , The Iconography of the Rest on the Flight into Egypt. Advisor: Colin T. Eisler Christine Hunnikin Smith , The Baptisery of Pisa. Advisor: Marvin L. Trachtenberg Marie Spiro , Critical Corpus of the Mosaic Pavements of the Greek Mainland, Fourth/Sixth Centuries with Architectural Surveys. Advisors: Irving Lavin and Marvin L. Trachtenberg Walter Widrig , The Two Churches at Latrum Within the Context of Cyrenaican Church Forms. Advisor: Peter von Blanckenhagen

William Barcham , The Imaginary View Scenes of Antonio Canaletto. Advisor: Donald Posner Pamela Berger , The Notitia Dignitatum. Advisor: Hugo Buchthal Thomas Buser , The Pietà in Spain. Advisor: José López-Rey Judith Colton , Monuments to Men of Genius: A Study of Eighteenth-century English and French Sculptural Works. Advisor: H. W. Janson Wanda M. Corn , Andrew Wyeth: The Man, his Art, and his Audience. Advisor: H. W. Janson Eugene J. Dwyer , Pompeian Sculpture in its Domestic Context. A Study of Five Pompeian Houses and their Contents. Advisor: Peter von Blanckenhagen Madeline A. Fidell , The Graphic Art of Charles-François Daubigny. Advisor: Gert Schiff Eunice Mylonas Hale , Charles Demuth: His Study of the Figure. Advisor: Robert Goldwater Alexandra Herz , The Sixtine and Pauline Tombs Sta. Maria Maggiore: an Iconographical Study. Advisor: Irving Lavin Jim M. Jordan , Paul Klee and Cubism, 1912-1926. Advisor: Gert Schiff Annette L. Juliano , Teng-Hsien: An Important Six Dynasties Tomb. Advisor: Alexander Soper Peter Kinney , The Early Sculpture of Barolomeo Ammanati. Advisor: Olga Raggio Roger Lipsey , Signature and Significance: A Study of the Life and Writings of Ananda K. Coomaraswamy. Advisor: Stella Kramrisch Deborah Lipton , Francesco Squarcione. Advisor: Colin T. Eisler Debra Pincus , The Arco Foscari, the Building of a Triumphal Gateway in Fifteenth-century Venice. Advisor: H.W. Janson William Laurens Pressly , The Life and Art of James Barry. Advisor: Robert Rosenblum Daniel Robbins , The Formation and Maturity of Albert Gleizes. Advisor: Craig Hugh Smyth Sharon Off Dunlap Smith , Illustration of Raoul de Praelle’s Translation of St. Augustine’s City of God Between 1375 and 1420. Advisor: Craig Hugh Smyth Harvey Stahl , The Iconographic Sources of the Old Testament Miniatures, Pierpont Morgan Library, M638. Advisors: Hugo Buchthal and Robert Goldwater Richard Stapleford , The Excavation of the Early Christian Martyr’s Complex of Sinforsa near Rome. Advisor: Richard Krautheimer Orestes H. Zervos , The Alexander Mint of Egypt. Advisor: Margaret Thompson and Richard Krautheimer Norman D. Ziff , Paul Delaroche: A Study in Nineteenth-century French History Painting. Advisor: Robert Rosenblum

Ellen N. Davis , The Vapheio Cups and Aegean Gold and Silver Ware. Advisor: Günter H. Kopcke Esther Gordon Dotson , Shakespeare Illustrated. Advisor: Walter Friedländer William Steven Feldman , The Life and Work of Jules Bastien-Lepage (1848-1884). Advisor: José López-Rey John J. Herrmann Jr. , The Schematic Composite Capital: A Study of Architectural Decoration at Rome in the Later Empire. Advisors: Richard Krautheimer and Peter von Blanckenhagen Patricia Schulze Hills , The Genre Painting of Eastman Johnson: The Sources and Development of his Style and Themes. Advisor: Robert Goldwater John M. Hunisak , The Sculptor Jules Dalou: Studies in his Style and Imagery. Advisor: H. W. Janson Sharon Jones , French Gothic Influence on North Italian Sculpture in the First Half of the Thirteenth Century: A Study of the Abbey of Vezzolano, S. Giustina in Padua, and the Duomo of Vercelli. Advisor: H. W. Janson Donald D. Keyes , Aspects of the Development of Genre Painting in the Hudson River Area before 1852. Advisor: Robert Goldwater Marilyn Lavin , Studies in Urbinate Painting, 1458-1476, Piero della Francesca, Paolo Uccello and Joos van Ghent. Advisor: Craig Hugh Smyth Ronald Malmstrom , S. Maria in Aracoeli at Rome. Advisor: Richard Krautheimer Patricia Carroll Mandel , Homer Dodge Martin: American Landscape Painter. Advisor: Robert Goldwater Donald Frederick McCallum , The Evolution of the Buddha and Bodhisattva Figures in Japanese Sculpture of the Ninth and Tenth Centuries. Advisor: Alexander Soper Jerry D. Meyer , The Religious Paintings of Benjamin West; a Study in Late Eighteenth and Early Nineteenth-century Moral Sentiment. Advisor: Robert Rosenblum Mary B. Moore , Horses on Black-figure Greek Vases of the Archaic Period: Ca. 620-480 B.C. Advisor: Dietrich von Bothmer James Morganstern , The Byzantine Church at Dereagzi. Advisor: Richard Krautheimer Roald Nasgaard , Willumsen and Symbolist Art 1888-1910. Advisor: Robert Goldwater Suzanne Meek Pelzel , Perforated Sumerian Votive Plaques. Advisor: Donald P. Hansen Eleanor G. Sims , The Garrett Manuscript of the Zafar-Name: A Study in Fifteenth-century Timurid Patronage. Advisor: Richard Ettinghausen Patricia Waddy , Palazzo Barbarini: Early Proposals. Advisor: Irving Lavin Barry Wind , Studies in Genre Painting: 1580-1630. Advisor: Donald Posner Eric M. Zafran , The Iconography of Anti-Semitism: A Study of the Representation of the Jews in the Visual Arts of Europe, 1400-1600. Advisor: Colin T. Eisler

Jo Anne Gitlin Bernstein , The Architectural Sculpture of the Cloisters of the Certosa di Pavia. Advisor: H. W. Janson Tseng Yu-Ho Ecke , Emperor Hui Tsung, the Artist, 1082-1136. Advisor: Alexander Soper Helena Mary Fong , Secular Figure Painting of the T’ang Dynasty, A.D. 618-906. Advisor: Alexander Soper Susan Joan Koslow , The Chevrot Altarpiece: Its Sources, Meaning and Significance. Advisors: Colin T. Eisler and Richard Krautheimer Ralph E. Liberman , The Church of Santa Maria dei Miracoli in Venice. Advisor: Richard Krautheimer Maybelle Mann , Francis William Edmonds: Mammon and Art. Advisor: Robert Goldwater William Silas Talbot , Jasper F. Cropsey, 1823-1900. Advisor: Robert Goldwater Richard J. Wattenkamer , The Art of William Glackens. Advisor: Robert Goldwater Toby E. S Yuen , Illusionistic Mural Decoration of the Early Renaissance in Rome. Advisor: Craig Hugh Smyth

Inabelle Levin , The Quedlinburg Itala Fragment. Advisor: Hugo Buchthal Christine Lilyquist , Ancient Egyptian Mirrors from the Earliest Times through the Middle Kingdom. Advisor: Henry G. Fischer Gerald Needham , The Paintings of Claude Monet, 1859-1878. Advisor: Robert Goldwater Francis Lee Richardson , Andrea Schiavone. Advisor: Craigh Hugh Smyth Priscilla Parsons Soucek , Illustrated Manuscripts of Nizami’s Khamseh: 1386-1482. Advisor: Richard Ettinghausen Eleanor M. Tufts , A Stylistic Study of the Painting of Luis Melendez. Advisor: José López-Rey

Roy Asbjörn Boe , Edvard Munch: His Life and Work from 1880-1920. Advisor: H. W. Janson Ellen Callmann , Apollonio di Giovanni. Frank R. Di Federico , Studies in the Art of Francesco Trevisani: A Contribution to the History of Roman Painting, 1675-1750. Advisor: Donald Posner Eugene J. Johnson , S. Andrea in Mantua. Advisor: Richard Krautheimer Thomas Francis Mathews , The Early Churches of Constantinople: Architecture and Liturgy. Advisor: Richard Krautheimer Penelope Mason Scull , A Reconstruction of the Hogen Heiji Monogatari Emaki. Advisor: Alexander Soper Lauren Soth , The Mature Correggio: Studies in the Iconography and Chronology of the Later Paintings. Advisor: Erwin Panofsky Thomas B. Stevenson , The Miniatures of the Vatican Virgil. Advisor: Hugo Buchthal Brooks W. Stoddard , The Sculpture from the Abbey St.-Pierre at Airvault (Deux-Sevres). Advisor: Harry Bober

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COMMENTS

  1. Finding NYU Dissertations - Finding Dissertations - Research ...

    NYU Dissertations Online. All dissertations completed at NYU are indexed in the online database Dissertations and Theses Global. Users who wish to access NYU dissertations, especially dissertations completed since 1997, would be best served by searching this database. Many (but not all) dissertations will be available in full-text.

  2. Home - Finding Dissertations - Research Guides at New York ...

    NYU Dissertations. The Division of Libraries maintains a non-comprehensive collection of doctoral dissertations completed at New York University. Many of the dissertations available in our collection are cataloged in BobCat. Recent dissertations completed at NYU can be found in the database Dissertations and Theses Global.

  3. ISAW Dissertation Collection — Institute for the Study of the ...

    The ISAW Dissertation Collection is hosted by NYU’s institutional repository, the Faculty Digital Archive (archive.nyu.edu). The collection is intended to promote access to and scholarly reuse of NYU dissertations, benefitting dissertation authors, NYU Libraries, and the greater scholarly community.

  4. Doctoral Studies Past Dissertations | NYU Steinhardt

    Dissertation Title Graduation Date Department; Sarah Klevan, PhD: Pedro Noguera: Understanding Restorative Approaches to Discipline Through the Lens of Authority: A Case Study of a New York City School: 9/24/2018: Applied Statistics, Social Science, and Humanities: Zachary Barletta, PhD: Arnold Grossman

  5. Doctoral Dissertations in Educational Theatre | NYU Steinhardt

    Selected Doctoral Dissertations in Educational Theatre. Author. Title. Year. Durell Cooper. Socially Distant: An Ethnographic Exploration on the Role of Hip-Hop Culture as a Way of Knowing in a 21st Century Culturally Responsive Arts Education Framework. 2021. Carmen Meyers.

  6. Disserations completed at the Institute - New York University

    Disserations completed at the Institute Completed Dissertations 2020-2010 | 2009-2000 | 1999-1990 | 1989-1980 | 1979-1970 | 1969-1960 | 1959-1950 | 1949-1940 | 1939-1930 2020 Elizabeth Bauman, Performance and Video Work of Bruce Nauman, Paul McCarthy and Mike Kelley. Advisor: Thomas Crow

  7. Marketing Department | Ph.D. Program - NYU Stern

    Masakazu Ishihara Associate Professor of Marketing; Ph.D. Program Coordinator in Marketing 40 West 4th Street, Ste. 818 New York, NY 10012 212.998.0553

  8. Submitting Your Dissertation - New York University

    Preliminary dissertation deadline: December 1, 2023. Final dissertation deadline: January 12, 2024. Note: GSAS submission deadlines are earlier than University Graduation Deadlines. Please Note: The Office of the Registrar takes up to a month AFTER the graduation date to fully process all degrees.

  9. Disserations completed at the Institute - New York University

    Completed Dissertations. 2020-2010 | 2009-2000 | 1999-1990 | 1989-1980 | 1979-1970 | 1969-1960 | 1959-1950 | 1949-1940 | 1939-1930. 1979. Barbara von Barghahn, The Pictorial Decoration of the Buen Retiro Palace During the Reign of Philip IV. Advisor: Jonathan Brown Lionel Bier, The “Sassanian Palace” Near Sarvistan. Advisor: Donald P. Hansen