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Essay samples by category

With regard to college paper subjects, there is no shortage of free essay themes available. Professors, instructors, and educators in universities, colleges, and schools appear to be resourceful engines, continuously generating an infinite array of essay topics.

  • Women's Health
  • Public Health
  • World Health Organization
  • Organ Donation
  • Malnutrition
  • Mental Health
  • Impact of Technology
  • Biotechnology
  • Advantages of Technology
  • Internet Privacy
  • Internet Of Things
  • 3D Printing
  • Artificial Intelligence
  • Volunteering
  • African american culture
  • LGBT rights
  • Social Issues
  • Social Class
  • Social Responsibility
  • Social Networking
  • Social Movements
  • Social science
  • Scientific method
  • Forensic Psychology
  • Pharmacology
  • Neuroscience
  • Linguistics
  • World History
  • Microbiology
  • Superstition
  • Reincarnation
  • Mother Teresa
  • Good and evil
  • Confucianism
  • To Kill A Mockingbird
  • The Stranger
  • The Strange Case of Dr. Jekyll and Mr. Hyde
  • The Perks Of Being A Wallflower
  • The Outsiders
  • The Namesake
  • The Little Prince
  • The Kite Runner
  • The Great Gatsby
  • The Boy In The Striped Pajamas
  • The Book Thief
  • The Bluest Eye
  • United States Constitution
  • Surveillance
  • Prohibition
  • Mass Incarceration
  • Mandatory Sentencing
  • Law Enforcement
  • Gun Control
  • Army Values
  • Identity Politics
  • Public Speaking
  • Political party
  • American Imperialism
  • Colonialism
  • Study Abroad
  • Special Education
  • Recommendation
  • Physical Education
  • Importance of Education
  • Higher Education
  • Education System
  • Swot Analysis
  • Organization
  • Marketing management
  • Risk Management
  • International Business
  • Entrepreneurship
  • Bussiness Plan
  • Visual Arts
  • Romanticism
  • Renaissance
  • Music Industry
  • Movie Review
  • Horror Film
  • Documentary
  • Seven deadly sins
  • Reality television

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Free Essays by Words:

Last added works, music as a voice of change: decoding ‘revolution’ in the beatles’ lyricism.

The 1960s were a time of profound upheaval, and the music of The Beatles often served as both a reflection and an influencer of the era's shifting tides. Among their vast repertoire, the song "Revolution" stands out as an emblem of its time—a time when social movements churned with fervor, and the youth sought to redefine the world. Yet, to delve into the lyrics of "Revolution" is to uncover layers of meaning and intent, an interplay of caution and encouragement, […]

Theodore Roosevelt’s Square Deal in American History: Unpacking a Progressive Promise

In the annals of American history, few presidential promises have resonated through the ages quite like Theodore Roosevelt's Square Deal. Conceived as a cornerstone of his domestic policy, the Square Deal was Roosevelt’s ambitious blueprint to offer a fair shake to every American citizen. Not merely a set of isolated reforms, the Square Deal was an ethos, a political philosophy, and a rallying cry for equity that has since become emblematic of early 20th-century progressivism. At the heart of the […]

Jan Brett’s Enchanted Realm: a Whimsical Journey through Children’s Literature

"Jan Brett, an American author and illustrator, has carved a unique niche in the world of children's literature with her distinctive style and captivating storytelling. Renowned for her detailed illustrations and engaging narratives, Brett's books have become a staple in children's collections worldwide. This essay explores the charm and educational value of Jan Brett's works, delving into how her books have enchanted young readers and contributed significantly to children’s literary canon. Brett's journey as an author and illustrator began with […]

Literature’s Lessons: Safety and Partnership in ‘Officer Buckle and Gloria

In the world of children’s literature, few stories are as delightful and didactic as Peggy Rathmann’s "Officer Buckle and Gloria." This charming tale, more than just an amusing story of a policeman and his dog, is a nuanced exploration of themes such as friendship, teamwork, and the importance of safety. It’s a narrative that has captured the hearts of both children and adults, offering lessons that extend far beyond its colorful pages. "Officer Buckle and Gloria" tells the story of […]

Tracing the Timeless Journey of Dwight Yoakam: a Reflection on Age and Music

Dwight Yoakam, a name synonymous with the resurgence of honky-tonk music and a pioneer in the country genre, has been a fixture in the music industry for decades. His age, however, is more than just a number; it is a testament to his enduring presence and evolving artistry in the ever-changing landscape of music. In this essay, we explore not only how old Dwight Yoakam is but also how his age reflects the depth of his experience and the breadth […]

Dwight Yoakam: the Renaissance Man of Country Music

In the panorama of country music, few artists have managed to blend traditional roots with modern sensibilities as seamlessly as Dwight Yoakam. With a career spanning over four decades, Yoakam has not only established himself as a cornerstone of country music but also as a multifaceted artist whose influence extends beyond music into acting and business. This essay aims to explore the journey of Dwight Yoakam, shedding light on his contributions to music, his unique style, and his impact on […]

American History’s Tempests: the Weather Underground’s Ann Arbor Origins

The tapestry of American history is woven with the threads of various social movements that have influenced the nation's political, cultural, and ideological landscapes. One of the more turbulent threads is that of the Weather Underground, a radical left-wing organization that gained notoriety in the late 1960s and 1970s. Ann Arbor, Michigan, known primarily for its prestigious university and its progressive ideals, served as an influential hub for the Weather Underground, catalyzing a tempest of activism that swept across the […]

Psychology in Practice: Defining the Contours of Shaping in Behavioral Approaches

As we wade through the sea of psychological terms and theories, the concept of shaping emerges as a fascinating island worth exploring. Shaping, in the realm of psychology, is far more than molding minds; it is a systematic method for teaching complex behaviors. Rather than expecting a leap from beginner to expert, shaping allows us to appreciate the gradual progression of learning, an artful dance between stimulus and response. This psychological tool is an instrumental technique derived from the behaviorist […]

Unlocking the Hidden Knowledge: Understanding Latent Learning in Psychology

In the realm of psychology, there’s a curious phenomenon where knowledge and skills are acquired quietly, lying dormant until the situation calls for them. This phenomenon is known as latent learning, a concept that challenges traditional understandings of the learning process and underscores the complexity of the human mind. Latent learning takes place without any obvious reinforcement or immediate evidence of learning. It is learning that occurs subtly and often goes unnoticed until it is demonstrated at a later time […]

Music and Meaning: Dissecting the Riff Behind Eric Clapton’s ‘Cocaine’ Lyrics

In the pantheon of rock music, few songs have sparked as much discussion and analysis as Eric Clapton’s “Cocaine.” With its blues-infused guitar riff and a chorus that’s become a sing-along staple, the song holds a firm place in Clapton’s musical repertoire and in rock history. Yet, the seemingly straightforward lyrics, penned by J.J. Cale, have led to much debate over the song’s message and Clapton’s interpretation of the piece. At first blush, “Cocaine” seems to glamorize the high of […]

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Essays on Website

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Beneficial Systems and Strategies Applied in an Improvement of a Website

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Reasons ecommerce sites fail, horizontal and vertical scaling in cloud solutions, analysis of the factors of myspace falling down, web services description language, what do you know about wikis, everything that you need to know about aws network diagram, reliable web hosting, the investigation about silk road, things that you should take into account when choosing the right seo agency in surrey, review of alexis c. madrigal’s "i’m being followed", wager and get rewarded with mevu, what to look for in a shared hosting package, report on evaluating web design of two sites, how does the hypertext transfer protocol work, a brief look into french media sites, significance of inbound links, search engine traffic for low ranking blogs, increase traffic on your website with seo, success in changing domain without losing positioning, relevant topics.

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The Beginner's Guide to Writing an Essay | Steps & Examples

An academic essay is a focused piece of writing that develops an idea or argument using evidence, analysis, and interpretation.

There are many types of essays you might write as a student. The content and length of an essay depends on your level, subject of study, and course requirements. However, most essays at university level are argumentative — they aim to persuade the reader of a particular position or perspective on a topic.

The essay writing process consists of three main stages:

  • Preparation: Decide on your topic, do your research, and create an essay outline.
  • Writing : Set out your argument in the introduction, develop it with evidence in the main body, and wrap it up with a conclusion.
  • Revision:  Check the content, organization, grammar, spelling, and formatting of your essay.

Table of contents

Essay writing process, preparation for writing an essay, writing the introduction, writing the main body, writing the conclusion, essay checklist, lecture slides, frequently asked questions about writing an essay.

The writing process of preparation, writing, and revisions applies to every essay or paper, but the time and effort spent on each stage depends on the type of essay .

For example, if you’ve been assigned a five-paragraph expository essay for a high school class, you’ll probably spend the most time on the writing stage; for a college-level argumentative essay , on the other hand, you’ll need to spend more time researching your topic and developing an original argument before you start writing.

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Before you start writing, you should make sure you have a clear idea of what you want to say and how you’re going to say it. There are a few key steps you can follow to make sure you’re prepared:

  • Understand your assignment: What is the goal of this essay? What is the length and deadline of the assignment? Is there anything you need to clarify with your teacher or professor?
  • Define a topic: If you’re allowed to choose your own topic , try to pick something that you already know a bit about and that will hold your interest.
  • Do your research: Read  primary and secondary sources and take notes to help you work out your position and angle on the topic. You’ll use these as evidence for your points.
  • Come up with a thesis:  The thesis is the central point or argument that you want to make. A clear thesis is essential for a focused essay—you should keep referring back to it as you write.
  • Create an outline: Map out the rough structure of your essay in an outline . This makes it easier to start writing and keeps you on track as you go.

Once you’ve got a clear idea of what you want to discuss, in what order, and what evidence you’ll use, you’re ready to start writing.

The introduction sets the tone for your essay. It should grab the reader’s interest and inform them of what to expect. The introduction generally comprises 10–20% of the text.

1. Hook your reader

The first sentence of the introduction should pique your reader’s interest and curiosity. This sentence is sometimes called the hook. It might be an intriguing question, a surprising fact, or a bold statement emphasizing the relevance of the topic.

Let’s say we’re writing an essay about the development of Braille (the raised-dot reading and writing system used by visually impaired people). Our hook can make a strong statement about the topic:

The invention of Braille was a major turning point in the history of disability.

2. Provide background on your topic

Next, it’s important to give context that will help your reader understand your argument. This might involve providing background information, giving an overview of important academic work or debates on the topic, and explaining difficult terms. Don’t provide too much detail in the introduction—you can elaborate in the body of your essay.

3. Present the thesis statement

Next, you should formulate your thesis statement— the central argument you’re going to make. The thesis statement provides focus and signals your position on the topic. It is usually one or two sentences long. The thesis statement for our essay on Braille could look like this:

As the first writing system designed for blind people’s needs, Braille was a groundbreaking new accessibility tool. It not only provided practical benefits, but also helped change the cultural status of blindness.

4. Map the structure

In longer essays, you can end the introduction by briefly describing what will be covered in each part of the essay. This guides the reader through your structure and gives a preview of how your argument will develop.

The invention of Braille marked a major turning point in the history of disability. The writing system of raised dots used by blind and visually impaired people was developed by Louis Braille in nineteenth-century France. In a society that did not value disabled people in general, blindness was particularly stigmatized, and lack of access to reading and writing was a significant barrier to social participation. The idea of tactile reading was not entirely new, but existing methods based on sighted systems were difficult to learn and use. As the first writing system designed for blind people’s needs, Braille was a groundbreaking new accessibility tool. It not only provided practical benefits, but also helped change the cultural status of blindness. This essay begins by discussing the situation of blind people in nineteenth-century Europe. It then describes the invention of Braille and the gradual process of its acceptance within blind education. Subsequently, it explores the wide-ranging effects of this invention on blind people’s social and cultural lives.

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The body of your essay is where you make arguments supporting your thesis, provide evidence, and develop your ideas. Its purpose is to present, interpret, and analyze the information and sources you have gathered to support your argument.

Length of the body text

The length of the body depends on the type of essay. On average, the body comprises 60–80% of your essay. For a high school essay, this could be just three paragraphs, but for a graduate school essay of 6,000 words, the body could take up 8–10 pages.

Paragraph structure

To give your essay a clear structure , it is important to organize it into paragraphs . Each paragraph should be centered around one main point or idea.

That idea is introduced in a  topic sentence . The topic sentence should generally lead on from the previous paragraph and introduce the point to be made in this paragraph. Transition words can be used to create clear connections between sentences.

After the topic sentence, present evidence such as data, examples, or quotes from relevant sources. Be sure to interpret and explain the evidence, and show how it helps develop your overall argument.

Lack of access to reading and writing put blind people at a serious disadvantage in nineteenth-century society. Text was one of the primary methods through which people engaged with culture, communicated with others, and accessed information; without a well-developed reading system that did not rely on sight, blind people were excluded from social participation (Weygand, 2009). While disabled people in general suffered from discrimination, blindness was widely viewed as the worst disability, and it was commonly believed that blind people were incapable of pursuing a profession or improving themselves through culture (Weygand, 2009). This demonstrates the importance of reading and writing to social status at the time: without access to text, it was considered impossible to fully participate in society. Blind people were excluded from the sighted world, but also entirely dependent on sighted people for information and education.

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The conclusion is the final paragraph of an essay. It should generally take up no more than 10–15% of the text . A strong essay conclusion :

  • Returns to your thesis
  • Ties together your main points
  • Shows why your argument matters

A great conclusion should finish with a memorable or impactful sentence that leaves the reader with a strong final impression.

What not to include in a conclusion

To make your essay’s conclusion as strong as possible, there are a few things you should avoid. The most common mistakes are:

  • Including new arguments or evidence
  • Undermining your arguments (e.g. “This is just one approach of many”)
  • Using concluding phrases like “To sum up…” or “In conclusion…”

Braille paved the way for dramatic cultural changes in the way blind people were treated and the opportunities available to them. Louis Braille’s innovation was to reimagine existing reading systems from a blind perspective, and the success of this invention required sighted teachers to adapt to their students’ reality instead of the other way around. In this sense, Braille helped drive broader social changes in the status of blindness. New accessibility tools provide practical advantages to those who need them, but they can also change the perspectives and attitudes of those who do not.

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Checklist: Essay

My essay follows the requirements of the assignment (topic and length ).

My introduction sparks the reader’s interest and provides any necessary background information on the topic.

My introduction contains a thesis statement that states the focus and position of the essay.

I use paragraphs to structure the essay.

I use topic sentences to introduce each paragraph.

Each paragraph has a single focus and a clear connection to the thesis statement.

I make clear transitions between paragraphs and ideas.

My conclusion doesn’t just repeat my points, but draws connections between arguments.

I don’t introduce new arguments or evidence in the conclusion.

I have given an in-text citation for every quote or piece of information I got from another source.

I have included a reference page at the end of my essay, listing full details of all my sources.

My citations and references are correctly formatted according to the required citation style .

My essay has an interesting and informative title.

I have followed all formatting guidelines (e.g. font, page numbers, line spacing).

Your essay meets all the most important requirements. Our editors can give it a final check to help you submit with confidence.

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An essay is a focused piece of writing that explains, argues, describes, or narrates.

In high school, you may have to write many different types of essays to develop your writing skills.

Academic essays at college level are usually argumentative : you develop a clear thesis about your topic and make a case for your position using evidence, analysis and interpretation.

The structure of an essay is divided into an introduction that presents your topic and thesis statement , a body containing your in-depth analysis and arguments, and a conclusion wrapping up your ideas.

The structure of the body is flexible, but you should always spend some time thinking about how you can organize your essay to best serve your ideas.

Your essay introduction should include three main things, in this order:

  • An opening hook to catch the reader’s attention.
  • Relevant background information that the reader needs to know.
  • A thesis statement that presents your main point or argument.

The length of each part depends on the length and complexity of your essay .

A thesis statement is a sentence that sums up the central point of your paper or essay . Everything else you write should relate to this key idea.

The thesis statement is essential in any academic essay or research paper for two main reasons:

  • It gives your writing direction and focus.
  • It gives the reader a concise summary of your main point.

Without a clear thesis statement, an essay can end up rambling and unfocused, leaving your reader unsure of exactly what you want to say.

A topic sentence is a sentence that expresses the main point of a paragraph . Everything else in the paragraph should relate to the topic sentence.

At college level, you must properly cite your sources in all essays , research papers , and other academic texts (except exams and in-class exercises).

Add a citation whenever you quote , paraphrase , or summarize information or ideas from a source. You should also give full source details in a bibliography or reference list at the end of your text.

The exact format of your citations depends on which citation style you are instructed to use. The most common styles are APA , MLA , and Chicago .

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How To Cite A Website In An Essay

  • March 22, 2020

Here's What We'll Cover

When writing an essay, it is important to credit the author or the publisher you have gotten information from. Why? Because it builds your credibility as a writer and also prevents plagiarism . It is unfair to make somebody else’s work look like yours. Not only will you attribute work to the correct sources but you will also help those reading your work to locate the sources and determine whether the referenced material supports your argument. Since more people use online sources to help in their research, it is essential to know how to cite a website in an essay. There are various citation styles, and this article will help you learn everything you need to know about citation in an essay.

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Things To Take Note Of On How To Cite A Website In An Essay

The following are some of the things you should consider regarding how to cite a website in an essay . These are;

  • Date of retrieval
  • Author’s name
  • Title of the article or page
  • Title of the website
  • Name of the Publisher 
  • Date the page or site was published (if available)

The unique resource locator helps you identify where exactly online you found your source. It is important to include the URL in your end of text citation. However, you should note that updates continue to come out for the different citation styles. Most recently, MLA does not require that you include the URL in your end of text citation, as was the previous case. 

One of the main reasons for this is that website owners can bring down websites. Search engines can also bring down a website if the website violates certain guidelines. APA still requires that you include the URL if available. 

The digital object identifier works similarly to the URL. It allows the essay reviewer to locate the exact source of the reference you use in your essay. The DOI is more reliable compared to the URL. The reason for this is that even though a website owner may choose to bring down his or her website, the DOI will remain in place. 

It is, therefore, a better alternative to use the DOI rather than use the URL when writing your end of text citation. However, get to know whether the organization or institution you are writing requires that you list one or both of these resource identifiers. 

Date of Retrieval 

The exact date on which you access the source you are going to use in your essay is important to include in your end of text citation. This date is also vital in the in-text citation, especially for APA. As with a book or any other source, you will list the name of the author or publication and follow it up with a comma then the date. MLA requires that you list the date, month and the year at the end of text citation. 

For APA, MLA and Chicago, the in-text citation only requires that you write the year you accessed the source. The importance of listing the date you retrieved the source is to enable the reviewer or reader to gauge how old the source is. This is important because information quickly becomes obsolete online. 

Author’s Name

The author is responsible for creating the work, and it can either be an individual or a group. Usually, the author’s name is the first thing listed in a citation unless there is no author.

Title of The Article or Page

This is usually at the top of the page and sometimes at the very top of your browser. It also refers to one part or page of a website.

Title of The Website

It usually appears at the top of the tab. It is an HTML element that specifies the content of a webpage.

Name of The Publisher 

For websites, the publisher is the author of the post or page or the organization behind the website. Moreover, the publisher name may be omitted from the citation if it is the same as the website title. 

Date The Page or Site Was Published (if available)

 This represents the date when the web page was uploaded to the website.

Format Of How To Cite A Website 

The specifics of how to cite a website in an essay will depend on the citation style that your institution or program requires you to use. However, all the citation styles will follow a general format, albeit with a few variations. 

The surname of the author will come first and the first name will come last in all citation styles. In the absence of the name of the author, the name of the Publication will replace the name of the author.

An example of how to cite a website

how to cite a website in an essay

The title of the source will come next and depending on the specific citation style. This will be either in italics or in quotation marks. In the absence of the title of the post, the webpage will replace this. You will then follow up this with the date of retrieval and finally, the DOI or URL. Again, depending on the citation style in use, you will copy the entire URL or eliminate a part of it before, including in your citation.

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Final Thoughts 

Citing a website is essential for avoiding plagiarism and giving credit where it’s due. It is advisable to know the citation style used by the institution you are writing to help you cite your web sources correctly. Additionally, refer to any handbook or guide that your institution offers to ensure that you are always citing websites correctly. 

How do you list sources?

There are various types of listings, and they include; listing a website, listing a book, and finally listing a magazine or article.

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Last updated on Feb 07, 2023

The 50+ Best Writing Websites of 2023

The Internet is full of writing websites and blogs to help people reach their creative goals . If you’ve always dreamt of writing your own book, but don’t know how to get there — or if you’re in the process of writing, but feel unsure about what to do next — then it’s your lucky day! Here we have all the best writing websites of 2023 in one single place for your convenience. They’re also organized by category, and alphabetically within each of those categories, to make each one easier to find. Enjoy!

Best writing websites for writing craft and inspiration

writing websites

1. Almost an Author

Offering up new content every day, Almost an Author covers a grand scope of writing topics. From genre-specific advice to emotional support on your writing journey, there's tons of useful info here for beginner and veteran writers alike.

2. Association of Writer & Writing Programs

Having just marked their 50th anniversary, AWP is one of the premier authorities on writing. The AWP website provides resources and ample opportunities for authors, teachers, and students at every point in their career. Here you’ll be able to find information about writing programs, career options, and conferences all over the world. Keep in mind, though, that access to some of these features is restricted to members only.

3. Creativity Portal

This is a wonderful hub for creative resources that has been around for a whopping nineteen years! Here you can find writing prompts , creative coaching, printable writing templates, and interviews with authors that will help nourish the right side of your brain.

4. Daily Writing Tips

As the name suggests, this site offers daily writing tips ranging from open-ended prompts and exercises to grammar, spelling, punctuation, and vocabulary. It also covers all writing levels and professions, so it doesn't matter how far along you are in your writing career — DWT is sure to help you out.

Instead of spending thousands of dollars on a master’s degree, you can get your own "DIY MFA" right here! This site (founded by Gabriela Pereira ) aims to cover everything you would learn in a graduate program, while giving you the freedom to choose your own areas of concentration and allocate your time as you please. 

6. Electric Literature

While not exactly a craft-focused website — so no straight-up writing advice or prompts — this nonprofit digital publisher showcases literature-related essays, criticism, and recommended readings. If you're looking to brush up on both literary theory and recent literary trends, Electric Lit is the place for you.

7. Fiction University

This virtual university, run by award-winning author Janice Hardy, contains tons of advice and concrete examples to help authors build a strong writing foundation. It's full of blog posts by professionals who share their own processes and techniques, providing tips not just on what you should do as a writer, but on how  to make it happen.

8. Helping Writers Become Authors

Longtime author K.M. Weiland offers writing advice that ranges from outlining and structuring to characterization and dialogue — plus all the little details in between. She updates her blog faithfully with topical posts that would pique any writer's (or non-writer's) interest.

9. Insecure Writer's Support Group

Writing is intimidating for everyone , whether you're a multi-published author or you're just starting out. That's why getting support, guidance, and motivation throughout the process is vital! On IWSG, you'll discover a wealth of information on writing, publishing, marketing, and anything else you might need to ultimately overcome your insecurities.

10. Literary Hub

LitHub boasts a superb selection of content for all things literary. Here you can get all the latest book-related news, posts on design and the craft, your daily dose of fiction, and sparkling reviews of new works. One of this site's best features is its section on literature in translation — a great resource for those who want to read books and authors from around the world.

11. LitReactor

The LitReactor blog consists of writing classes, workshops, and a myriad of posts on writing and books ( some of which are even written by us! ). There’s also an online magazine that includes interviews, criticism and analysis, and seasonally appropriate reads and recommendations.

12. LitRejections

An unfortunate occupational hazard of with writing is rejection. This is where a site like LitRejections comes into play! It offers personal stories to help discouraged writers persevere through rejection, and maintain hope and motivation as they move forward in their careers.

13. Live Write Thrive

In this website by professional writer and editor C.S. Lakin, you’ll find plenty of nuanced writing anecdotes and tips. Lakin also supplies annotated critiques that can help you prep your book for publication.

14. NaNoWriMo

Besides serving as the official information hub for NaNoWriMo , this site also lends constant support for those struggling to "win" National Novel Writing Month. Make sure to check out the NaNoWriMo forums, which are chock-full of other people's personal writing tips and strategies to get you through November — and every other month of the year — as a writer.

15. Now Novel

This comprehensive website, founded by author Bridget McNulty , is a go-to for just about every writing-related question you might have. Here you'll also find advice, courses, and even an author dashboard where you can keep track of your own writing progress.

16. Positive Writer

If you often feel uncertain about your creative abilities, this is the site for you. Bryan Hutchinson created Positive Writer to encourage and inspire all those who want to write, no matter how much experience or confidence they have.

17. ProWritingAid

ProWritingAid offers a fantastic manuscript editing software that analyzes your writing and creates reports for you to learn from! This tool also includes a thesaurus, grammar checks, style suggestions, and more — you can learn all about it on the ProWritingAid blog, or in our review of the app !

18. She Writes

A well-established writing website with a feminist bent, She Writes is "the largest online community and content site for women writers... all around the world." The site features thoughtful posts and resources to help writers on their journeys, as well as a personal She Writes blog page for every user who signs up.

19. Well-Storied

Here you can find recent articles, workbooks, tutorials, and fascinating discussions on writing. Kristine Kieffer has an extensive archive of posts as well, where you can procure information on just about any topic related to books and writing.

20. The Write Practice

Fulfilling the promise of their name, every single post on this site emphasizes putting theory into practice! There's simply no better way to become a writer than by creating a routine, and that’s exactly what The Write Practice helps facilitate.

21. Writer’s Digest

Writer's Digest is one of the most encyclopedic writing websites out there — after all, the print magazine has been around for almost a century now! Here you’ll find genre and vocation-organized articles, events and competitions, webinars, templates, tutorials, and so much more.

22. Writer Unboxed

Writer Unboxed features articles by authors and industry professionals, focused specifically on the craft and business of fiction writing.

23. The Writing Cooperative

Plain and simple, this is a group of people who want to help each other become better writers. On Writing Cooperative, you will find articles that cover just about every aspect of the writing life. They also have monthly writing challenges to keep you incentivized, and there’s even a space where you can submit your own article to the blog!

24. Writing.com

This is an absolutely all-inclusive community for writers . It’s open to all levels and provides a creative, supportive environment for all members, as well as portfolios to store and display their writing. Like most writing websites, it also includes a plethora of writing tools , contests, and rewards.

25. Catapult: Don’t Write Alone

Don’t Write Alone is a blog written by the Catapult team dedicated to helping writers grow their skills. As a publisher and magazine founded in 2005, Catapult has seen a lot of works and now they’re spilling all the details. From interviews, to craft essays, to writer lifestyle essays, Catapult covers it all.

26. Kirkus Review’s Writers’ Center

Kirkus Review is known for its prestigious $50,000 dollar annual prize and its bi-monthly issues where they critique hundreds of recently published books. But, did you know they also have a section of their website devoted to helping emerging writers grow their skills and navigate the publishing industry? They’re always up to date on the latest trends — if they aren’t creating new trends themselves.

27. Writers Write

An invaluable resource for creative writers, business writers, or bloggers, Writers Write offers over 1400 articles, courses, and workbooks to help you take your writing practice to the next level. Alongside their educational content, they offer book reviews, trivia on famous authors, and prompts. Sign up for their inspirational newsletters for regular hits of motivation that will keep you writing.

28. The Narrative Arc

Beginning as a home to Andie R. Cranford’s writing journey, The Narrative Arc is now a treasure trove of practical tips and prompts to inspire your creativity. Breakdowns of popular books are particularly handy for the budding author — but whether exploring writing for the first time or tightening the bolts on your Franken-novel, the site's ideas on craft are elegant and inspiring.

Best writing websites in the publishing industry

writing websites

29. Agent Query

This database allows authors to perform in-depth searches for literary agents . You can narrow your search by genre and keywords, view agents’ full profiles, and see if they are currently accepting queries — all for free!

30. The Creative Penn

Besides being a bestselling author on various topics, Joanna Penn is also a leading voice in self-publishing . On her punnily named site, you’ll find abundant information related to writing, self-publishing, marketing, and everything else you mind need to make a living as a writer.

31. Digital Pubbing

Digital Pubbing provides industry news, interviews with indie authors, and resources for learning all about ebooks and the publishing industry. In accordance with the name, this is the perfect site for any author hoping to absorb some serious digital knowledge.

32. The Independent Publishing Magazine

We know it might seem like we're repeating ourselves, but this website really is all about publishing (both independent and traditional, despite what the name indicates). Whatever info you need about self-publishing, trad pub, or hybrid publishing , you’ll definitely be able to find it here.

33. Publishers Weekly

And if you have a specific question about the publishing world, you’ll most likely find the answer here. This weekly magazine is packed full of news, reviews, announcements, and many other resources on the industry. It has been dubbed as "the Bible of the book business" and with its extensive archive, it’s easy to see why.

34. Publishing Perspectives

Publishing Perspectives is another leading source of publishing info, specializing in industry news and topical articles. Aimed at publishers, agents , and authors alike, it features a variety of posts that cover book fairs, distribution, education, and much more.

35. Query Shark

Not sure where your query letter is up to snuff? Query Shark offers the opportunity to have your query critiqued, and to read detailed query critiques of other authors' letters, so you can get the best possible results for your book. Be warned, though, that this sharp-toothed feedback isn't for the weak of heart.

36. Writer Beware

This amazingly thorough site compiles information on schemes and scams that affect authors , especially those run through email and the Internet. It’s sponsored by the Science Fiction and Fantasy Writers of America, but obviously applies to authors everywhere. If you're a fresh-faced author trying to get published, definitely check it out — it could save you from losing thousands of dollars in an elaborate scam.

37. The Darling Axe

When the industry professionals at The Darling Axe aren’t working on manuscripts, they flock to the internet to share their hot takes on the publishing industry. They also host writing contests throughout the year to build a writing community and give unpublished authors the chance to get feedback from professionals.

Best writing websites for marketing and design

writing websites

38. David Gaughran

An experienced author of historical adventures, short stories, and popular books for writers , David Gaughran is one of the definitive writing experts out there. His eponymous blog contains plenty of info on marketing and self-publishing, plus workshops to help aspiring authors. And similar to Writer Beware, he's the noble opposition of online publishing scams and scammers — so if you're frustrated by these issues, you'll discover a blissfully sympathetic voice on his blog.

39. Kikolani

Focused specifically on marketing, Kikolani offers tips and strategies for bloggers who want to grow their presence and attract more readers. Here you’ll find information on brand development , social media, customer retention, and other useful tips that you can put to good use as a blogger. (If you're just getting started, though, we'd recommend this course .)

40. Kindlepreneur

Dave Chesson is — in his own words — a “digital marketing nut.” His blog has all the information you could ever need about Kindle book publishing , how to write to market, increasing your rankings on Amazon, and lots more practical tips and advice.

41. Storiad

Storiad is a marketing platform that helps authors and publishers sell books. Go here for essential information on writing apps , databases, tools, and budgeting to help you run your own publishing campaign from start to finish.

42. Writers & Artists

Part of the distinguished Bloomsbury, Writers & Artists has quite a few articles on writing and the self-publishing process. They also offer editorial services and events on many different topics, like genre-specific writing courses and how to get connected with agents .

43. Your Writer Platform

Naturally, this site is dedicated to building your very own writer platform. There are tons of tips, resources, tools, how-tos, and even individual consulting services to help you build the platform that works best for you and your marketing needs.

Best writing blogs by industry professionals

writing websites

44. Goins, Writer

Bestselling author Jeff Goins created this blog to share his thoughts on writing and to inspire others to chase their creative dreams. He's especially good at breaking complex topics down into digestible bits — new writers, go here for your primers.

45. Jane Friedman

With copious experience in the publishing industry, Jane Friedman offers online classes and articles on the entire process of book publishing. She's a real goldmine of business knowledge, so keep her in mind for when you're ready to publish your book.

46. Nail Your Novel

As a bestselling former ghostwriter who now publishes under her own name, Roz Morris provides advice about writing, self-publishing, and of course, ghostwriting . If you're interested in becoming a ghostwriter, be sure to check out her courses!

47. Nathan Bransford

Nathan Bransford is a former literary agent who posts all about the inner workings of publishing, as well and information on agents and self-publishing. He also does consultations, edits, and critiques . 

48. Rachelle Gardner

Skillful agent Rachelle Gardner has negotiated over 200 contracts with over twenty publishers and helped more than 100 authors fulfill their dreams of publishing. On her blog, she offers writing, publishing, and social media coaching, along with general writing and publishing tips.

49. Kris Writes

For regular insights from a New York Times bestselling author, look no further than Kristine Kathryn Rusch's blog. On Mondays, she posts free short stories for authors to find inspiration in, and Wednesdays she posts in her “Business Musings” collection where she breaks down news from the publishing industry and offers her inside opinions. 

50. The Marginalian  

Maria Popova describes her site as “a record of my own becoming as a person — intellectually, creatively, spiritually, poetically — drawn from my extended marginalia on the search for meaning across literature, science, art, philosophy, and the various other tendrils of human thought and feeling.” She sends out a Sunday newsletter with thoughtful deconstruction of the week’s best liberal arts goings-on to help broaden her readers’ appreciation of the creative world.

51. John August

For all the screenwriters out there, John August co-hosts a weekly podcast with fellow screenwriter Craig Mazin discussing both the craft and business of screenwriting while breaking down popular movies. To help screenwriters really get a feel for the process of working with a studio, John has posted multiple versions of scripts from different stages in the production process on films and series he’s written, including Charlie and the Chocolate Factory , Big Fish , and Chernobyl .

What are some of your favorite writing websites? Let us know in the comments below!

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Every Website is an Essay

Every website that’s made me oooo and aaahhh lately has been of a special kind; they’re written and designed like essays. There’s an argument, a playfulness in the way that they’re not so much selling me something as they are trying to convince me of the thing. They use words and type and color in a way that makes me sit up and listen.

And I think that framing our work in this way lets us web designers explore exciting new possibilities. Instead of throwing a big carousel on the page and being done with it, thinking about making a website like an essay encourages us to focus on the tough questions. We need an introduction, we need to provide evidence for our statements, we need a conclusion, etc. This way we don’t have to get so caught up in the same old patterns that we’ve tried again and again in our work.

And by treating web design like an essay, we can be weird with the design. We can establish a distinct voice and make it sound like an honest-to-goodness human being wrote it, too.

One example of a website-as-an-essay is the Analogue Pocket site which uses real paragraphs to market their fancy new device.

essay about websites

Another example is the new email app Hey in which the website is nothing but paragraphs — no screenshots, no fancy product information. It feels like a political manifesto hammered onto a giant wooden door.

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Apple’s marketing sites are little essays, too. Take this one section from the iPad Pro all about the LiDAR Scanner. It’s not so much trying to sell you an iPad at this point so much as it is trying to argue the case for LiDAR. And as with all good essays it answers the who, what, why, when, and how.

essay about websites

Another example is Stripe’s recent beautiful redesign. What I love more than the outrageously gorgeous animated gradients is the argument that the website is making. What is Stripe? How can I trust them? How easy is it to get set up? Who, what, why, when, how.

essay about websites

To be my own devil’s advocate for a bit though, we’re all familiar with this line of reasoning: Why care about the writing so much when people don’t read? Folks skim through a website. They don’t persevere with the text, they don’t engage with the writing, and you only have half a millisecond to hit them with something flashy before they leave. They can’t handle complex words or sentences. They can’t grasp complex ideas. So keep those paragraphs short! Remove all text from the page!

The implication here is that users are dumb . They can’t focus and they don’t care. You have to shout at them. And I kinda sorta hate that.

Instead, I think the opposite is true. They’ve seen the same boring websites for years. Everyone is tired of lifeless, humorless copywriting. They’ve seen all the animations, witnessed all the cool fonts, and in the face of all that stuff, they yawn. They yawn because it supports a bad argument, or more precisely, a bad essay; one that doesn’t charm the reader, or give them a reason to care.

So what if we made our websites more like essays and less like billboards that dot the freeways? What would that look like?

Webpages are text markup. The core raison d’etre of any webpage is in its text, even if it’s just a form. I don’t design a single UI element until the words are finished. If the copy is tight the rest is easy.

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  • Essay on Relationships

Free Essay About Website Analysis

Type of paper: Essay

Topic: Relationships , Teenagers , Dating , Love , Website , Family , Violence , Information

Published: 02/20/2023

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<Institution> During adolescence stage, teenagers experience physical and psychological development that concerns their sexuality. Their bodies develop to be more matured, and it is also during this period that they become physically attracted to others. In addition, these changes prompt teenagers to ask many questions about their sexuality. Families, specifically the parents, are expected to be the first people to assist and guide teenagers during this period. However, it is a fact that not all parents or families are open to communicate about the topic of sex and relationships. Often times, these topics are not discussed as it is related to many subtopics that are deemed as sensitive and inappropriate to talk about (e.g., what is sex?). This is why some teenagers choose to search for answers on their own, and they do it with the help of new media, specifically the internet. According to Roberts, Foehr, & Rideout, teenagers in the United States spend six to seven hours per day using the media, which include the internet (qtd. in Brown, Keller, and Stern 12). An example resource that teenagers may find online is the website entitled lovetoknow. This website provides pieces of information on different aspects of sex and relationships. Although it serves as a form of education for adolescence in terms of sex, dating, and romantic love, it can also pose harm by unintentionally encouraging them to engage in sex at an early age. First of all, the website lovetoknow can serve as a form of educational tool for teenagers who want to explore more about sex, dating, and romantic love – especially if they are having issues which they could not discuss with their parents or family members. For instance, part of the website is a section called Dating and Relationships. Opening this section would lead the user to different topics and discussions concerning relationship building and dating. One of the articles published under this section is entitled Dating Violence Statistics. If teenagers would be able to explore this specific page, they will be educated about the issue of dating violence. It is a fact that most teenagers would probably view dating as something positive, but with the pieces of information shared on this page, they will be aware that violence in dating is for real and that it can happen even to young couples. Gaining knowledge on this issue can potentially help them avoid it in the future or escape from it in case they are already victims. This can potentially impact their perspective by showing them another side, the potentially dark side, of dating and relationship. However, education is not all that the lovetoknow website provides. Without adult guidance and if not properly understood, it may also encourage them to engage in early sexual activities, and this can pose more harm than good. For instance, another part of the website is called Sex and Dating, and various articles about sex can be explored here. An example article is entitled How to Have Romantic Sex. Although there are other articles in the website that discuss the dangers of unprotected sex and the benefits of having safe sex and abstinence, it is possible for teenagers to be directed to How to Have Romantic Sex. Without being properly educated about the risks associated with early sexual activities, this can be risky. According to the article, “A part of the reason romantic sex may be lacking in a relationship is that at least one party may not understand how important sex is for a couple's unity and general well-being” (Roberts, n.d.). This line, for instance, may make a 13 year-old teenager feel that sex is necessary and an integral part of relationship although he/she maybe too young for it. Therefore, such article may mislead teenagers and bring negative outcomes. Overall, the website lovetoknow may help guide teenagers’ sexual development by providing them knowledge and insights about the topics and issues that they may be facing about sex, dating, and relationships. However, without proper guidance, it is possible for them to misinterpret some of the information, especially if these pieces of information are more applicable to adult relationships.

Brown, J., Keller, S., & Stern, S. (2008). Sex, sexuality, sexting, and sexed: Adolescents and the media. The Prevention, 16, 12-16. Roberts, A. (n.d.).How to have romantic sex. Lovetoknow. Retrieved from http://dating.lovetoknow.com/Romantic_Sex http://dating.lovetoknow.com/Dating_and_Sex Info is inaccurate or misleading – 14 Slang terms may cause misleading – 14 May turn away from real people

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Jezebel and the Question of Women’s Anger

By Anna Holmes

Illustration of a woman being shouted at from both sides as her laptop spontaneously ignites.

Earlier this year, Ben Smith, the former editor-in-chief of BuzzFeed News and a onetime New York Times columnist, published a book, titled “ Traffic: Genius, Rivalry, and Delusion in the Billion-Dollar Race to Go Viral .” It explores the creation of, and the competition between, well-funded news-and-culture Web sites—BuzzFeed News and the Huffington Post among them—that began in the early two-thousands, just as the professional blogosphere was getting going. One day after the book’s May 2nd release, the Times published a Smith-authored guest essay , titled “We’re Watching the End of a Digital Media Age. It All Started with Jezebel.”

Jezebel is an influential feminist Web site that I created in 2007. Smith had devoted an entire chapter of “Traffic” to the story of the site’s creation, stumbles, and successes. He was complimentary, calling it “a new kind of cultural politics,” one that built “a community that rejected the old structures of gender and power, and tried to shape new ones.”

One could be forgiven for discerning a slight difference in tone between “Traffic” and the essay that appeared in the Times . Smith’s book took a deep look at the impact of a number of Web sites, but his Times essay seemed to make the argument that Jezebel in particular reflected a “remarkable new openness” and “uncontrollable anger” on the Internet. As he put it, “What makes Jezebel feel so relevant now is that it was among the first places to crystallize the powerful forces that would define social media over the next decade: politics and identity.”

I agreed that Jezebel embodied a “remarkable new openness,” and I was flattered by Smith’s acknowledgment of the site’s continued influence. But some of what he wrote gave me pause. His essay positioned the site as the start of an era that would culminate in the 2016 election of Donald Trump. I wanted nothing to do with it. As for “uncontrollable anger”? The phrase felt sexist and paternalistic.

I live in Los Angeles, so I wasn’t immediately aware of the conversation about the essay. People started texting me around 7 A.M. P.S.T. In the darkness of my cozy bedroom, I took a quick glance at the piece on my phone, admired the accompanying photo of me (it was a good photo, and I can be vain), rolled my eyes at a few of the conclusions, and then went back to bed.

About half an hour later, I was awoken again, this time by a phone call from a friend. It appeared that a small backlash to the piece was brewing online—namely, on Twitter. Some readers felt that, by focussing his attention on Jezebel, Smith was blaming women for outrage culture. I read this with interest—after all, women get blamed for a lot of things and aren’t credited enough for other things—but I also didn’t have the energy to respond to it. I placed my phone on my bedside table and pulled the covers back over my head.

I felt ambivalent. The essay had stirred up something from the past that I hadn’t been able to work out: what part, if any, I might have played in the evolution of derisive online discourse. Smith wasn’t purporting to answer this question—some of his language, perhaps deliberately, was a bit vague. But he did make a connection between Jezebel’s often combative commenters and the eventual users of social-media platforms like Twitter, accusing the site of unleashing “searing online mobs.” Jezebel had been created years before the wide-scale adoption of social media, back when people were still going to blogs and then refreshing them to see what new posts had appeared. According to Smith, “The unmediated passions of social media took up where it left off.”

Anger can be explosive. It can ignite social movements and chip away at calcified ideas about sex, gender, class, and race. It’s also fair to say that when women express it—or are accused of expressing it—they’re easily, sometimes viciously, mocked and derided. This is perhaps doubly true for women of color, who have to contend not only with sexist tropes but also with racial stereotypes and fearmongering around anger and tone. (Both my deputy editor at Jezebel, Dodai Stewart, and I are Black. The widely held assumption that the site was staffed only by white women possibly did us some sort of favor.)

But here’s the thing about tone: in many cases, it does matter. And though I was often politically and personally in agreement with our commenters, their over-the-top rhetoric could be alienating to me. I worried that this sort of rhetoric might offend new readers, and that it would be harmful to the new dialogue around gender politics that we were trying to influence and bring into the mainstream. Was there such a thing as “too much” anger? If so, who was I to determine what “too much” is? I felt torn, so I kept these questions mostly to myself.

When Jezebel launched, I was thirty-three, about to turn thirty-four. The events that led to the site’s creation have been written about many times before. So here’s the short version: disillusioned by the state of American women’s media, I was given the once-in-a-lifetime opportunity to create and oversee a women’s-media entity—in this case, a Web site. I imagined it as one with a lot of personality, with humor, with edge. I wanted it to combine wit, smarts, and anger, providing women—many of whom had been taught to believe that “feminism” was a bad word or one to be avoided—with a model of critical thinking around gender and race which felt accessible and entertaining. As one of my colleagues, Moe Tkacik, wrote , in an early post, “Jezebel is a blog for women that will attempt to take all the essentially meaningless but sweet stuff directed our way and give it a little more meaning, while taking [the more] serious stuff and making it more fun, or more personal, or at the very least the subject of our highly sophisticated brand of sex joke. Basically, we wanted to make the sort of women’s magazine we’d want to read.”

Of course, feminist Web sites and blogs were already exploring a new kind of politics among young American women. But, unlike Jezebel, they rarely incorporated robust and sustained pop-culture analysis, and they existed on the periphery of the Internet. (They also didn’t have the funding and other resources that my staff and I enjoyed.) These sites, independently owned, with names like Feministing, Feministe, Racialicious, and AngryBlackBitch, had cultivated devoted readerships, but their audiences were small, and their language was often academic.

Our audience, on the other hand, started off big and quickly got bigger, reaching more than ten million page views a month in the first year. (We had the benefit of being part of a larger blog network, anchored by Gawker , which we would overtake in traffic in less than three years.) I was delighted, if a little taken aback, by our readers’ immediate passion and loyalty. Within two months of the site’s launch, some readers were, unprompted, referring to themselves as “Jezebelles” or “Jezzies” in the comments sections of the site. Familiar screen names and avatars began to appear as regular readers populated the threads, talking with one another and, occasionally, with the site’s writers.

The majority of our commenters were very good. Smart, observant, well-read, vibrant, and dizzyingly funny, they added context and nuance to the stories we published and pressed us to do better. Within a year of Jezebel’s launch, they even attracted the attention of the New York Times , which described them as meeting for drinks and renting vacation houses together. But sometimes they were bad: sarcastic, mean, intellectually dishonest, and bullying toward one another. And sometimes they were horrible, behaving like a twisted Greek chorus trying to upstage the main performers. (Years later, as comments on Web sites began to migrate to social media, I would come to realize that they were the main performers.) “That’s sort of the nature of having a commenting community,” Erin Ryan, an early commenter who became a writer for the site, told me. “People start feeling like they should have a say in what happens there. And really that’s not how a publication works.” At one point, in 2009, I toyed with the idea of handing the site over to the commenters for a day, just to watch them fail.

At times we were accused of “tone-policing” our readers. And it’s true: we did tone-police, especially those commenters who were nasty or uncivil. We would take to the comments threads to warn readers about crossing some sort of line. When they derailed a thread, we’d ask them to move the discussion into the comments of a daily anything-goes post that I pointedly named “Groupthink.” (Most of the commenters didn’t seem to get the joke.) I could have, maybe should have, been tougher on them. My managing editor at the time counselled me to think of Jezebel as a virtual dinner party my writers and I were throwing. “You wouldn’t allow someone to be that rude to other guests or hosts. You’d kick them out,” he said. “Do the same thing in the comments.” But we rarely banned anyone outright. No one wanted to punish readers for being impassioned.

I like to think that, though the moderation was irritating to many commenters, it was also empowering. Readers knew that we were watching and that we cared about what they had to say. Someone once told me that the Jezebel commenters were so devoted, if often critical, because the community was made up of bright, ambitious young women who were underutilized and underappreciated at their day jobs. I thought that this was a fascinating, if depressing, observation.

I wondered, sometimes, whether my concerns about the comments were themselves sexist. Was I holding women to a standard of comportment? Complicating matters further was the fact that I’d started Jezebel and shepherded it to success on the back of my own anger. Though that anger, as I’ve explained, was legitimate and warranted—American women had been sold a bill of goods about who they were and what they wanted, or what they should want—it was starting to define the site, for both readers and casual observers.

I remember one blogger, a woman named Susannah Breslin, who, sometime after the site’s launch, accused its writers of “caterwauling about the patriarchy.” This made us laugh. Breslin’s accusation that writers on Jezebel yelled a lot—er, caterwauled—made sense. We were not without mischievousness (our parent company encouraged a certain amount of snark), but we also leaned into our anger—about sexism, about racism, about the erosion of women’s reproductive rights.

Other critics accused us of intentionally stoking readers’ outrage. In mid-2009, Slate’s women’s Web site, DoubleX, published, as one of its first posts, an article which claimed that Jezebel “is hurting women.” “It’s staffed by bloggers who are expected to produce around 10 high-traffic posts a day,” the feminist scholar Linda Hirshman (who passed away this week) wrote. “It didn’t take the bloggers long to realize that one way to attract a lot of traffic was to offer up outrageous behavior to the clicking public.” She recalled an evening in 2008 when two Jezebel writers got drunk during an onstage interview for the talk show “Thinking and Drinking” and made glib remarks about sexual assault. (These comments were then posted on the Huffington Post for all to see.)

I understood such hesitations—we had a big platform, and we were young and provocative and perhaps not ready for prime time—at the same time that I rejected them. In that instance, the outrageous behavior was not engineered, nor was the traffic welcomed. The entire staff was humiliated, and I was livid about it for months. Less of an embarrassment was Tkacik’s post titled “Ten Days in the Life of a Tampon.” (The headline about sums it up.) We were well aware that this sort of gross-out story might generate page views, but it was written not to attract outsized attention but to engage in a bit of truthtelling—in this case, about how women’s bodies actually work. I didn’t like it when feminists policed other feminists, though it had been happening for generations. And I wanted to think that we knew a little something about how to politicize a generation of young women—not by enforcement of doctrine but by example.

Still, a story about Jezebel was emerging: that we were deliberately provoking our readers. In July, 2010, the writer Emily Gould published a piece titled “Outrage World,” also at DoubleX, in which she accused Jezebel and other feminist blogs of cynically causing “firestorms” in order to boost page views. Gould went on to attack the site for exploiting “women’s worst tendencies” by pushing readers “to feel what the writers claim is righteously indignant rage but which is actually just petty jealousy, cleverly marketed as feminism.”

When I look back at the piece, one thing is obvious to me: some of the firestorms that began on the site accompanied legitimately infuriating reporting. The main example of a provocative post was a June, 2010, story that Irin Carmon, who would go on to do groundbreaking work on sexual harassment and abortion rights, reported about sexism at “The Daily Show.” Carmon spoke to writers, staffers, and a former executive on the show, who painted a picture of a beloved, seemingly progressive media organization that was, in fact, a boys’ club. (In 2017, Jon Stewart admitted, during an interview with Howard Stern, that she was right.)

The other thing I noticed was that Gould, like many of Jezebel’s critics, saw the writers as responsible for the commenters: if Carmon’s post provoked readers, then that was part of some master plan; if the commenters were enraged or cruel, this, too, was engineered by the site’s staff. During my time editing the site, I found these assumptions intensely frustrating. In reality, every day was a negotiation between trying to be fair to our commenters and insuring group civility. (Gould declined to comment for this piece.)

When writing this, I remembered a 2015 Jezebel piece by Jia Tolentino called “No Offense.” In it, Tolentino, who at the time was the deputy editor of the site (and now is a New Yorker staff writer ), tries to tackle multiple things at once, including how anger works on the feminist Internet and the ways in which digital media blurs the distinctions between readers and writers, creators and consumers. “There’s a large gap between ‘this is bad’ and ‘you should be offended’ that seems to vanish on the internet, and the harder we try to widen it on this website, the more we are constrained by that lingering expectation: that Jezebel exists, as some have always imagined it to, for the infantilizing purpose of telling women when they should get mad,” she wrote. Later, she added, “In theory, people still expect a feminist site to tell people what to be offended at; but what people seek from a feminist site is that the site itself will cause offense.”

I’m not sure that what people seek from a feminist site is that it will cause offense. I think they look for community. But communities can be difficult—chaotic, contentious, cacophonous. I recently came across a two-hundred-plus-page dissertation , published in 2019, called “Architecture and the Record: Negotiating Feminism in the Jezebel Comments.” It was . . . a lot. The author, Melissa Forbes, accused the site (again!) of choosing to “cater to outraged feminists.” I thought that she wasn’t giving the staffers, or our readers, much credit. But I was intrigued by Forbes’s observation that the comments provided a corrective to the feminism of the site’s writers. When the writers themselves were glib or cruel, she wrote, the commenters offered “a different kind of feminism from that practiced on the top half of the page.” I take issue with the idea that there are “different kinds” of feminism, though there are different “waves” of it. But I do believe that the commenters’ close reading of everything we did was how they forged community. They learned from one another, developed relationships, and discovered their own voices—and that was true even when they were (rightly or wrongly) angry with the editors and writers. As one commenter quoted by Forbes put it, “I have learned a lot from the kinds of articles you publish on this website, and even more from your regular commenters.”

That leaves the question of what, exactly, the Jezebel commenters had to do with the anger that exploded on social media. A few weeks ago, I spoke to the author and technologist Tobias Rose-Stockwell about his new book, “ Outrage Machine: How Tech Amplifies Discontent, Disrupts Democracy—and What We Can Do About It ,” which looks at the ways that enmity on the Internet is rewarded by social-media platforms, advertisers, and individuals. I told him about Smith’s piece, and my ambivalence toward it. I explained that, though I detested accusations that we had used anger to manipulate readers, I wondered whether the outrage culture on social media had its roots in comments sections.

Rose-Stockwell was not particularly familiar with Jezebel. (In his defense, he was not part of its target audience.) But he echoed Smith’s assertions, calling the early two-thousands comments sections of Web sites “proto-social media.” Sites like Jezebel, he said, were showing that it was “possible to bring people from passive consumers of news to engaged participants in the editorial process—something that was new for a media site.”

In 2007, when we launched Jezebel, Rose-Stockwell explained, reader remarks could not be easily boosted or reposted. Outrage or offense still occurred within the confines of communities. By 2009, however, social media—what he called “an opinion-serving machine”—was changing everything. That year, he said, “three key features: algorithmic feeds , social metrics , and one-click sharing fundamentally upgraded the speed at which we spread knowledge, propelling us into the modern viral era.”

In his book, Rose-Stockwell points out that virality did not emerge by accident. Social-media technologists prioritize posts using emotional language. These posts, in turn, can start “trigger chains”—in which social-media users are encouraged to react to inflammatory comments and “pick sides on topics about which we would otherwise have few opinions”—and cause “emotional contagion,” in which a person expressing an emotion leads to the “reflexive production of the same emotion by others in the same proximity.”

After I read this, I felt some measure of relief. The stories and topics we wrote about on Jezebel weren’t being “served,” in some premeditated performance or attempt at manipulation. They were organic. They were the point . And we were not abstract algorithms or “conflict entrepreneurs” (another useful phrase from Rose-Stockwell’s book, describing people who create or stoke chaos online in order to boost their own profiles). We were young women with agency and points of view. We were also, I should add, pretty funny. “I think that people didn’t give us credit for having a sense of humor,” Dodai Stewart, the former deputy editor, told me. “I don’t want to discount some of the more serious things, but, from my perspective, our meetings weren’t us sitting around with everyone red in the face, full of outrage and upset. We were having fun, mostly.” Erin Ryan, the former writer and commenter, took this a step further. “I don’t want to rag on anger,” she told me. “I think anger can be great. It’s the basis of a lot of great comedians and writers and opinion writers. I’d say Jezebel was a passionate Web site. But the passion wasn’t necessarily just outrage for the sake of outrage.”

In our conversation, Rose-Stockwell explained that he’s not trying to condemn outrage so much as look at it from a more systemic perspective. Outrage, online or off, allows us to understand the things that are wrong with society, and to work together to begin to fix them. It can unite people, he said, and help society to cohere around certain norms. In this sense, a lot of the outrage on Jezebel was, indeed, productive, contributing to a larger political and cultural project. I think that one can draw a straight line from the feminist Web sites of the early two-thousands to a growing mainstream discourse around gender politics and race and patriarchy, from Beyoncé performing in front of a sign that read “Feminist” at the 2014 MTV Video Music Awards to the Women’s March in 2017 and the explosion of #MeToo that same year to the recent juggernaut that is the Barbie movie . (Yes, the Barbie movie. One of my former colleagues jokingly described the film as making her feel “like I was trapped in the Jezebel comments.”)

A few weeks ago, I reached out to Smith and told him that I’d been trying to sort out the discomfort I’d been feeling in the wake of his piece. I explained that I needed him to clarify what he meant when he said that Jezebel was the start of a particular digital-media age. What age was that?

“Social media,” he said. “That’s how I think about it.”

I pressed him. Was he saying that Jezebel influenced the tone on social media, the conversation, or both? Did the site augur something that was brand new, or reflect something that was already in process?

He replied that this was a question he’d struggled with while writing his book. “I feel like when I was writing, the thing that I was always running up against was, Did X cause Y, or are X and Y being carried along in the same stream?” he said.

I also wanted Smith to respond to my frustrations about that phrase “uncontrollable anger,” and the apparent ease with which he, knowingly or not, placed blame for the current political climate on outraged or opinionated women.

He conceded that his phrasing might have been problematic or inartful. “I’m not trying to invalidate women’s anger at all, but it does seem like that was part of the mix, and powerful,” he told me.

“I think that anger was part of it, yes, but I don’t think it was uncontrollable,” I replied. “I’d say it was very controlled, actually, because that was the way women learned they should express it.”

I see Jezebel not as the beginning of the end of the digital-media era but as a moment—a spark—within an ongoing discussion about gender politics. That conversation has led to new realities around sexual assault and harassment, pay inequity, and cultural depictions of women. It also makes some people uncomfortable—in part because it involves women expressing their anger in public and sustained ways. “Every woman has a well-stocked arsenal of anger,” Audre Lorde wrote in 1981, which can act as a “powerful source of energy serving progress and change.”

If that’s part of Jezebel’s legacy, I’ll take it. It’s about everything I could have hoped for. ♦

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Top 5 Best Free Essay Websites Review: Find a Great Sample on Your Topic

If you’re a student, you would probably love to find websites that’ll write papers for you for free. Does free cheese ever come cheaply? No, but with this best free essay websites review, you’ll see that exception happen. Our team checked numerous writing platforms and settled on five top options. Read about our insights and draw your conclusions.

Updated: 21.02.2023

All ratings, opinions, and reviews you see on this site do not necessarily reflect the official position of any other company, educational establishment, or employer. These reviews are always subject to revision and change. Please do not hold us to them — visit actual websites to make any decision.

To decide what score each company deserves, we compare our team’s grades, academics’ ratings, and individual reviews. Opinions of LetsGradeIt.com team is worth 30% of the total grade. Academics’ ratings comprise 35%, and individual grades account for 35%. In cases when there are no individual reviews posted about a firm, academics have a say by 60%, while our team gets 40%.

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It is one of the best choices for essay and research writing work, according to our reviews. This company provides good grammar quality and follows all formatting and grading rubric rules. Timely delivery and free revisions work as advertised. Their selection of free samples seems to be curated by the company’s specialists since they are mostly good. What makes them even better is their customer support service, which is available immediately and provides custom help with order placement, payment procedure, and revisions. If you want to choose something that is affordable and customized to your needs, this service is the safest bet.

This company has been offering free essays online starting with 2013, and many students use its services when completing their studies. There is a big number of samples on its website: they are situated in alphabetic order, and you could also type your keywords in a welcoming search space to locate something specific. If you’d like to read an essay, you could do it for free and without making an account. But in case you want to use any of these papers for your own writing, you’ll have to give your email address and the company will send your chosen sample to you. These free essays are good: website’s owners pick only the best options. If you like any of them, try paid writing services at this firm, too. Its prices are affordable and its writers could produce great essays based on your instructions. Refunds and revisions are present. But note that if you need urgent order, you’ll have to clarify how possible it is for TopEssayWriting to handle it. Its experts aren’t fond of rushed work in most cases.

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This WritingUniverse review was born after we got numerous requests to investigate it. Our team quickly did preliminary research, and we realized why students showed interest in it. WritingUniverse is mysterious in several ways at once: we have no idea when it was established and reviews on its website don’t have any dates mentioned. It’s very in tune with its logo of an alien with a UFO. The company offers writing-related services; it asks for adequate prices and works with the shortest deadlines. Even a 3-hour timeframe is accepted. Few reviews from customers we saw are mostly positive, but they aren’t informative enough to draw conclusions. So, we launched our own investigation.

This is an impressive platform with an interesting design that offers a choice between 100K different essays on any topic. They are all divided into specific categories like art, business, literature, healthcare, etc., so every student will be able to find something that meets their demands. Of course, these sample papers won’t follow your unique instructions 100%, but you can still get enough material for completing your own essay. The ones we checked were plagiarism-free, and while they weren’t always ideal, the level of writing in them was pretty high. They also relied on good sources and followed academic citation rules. Students won’t have to create an account or pay anything to use them, but if they want to download them, they’d have to share their email. This is a minor flaw our review team noted. WritingUniverse showed extra care in making all its papers and articles useful for students. This makes its paid services more trustworthy: these writers don’t ask for much, but they are efficient and produce their works on time. Revision helps protect you from any accidents or mistakes on the writer’s side. Considering all these facts, we give WritingUniverse the second place on our list.

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This company offers a plethora of popular writing services and those types of academic writing help that are not so common like resume writing and business report assistance. They have a good pricing scheme that instantly shows you the price. Additionally, you may request drafts, plagiarism reports, proofreading by an editor, and urgent writer’s selection. They offer excellent quality, a good collection of free essay samples, a good blog that will help many students learn about writing styles and find inspiration, and the majority of payment methods. They are a reliable service that is safe to consider for most tasks. Just remember that things may get a bit pricey, yet it is always paid off as our review experts have found out.

This is one of the best free essay sites that has been providing assistance to students since 2013. It has a simple but pleasant design where everything is comprehensive, so you won’t have issues with figuring out how to use it. There are many best samples here, and what we liked is that they point out what format they have, how many sources writers used, etc. Some of them aren’t perfect, but you need to remember that they were written by fellow students who studied different subjects in different educational establishments. For instance, someone from college could perform great research, but for university students, it could seem overly basic. So try several options before choosing something; after making sure they are great, consider hiring your own writers from GrabMyEssay. Prices here are higher than they are at two previous companies, hence its third place on this list, but with a discount, it might not matter much. Writing experts have professional backgrounds and do a great job following clients’ instructions. Most reviews about GrabMyEssay are positive, and we liked it, too: these guys produced our essay right by our deadline. They don’t enjoy hot orders, though, so keep this in mind. Apart from this, we found its policies friendly and its work impressive.

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  • Guarantees confidentiality, tutors work 24/7, 1 free question, no plagiarism, no hidden charges, refunds
  • Quality of help Medium-to-high
  • Subjects All subjects
  • Types of services Essays, Questions & answers, Proofreading, Editing, Study resources
  • Number of Samples 1000+
  • Number of Categories 100+ categories
  • Access Free & don’t require an account
  • Originality Most samples are original
  • Website Navigation  Easy

CleverrUp is a relatively new company that provides many-layered homework services in a variety of spheres. It could solve your Math problems, write an essay, find an answer to a particularly complex question, give you a tutor, and so on. Its prices are affordable and its quality is of acceptable level. It follows deadlines properly, but there are next to no Cleverr Up reviews online because a firm hasn’t been working long.

Design of this free essay online provider is outdated and might be unclear at first, but its work is still impressive. There is a solid database with samples on various topics. For downloading any of them, you should create an account or log in if you already have one, which is a complication. In comparison with other papers, we found these free essays a little more flawed, but all in all, they had a satisfying level of quality. As for paid writing services, they cost too much. Writers are going to follow your instructions, but they don’t always upload their work on time, so this is something to look out for. Still, CleverrUp has customer-friendly policies — you can count on getting what you want sooner or later, depending on deadline and complexity. If something is wrong, refunds are present, so one way or another, you won’t be disappointed.

  • large selection of free essay samples
  • affordability
  • good customer support
  • we required several revision requests
  • Discounts Not Available
  • Minimum Deadline  4 hours
  • Payment Methods Visa, Mastercard
  • Types of Papers Argumentative Essay, Admission/Application Essay, Annotated Bibliography, Article, Assignment, Book Report/Review, Case Study, Coursework
  • Lowest Price Starting at $26.55 per page
  • Guarantees Private communication, Complete confidentiality, No registration, Free Unlimited Revisions, Money Back Guarantee, 24/7 Support
  • Number of Samples 100+
  • Number of Categories 49
  • Access Free Subscription
  • Originality of Samples Plagiarized
  • Quality of Samples Medium
  • Website Navigation Complicated
  • GPA Calculator
  • Thesis Generator
  • Essay Topic Generator

It is a new company that has left a good impression as we cooperated with them for our essay order. Still, very few online reviews make it difficult to shape one’s opinion. Some plagiarism issues have been encountered, yet they offer timely delivery and their prices are quite competitive. If some grammar issues and formatting could be polished along with more information regarding their writers, this company could be listed among those that are safe to use. They also provide basic information regarding free revisions and refunds, yet it is always a matter of luck as they have their own QA department that rules out their final decision.

StudentShare creates free online essays for students by generating papers from volunteers who want to share their works. Quality varies: some are great, others not so much. You’ll need to pay close attention to each essay you’re reading — don’t automatically assume they are perfect. This platform has a convenient system where you can type in relevant keywords, indicate document type, pages, number of views, etc. for finding papers that fit your needs best. Premium writing service is available as well, but it is really expensive even with discounts. One page costs more than $20, so not everyone, especially with the request “write my essay for free,” is going to be able to afford it. Writers are very welcoming, but their attitude to work varies. Some will do everything perfectly while others could be late. In many ways, it is like a lottery: you can get the best service here, but it could take several tries.

Reasons Why You Need Free College Essays

Why do many students look for free essay examples? Here’s your answer.

  • Needing to understand how to structure an essay correctly
  • Wanting to see new ideas for getting inspiration
  • Struggling with understanding their topic and wanting to see what others said
  • Hoping to see correct academic style usage in free essay samples
  • Lacking time and wanting to download an essay
  • Making sure their own ideas are unique
  • Checking what sources other writers used
  • Comparing their ideas to understand the topic better
  • Looking at thesis for formulating their own essay direction

Review Process

Selection of companies for investigation. The essay writing niche grows rapidly. We keep our fingers on the pulse and review all new and double-check old companies.

Background check. It is important to know how much information about every company is available online, how easy it is to access it and understand if it is true. We study the website, online presence, and client reviews.

Investigation of quality. We cannot assess the service if we do not use it. So, we pick a few random essay samples from the site and check them. Also, we order an essay with our own requirements and analyze every step our order goes through – placing, delivery, communication with writer and support, revision, and in some cases refund.

Evaluation of policies. We pay close attention to guarantees and policies: money-back guarantee, revision guarantee, terms and conditions, and other features offered.

Why Is Reading Reviews Vital?

Before paying, you need to learn if website that writes essays for you is trustworthy. But unless one of your friends tried it, how would you know? Through reviews. They help you see the experience of other people and read objective thoughts of professionals.

Are Free Essays Online for Students Unique?

Not really. There are many samples online, and you cannot tell how many students used which of them. There is every chance that someone else has already downloaded an example and submitted it to their professor, so don’t do it, too. It’s not worth the risk. If you need substantial help, order an original paper.

Criteria That Best Websites with Free Samples Must Meet

When it comes to free college papers online or free essay writer services, quality matters. There is no point in offering samples if they are terrible and students will only get into trouble with them. Here are the criteria each best essay writing service must follow.

  • Having a big database with papers.
  • Making sure these papers have medium-high quality.
  • Including at least some unique essays.
  • Not asking for money / registration.
  • Establishing an easy navigation system.
  • Including many categories.

How Could I Benefit From Them?

Essays for free are great as long as you know how to use them. Don’t send them to the professor and pretend they are yours — this could get you in trouble. Instead, look at how they are written. Take practical tips about structure; use some ideas and make your own on their basis.

Are All Online Reviews Real?

Not all of them are real, Never trust the testimonials on the site, as every company publishes them and can add and alter them to make them sound positive. We collect only real reviews from clients who really paid for essay services and can provide proof. Our own investigation also helps to be unbiased and true. We stand behind every word.

Why Trust Our Recommendations

Tips for finding real reviews.

Let’s discuss how to find reliable reviews. If you know what to look for, it’ll be a piece of cake.

  • Find several review platforms. Never limit yourself to just one platform. Try a couple, preferably the first ones you see in Google. Open them and start reading comments there.
  • Check details of reviews. What do these reviews mention? If they promise free non plagiarized essays that will be done in 1 hour, it’s clearly a lie. But if they mention some personal details, it is likely that they are genuine. Tone matters, too: never trust sheer positivity.
  • Look into posters’ history if applicable. Click on reviewers’ profiles and look at how often they post something and what it is. If the history is empty or advertising in nature, they are fake.
  • Make sure reviewers have personal experience. If you’re on a website like ours, check how many reviews are present and how new they are. Never trust old sources.

Specific Ways to Find the Best Writing Companies

Now let’s discuss on what specific platforms you stand higher chances of finding real reviews. Most of them don’t concern the aspect of writing essay online free, but they are helpful for those who need professional help and are ready to pay for it.

  • Reddit. There are many subs where you can find reliable reviews and check posters’ history. Join student communities and use their recommendations.
  • SiteJabber. Type the name of the company you’re interested in on this website and read reviews. You could find opinions about paid or free essay paper providers there. Check what companies reply to these reviews — if they don’t, it’s a bad sign. If they address just negative reviews, it is also suspicious.
  • TrustPilot. It works similarly to SiteJabber. Look into each reviewer’s posting history before trusting what they say.
  • Quora. This is a great discussion platform where you can exchange opinions and find recommendations on the best companies. Whether you need an essay, a book, or lab work, type in your request and read answers. Like with all previous forums, check some info about posters and decide if they are trustworthy on this basis.

Could I Look for a Company without Reading Reviews?

In case your friend recommends something or you already have a reliable provider, you won’t need reviews. Maybe some agency looks particularly great and you loved chatting with its operators, but reviews about it are negative. Rely on your own gut. Online comments give you ideas — what you do with them is up to you.

Choose the Best Company and Enjoy Free Time

If you want to find websites that write essays for you free or pay experts for creating original papers, check 5 options we recommended. They are the best, and you’re guaranteed to find good websites that do your homework there. In case this isn’t enough, start a chat with operators and place an order. If you’re interested in more specific subjects or prices, check our other reviews. Let us know what you think — we want you to be happy with your choice.

Frequently Asked Questions About Websites with Free Essays

Yes and no. There are free essay writing websites where you could read hundreds of free samples, choosing one that you enjoyed and that matched your topic best. But the actual writing process from scratch isn’t free. If you want a unique essay that follows your specific instructions, you’ll have to pay for it.

Our choice in 2021 is WritingUniverse. It has excellent free essay papers, English speakers who specialize in various subjects and could write a fantastic paper, and low prices made even lower with good discounts.

Yes, of course, but not everywhere. In our experience, only the best companies that really care about students and their needs offer free samples. Even fewer offer good ones.

No, unfortunately, this isn’t something you should expect. Apart from you, many other students are searching for samples, and they might like the exact same one you picked. This creates repeated plagiarism if you use it instead of writing something yourself.

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Money-Saving Services for Writing College Essays Online

Writing argumentative essay like an expert.

Having big plans for the future? Willing to enter the best college that will develop your skills and talents? Unfortunately, thousands of other students think the same. Writing college essay is the first step to understanding that your career will be bright!

On the basis of your work, admission committee will decide whether you’re worthy to be enrolled in the college. Just imagine how many application they receive annually. Some of them are brilliant, others are commonplace and naive. But your task here is not to turn writing a persuasive essay into a nightmare by thinking about it.

What should you start with? The first step to write college essay is think about the main idea you want to describe. There should be something important, impressing, heartwarming in your work. And, of course, it should be truthful and original as well. Even if you know how to write an argument essay, there’s also a necessity to follow the right structure and composition. And here, you might need help of professionals.

Special services that help students in writing college essays exist all over the world. You can see it for yourself. Type “write my essay” and scroll through the results – the amount of websites will surprise you. Be careful when choosing a cheap service: you might end getting your paper done by a non-native English speaker. Do you actually want to waste your money on that? Make a little research before you start writing an argument essay, read the examples you find on the Internet, make notes and try to write down all the thoughts you have during the day (not when you actually seat in front your PC).

In attempt to write a college essay, people are spending countless night drinking one cup of coffee after another and rotating thousands thoughts in their heads. However, it might not be enough. People who write a persuasive essay also seeking help on the side. There’s no shame in that.

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A machine-learning tool can easily spot when chemistry papers are written using the chatbot ChatGPT, according to a study published on 6 November in Cell Reports Physical Science 1 . The specialized classifier, which outperformed two existing artificial intelligence (AI) detectors, could help academic publishers to identify papers created by AI text generators.

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doi: https://doi.org/10.1038/d41586-023-03479-4

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4th International Conference on Small Island Developing States

Charting the Course Towards Resilient Prosperity

27-30 May 2024; Antigua and Barbuda

Small Island Developing States (SIDS) are in the crossfires of multiple crises: climate change, the economic and social repercussions of COVID-19, and a crisis of debt. The pandemic hugely impacted all island nations, especially those dependent on tourism. Global lockdowns left large holes in islands’ coffers and severely set back efforts to invest in the Sustainable Development Goals.

Meanwhile, climate action is becoming increasingly urgent, as weather-related disasters have doubled in two decades: with island nations both most vulnerable and least responsible.

At this time of great peril, opportunity must be seized. In Antigua and Barbuda in May 2024, the international community will gather to review SIDS’ sustainable development progress and propose a new decade of partnerships and solutions to supercharge their path to resilient prosperity.

“The United Nations is committed to supporting islands in their quest for a more resilient and sustainable future. They may be geographically remote, but their problems are not theirs to face alone.” Li Junhua, Under-Secretary-General for Economic and Social Affairs, United Nations Department of Economic and Social Affairs

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Special accreditation to sids4 for ngos and others is now open, islands of the pacific meet to assess development progress and tackle shared crises (press release, 15 august 2023), climate change, debt relief expected to top caribbean island nation priorities at regional meeting ahead of un conference on small island developing states (press release, 8 august 2023), small island developing states are in hot water: here’s what the international community must do to help (op-ed by li junhua, l’express, mauritius, 27 july 2023).

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Guest Essay

The Fed Has Put Our Housing Market in Jeopardy

An illustration of a bald eagle sitting on a block of ice containing a house.

By Daniel Alpert

Mr. Alpert is the managing partner of the Westwood Capital investment bank.

The Federal Reserve’s relentless attack on inflation is jeopardizing our housing market. The resulting damage is not only having an impact on a critical engine of economic growth but is also, ironically, undermining the war against inflation as well.

Resolving an unusual problem requires an unusual solution. The Fed should immediately reverse course and buy mortgage securities to help moderate consumer mortgage rates. It can keep selling Treasury bonds if it so chooses. This will allow the Fed to raise non-housing interest rates, if necessary, while also allowing the housing market to resume functioning normally again.

As fears of Covid waned and the engines of the economy restarted with a bang, concerns about runaway inflation prompted the Fed to embark on one of the most extreme changes in prevailing interest rates in history. The central bank raised its key federal funds policy interest rate to a level about 22 times what it was previously in less than 18 months. Only during the rapid inflation of the late 1970s, when the Fed under its chairman Paul Volcker raised the effective federal funds rate to nearly 20 percent in 1980, has an increase come even close. (And that Fed only roughly doubled rates, not increased them 22-fold.)

In normal times, higher Treasury rates, which make mortgages more expensive, divert household income to mortgage payments and away from other purchases, dampen home buyer demand and, ultimately, lower home prices. Lower home prices reduce homeowners’ wealth, further lowering their spending. And home purchases are such a powerful component of the overall economy — think of everything a new homeowner might need — that making it harder to buy homes helps cool off the rest of our $27.6 trillion economy.

The problem is, these aren’t normal times. Recently, the average interest cost on a 30-year, fixed-rate mortgage neared 8 percent. Less than two years ago, it was about 3 percent, and most homeowners refinanced then or at earlier lows around 2016. The jump in rates has been so unusually large and came on so unusually fast that many homeowners who may want to move suddenly cannot do so because even downsizing could result in a substantially higher monthly mortgage payment. As a result, the U.S. owner-occupied housing market is now experiencing both a mobility and an inventory crisis.

In September, the pace of existing-home sales fell below four million on an annualized basis to a level unseen since the early 1990s, other than during the Great Recession and the pandemic lockdowns. With so few homes being put on the market for sale, the normal effect of higher interest rates — a gradual reduction in home prices and dampening of associated inflation — is simply not able to happen.

There’s more: When owner-occupied homes aren’t made available for sale, and prices therefore can’t adjust downward, more people are forced to rent. And with more households dumped into the rental market, rental prices rise — which is what they have been doing in recent months, defeating the Fed’s effort to beat inflation.

With residential rent making up approximately 33 percent of total and 42 percent of core Consumer Price Index inflation, excluding volatile food and energy prices, the cost of housing has been driving inflation for nearly all of 2023 (and remains potent regardless of what Tuesday’s Consumer Price Index data for October may suggest). In September, if housing prices had not risen, core inflation for the month would have been zero.

It is an irony that the Fed’s effort to tamp down inflation is causing an increase in core inflation measures. And while the Fed is chasing its own tail, other avenues for controlling inflation have weakened considerably as a result of the unique circumstances surrounding the pandemic.

For example, higher-interest auto loan and consumer credit card rates lowered consumer spending in prior cycles, but unprecedented pandemic-era spikes in personal savings have left Americans somewhat less dependent on credit. Nonresidential fixed investment — investments in plants and equipment by businesses — as a percent of G.D.P. (already low) has failed to collapse as businesses, in a manner similar to that of homeowners, already locked in a ton of cheap financing for long periods when rates were at record lows.

What to do? The “easy” answer offered by many inflation doves is that the Fed should simply back off its target of 2 percent core inflation and declare the battle won. I don’t see this happening in Jerome Powell’s Federal Reserve — it has staked too much on achieving that target to gracefully exit now. This is why I believe the Fed must instead call a halt to, and ultimately reverse, another aspect of its policy in order to bring down the cost of new mortgage debt.

When the world’s financial system was under existential threat in 2008, and when Covid shut everything down and markets were in disarray, the Fed purchased huge amounts of Treasury bonds and government-guaranteed mortgage bonds to help keep interest rates low, which in turn helped strengthen the economy. Economists refer to that as Quantitative Easing, or Q.E.

But as the economy revved up again and inflation took off, the Fed swerved into reverse. In March 2022, it began its program of rapid increases in the federal funds rate. Then in June 2022, it took the additional step of embarking on a Quantitative Tightening, or Q.T., program of reducing its portfolio of maturing Treasury bonds and government-guaranteed mortgage-backed securities. Taking the Fed out of the market as a buyer increased the supply for sale, depressing their price. And when bond prices fall, interest rates rise.

For the housing market, the mortgage-securities element of Q.T. — when combined with federal funds policy — eventually proved a step too far: The mortgage market has reacted to Fed policy by demanding a much bigger return on mortgage-backed bonds and related mortgages (which are always priced higher than Treasuries, reflecting the fact that homeowners always have the option to pay off their loans in full at any time). Thus, the “spread” between the 30-year-mortgage rate and the 10-year U.S. Treasury rate ballooned to between roughly 2.75 percent and 3.10 percent from the 1.5 percent to 2 percent range in which it typically hovers. This shot the cost of mortgages to beyond what potential buyers could bear and shut down the housing market.

What the Fed should be doing right now is ending the mortgage-securities element of Q.T. and reversing course to resume buying such securities until mortgage “spreads” settle back to historical norms. To get rents down, we must restabilize and reopen the owner-occupied-housing market. If there were more affordable mortgages for those seeking to move, there would be a greater inventory of homes for sale, which would moderate housing prices. This would ultimately flow into the rent prices that have been stubbornly rising and could continue to rise if the housing market remains locked up.

I concede that what I am describing is a bit of monetary heresy, because to my knowledge the Fed has never blatantly tapped the gas while it was pumping the brakes. Yes, it’s weird, but was having the world’s economy locked down for months and all of us walking around wearing masks for years not weird?

The pandemic era that we are still living in has not proved to be your run-of-the-mill economic shock. Just as creative fiscal policies were employed in the form of direct stimulus and supplements to address the pandemic’s economic slump, innovative monetary solutions must be applied to address the boom and inflation that followed.

Unfortunately, some of the actions taken by the Fed look increasingly like those of the guy who has painted the floor of his house starting at the door. We need to cut a new door to get out.

Daniel Alpert is the managing partner of Westwood Capital and an adjunct professor and senior fellow at Cornell Law School.

The Times is committed to publishing a diversity of letters to the editor. We’d like to hear what you think about this or any of our articles. Here are some tips . And here’s our email: [email protected] .

Follow The New York Times Opinion section on Facebook , Twitter (@NYTopinion) and Instagram .

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