What font should I choose for my thesis?

This post is by DrJanene Carey, a freelance writer and editor based in Armidale NSW. She occasionally teaches academic writing at the University of New England and often edits academic theses, articles and reports. Her website is http://www.janenecarey.com

Arguably, this question is a classic time waster and the student who poses it should be told to just get on with writing up their research. But as someone who edits theses for a living, I think a bit of time spent on fonts is part of the process of buffing and polishing what is, after all, one of the most important documents you will ever produce. Just bear in mind that there is no need to immerse yourself so deeply in the topic that you start quibbling about whether it’s a font or a typeface that you are choosing .

Times New Roman is the standard choice for academic documents, and the thesis preparation guidelines of some universities stipulate its use. For many years, it was the default body text for Microsoft Word. With the release of Office 2007, the default became a sans serif typeface called Calibri. Lacking the little projecting bits (serifs) at the end of characters makes Calibri and its many friends, such as Arial, Helvetica and Verdana, look smoother and clearer on a screen, but generally makes them less readable than a serif typeface when used for printed text . The other problem with choosing a sans serif for your body text is that if you want passages in italics (for example, lengthy participant quotes) often this will be displayed as slanted letters, rather than as a true italic font.

You would like your examiners to feel as comfortable as possible while their eyes are traversing the many, many pages of your thesis, so maximising legibility and readability is a good idea. Times New Roman is ubiquitous and familiar, which means it is probably the safest option, but it does have a couple of drawbacks. Originally designed for The Times in London, its characters are slightly narrowed, so that more of them can be squished into a newspaper column. Secondly, some people intensely dislike TNR because they think it has been overused, and regard it as the font you choose when you are not choosing a font .

If you do have the luxury of choice (your university doesn’t insist you use Times New Roman, and you have defined document styles that are easy to modify, and there’s enough time left before the submission deadline) then I think it is worth considering what other typefaces might work well with your thesis. I’m not a typographical expert, but I have the following suggestions.

  • Don’t use Calibri, or any other sans serif font, for your body text, though it is fine for headings. Most people agree that dense chunks of printed text are easier to read if the font is serif, and examiners are likely to expect a typeface that doesn’t stray too far from the standard. To my eye, Calibri looks a little too casual for the body of a thesis.
  • Typefaces like Garamond, Palatino, Century Schoolbook, Georgia, Minion Pro, Cambria and Constantia are all perfectly acceptable, and they come with Microsoft Word. However, some of them (Georgia and Constantia, for example) feature non-lining numerals, which means that instead of all sitting neatly on the base line, some will stand higher or lower than others, just like letters do. This looks nice when they are integrated with the text, but it is probably not what you want for a tabular display.
  • Consider using a different typeface for your headings. It will make them more prominent, which enhances overall readability because the eye scanning the pages can quickly take in the hierarchy of ideas. The easiest way to get a good contrast with your serif body text is to have sans serif headings. Popular combinations are Garamond/Helvetica; Minion Pro/Myriad Pro; Times New Roman/Arial Narrow. But don’t create a dog’s breakfast by having more than two typefaces in your thesis – use point sizes, bold and italics for variety.

Of late, I’ve become quite fond of Constantia. It’s an attractive serif typeface that came out with Office 2007 at the same time as Calibri, and was specifically designed to look good in print and on screen. Increasingly, theses will be read in PDF rather than book format, so screen readability is an important consideration.  Asked to review Microsoft’s six new ClearType fonts prior to their release, typographer Raph Levien said Constantia was likely to be everyone’s favourite, because ‘Even though it’s a highly readable Roman font departing only slightly from the classical model, it still manages to be fresh and new.’

By default, Constantia has non-lining numerals, but from Word 2010 onwards you can set them to be lining via the advanced font/number forms option, either throughout your document or in specific sections, such as within tables.

Here is an excerpt from a thesis, shown twice with different typefaces. The first excerpt features Calibri headings with Constantia body text, and the second has that old favourite, Times New Roman. As these examples have been rendered as screenshots, you will get a better idea of how the fonts actually look if you try them on your own computer and printer.

Calibri Constantia

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Formatting Requirements

Choice of font.

For most theses, the font should be one that is appropriate for an academic paper. Generally, the same font should be used throughout the thesis (dedication page and scholarship-appropriate alterations excepted).

Normally the font should be equivalent to 10 to 12 point font in Times New Roman or Arial for main text, and at least 2mm high in tables and figures.

Font colour should normally be black throughout, except for web links which should be blue.

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5 fonts that add credibility and professionalism to scientific research

by ikumikayama | Apr 29, 2013 | Uncategorized | 14 comments

best font for my thesis

Choosing the right fonts can affect how your scientific research is received.

Note: This is part 2 of a 2-part blog series about choices in fonts. You can read part 1 here .

You are dressed in your best. You edited the manuscript with a fine-tooth comb…but are your figures and images wearing flip-flops?

Last time we talked about fonts that suck professionalism out of your scientific research . In this article, we’ll talk about fonts that actually add credibility and professionalism to your research. Dress your research in a custom-tailored suit by just using these fonts!

My friend and colleague, Cassio Lynm described how a good figure should be like a billboard found in many highways around the country. Anyone who sees the billboard will understand what they are advertising in a split second. If someone is confused or gets the wrong idea, the image is not very successful.

Similarly, the best professional fonts should be one that’s easy to read with very little “bells and whistles”. When writing prose of informational value such as scientific research, a reader should pay attention to what the text is describing, not how the text looks.  A good professional font should be like air–we don’t really even pay attention to it most of the time.

Some of the fonts I’ll share with you today are considered “boring” and “overused” by some. These fonts are everywhere because they are champions of legibility and simplicity.  Make your work professional and trustworthy by using a time-tested font.

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1. Arial- “All-Around Champion with IBM Roots”

good font for scientific research arial

According to fonts.com , Arial is one of the most used typefaces of the last 30 years. Its electronic origins go back to 1982 for IBM laser-xerographic printers by designers Robin Nicholas and Patricia Saunders. When it came out, it was supposed to compete with Helvetica, which was one of the core fonts in Apple Computers in the mid 1980’s.

Arial letters have more round shapes and the edges of letters do not end in a horizontal line. Instead, the edges are at an angle.

Arial is an easy-to-read font in small and large blocks of text. Nature requests that the figure text be in Arial or Helvetica. It’s especially nice for figure labels and legends. When using Arial as figure legends, keep the font size small ~8 points for best results.

2. Helvetica- “All-Around Champion with Apple Roots”

best font for my thesis

Helvetica is the most heavily-used font. Helvetica was originally designed by a Swiss designer named Max Miedinger in 1957. The font was designed to be an easy-to-read font. The name “Helvetica” comes from “Helvetia” – Latin name for Switzerland. Actually, the font received a facelift in 1983-the newer version is called, you guessed it, Neue Helvetica.

Helvetica even has its own movie . I haven’t seen it yet, but please comment in the section below if you have.

Besides its Hollywood (Indie) status, Helvetica is a font that looks great on both print and on screen.  Nature , Science , and Cell request that their figure labels be in Helvetica. (If you need assistance setting up figures, I’m here to help). It looks great small as in figure labels, and it looks pretty good in large formats as posters. I lost count of how many figures I labeled using Helvetica, since that’s what one of the publishers used for their books.

3. Baskerville- “Tends to have positive influence on readers”

best font for my thesis

Baskerville’s history goes all the way back to 1757 when John Baskerville designed a typeface that works well in print and easy to read.  Mr. Baskerville preferred his letters simple and refined. He was also a writing master, so he had some ornamental letters like the upper case Q.

There was an  informal study  (not official, but some experiments here and there) that showed using Baskerville font increased trustworthiness of the text compared to other fonts. In the same study, Comic Sans had the most negative influence on the readers.

Baskerville is a serif font, which means that there are “tails” at the edge of the letters. Generally, serif fonts are better suited for print. This font works best when used in long blocks of text. Try to keep this font between 8 and 14pts for best results. This font looks dignified, so use this for your important professional occasions-award ceremonies, recognitions, etc.

4. Caslon- “When in doubt, use Caslon”

best font for my thesis

Caslon is another font with a long history. William Cason I designed the typeface back in the early 1700’s. This font is considered as the first original typeface from England. This font was very popular in colonial America, and it was used for many historical documents including the US Declaration of Independence.

Caslon is a serif font (with tails), and is best used in blocks of text. Like Baskerville, try to keep this font between 8 and 14 points for best results. Using this in a report or an application would be a good places.

5. Garamond – “Second best font after Helvetica”

best font for my thesis

This font’s history also goes way back. The font was designed by Claude Garamond (or Jean Jannon), who was commissioned to make a typeface for King Francis I of France (1515-47) to be used in series of books. The modern, electric version was revived in 1989 by Robert Slimbach.

Because there are different sources available for Garamond, there are numbers of different variations of the font. Adobe Garamond is the most popular and widely-available version today.

Garamond is still used extensively by French publishers. They also insist that Garamond be printed in size 9.  Some of the most famous publications in France are in Garamond such as Histoire de l’édition français.  The publishers prefer this font “for its beauty, its richness and its legibility” combined with “an uncluttered graphic style that underscores the rigour of essays and analysis providing a radical critique of contemporary society”.

Garamond is a great font to be used in long proses such as textbooks, dissertations and theses. Keeping it at 9 point is optional. In fact, my master’s thesis was in Garamond.

So that’s the 5 fonts that add credibility and professionalism to your scientific research. Did you find your favorite fonts here? Do you have other favorites? Please share your thoughts in the comment section. Also, please feel free to send this article along to those who might benefit from this short article.

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Now that you know about great scientific fonts, learn more about: PowerPoint Tips for the Scientist


Sources and Further reading:

Arial vs Helvetica – fonts.com

Research on font trustworthiness: Baskerville vs. Comic Sans

Caslon typeface

History of Garamond

Cell Press Figure Guide

Nature -Guide to preparing final artwork

Science Magazine: Preparing your manuscript



I’d rather like to know which font was used to write that article – it’s simple and readable, better than all presented above.


And the font being used for that article is Helvetica, which is one of the fonts mentioned above 😀


Hi Ewa! Great point. The font used is called “Open Sans” by Steve Matteson. For my blog, I made the font color dark grey to make it easier on the eyes, and also made them slightly bigger than average for easier reading. Hope this helps!


Hollo there, i liked the article but none of this fonts looks like the one used in the papers i read, (Journals of the American Chemical Society), do you know which one they use?

Hi There! Thank you for the note! ACS suggests Arial and Helvetica for their journal figures, so that’s what I introduced in this article–for the text, they might very well have their own custom font they use for their publications. I’ll dig into this a little deeper–thank you again!

Martin Silvertant

I’m sorry, but this article is full of misinformation. Part 1 is a reiteration of articles that have been around for years. Absolutely nothing new there, and honestly, is there anyone even considering the typefaces you name there for scientific articles? Is it conceivable that anyone would use Curlz for his essay?

But my real concern goes to the second part. Arial and Helvetica are absolutely not scientific typefaces. The notion that ACS suggests these typefaces doesn’t make them suitable for scientific works. I think you ought to do research as to WHY these typefaces came recommended. Helvetica has history, as it won out of contemporaries like Univers as Helvetica was very heavily marketed. As a side note, Helvetica is actually based on the Akzidenz Grotesk model. Arial was designed to have the same metrics as Helvetica so it could be used on the same printers without having to pay a license fee to use Helvetica. Arial is more legible while Helvetica is more neutral and clear, but neither is particularly great.

So I would say Helvetica and Arial haven’t been chosen because they’re perfect. They’ve been chosen because they’re popular, and Arial is on every Windows computer, so people don’t have to purchase any fonts. I would say neither Arial and Helvetica are known to be particularly good to read. I suspect typefaces like Proxima Nova and Avenir will fair better. To be clear, I don’t think Arial or Helvetica are bad choices for labels and such, but to suggest them as top 5 typefaces, that’s very clearly misinformation.

“When using Arial as figure legends, keep the font size small ~8 points for best results.” For best results? Not entirely. It’s probably a good estimate, but in actuality the pt size should depend on the layout. I would recommend always making a test print to see if the text looks good in print, if that’s what it is intended for. Sometimes 0.2pts more or less could make the difference.

“Helvetica is the most heavily-used font.” I don’t think so. First off, Helvetica is not a font. It’s a typeface. Helvetica Regular would be a font. Helvetica is the most heavily-used typeface in graphic design, and likely the most heavily-used sans typeface. It’s not the most heavily-used typeface. At least, I would be very surprised if it was. I suspect Times New Roman is the most heavily-used.

“The font was designed to be an easy-to-read font.” No, Helvetica was designed to steal the popularity of Akzidenz Grotesk away.

Also, follow this link to see some of the problems of Helvetica at small sizes, and what professionals in the field have to say about it: http://spiekermann.com/en/helvetica-sucks/

“Actually, the font received a facelift in 1983-the newer version is called, you guessed it, Neue Helvetica.” Who would guess that the prefix for the new Helvetica would be German though? Small detail… Anyway, if you like Helvetica but want a more professional typeface (because really, Max Miedinger was not a type designer and as far as I’m concerned that shows), I can recommend Neue Haas Grotesk (a typeface that is true to the original Helvetica, but improved) or Neue Haas Unica (a more fresh looking Helvetica that deviates from the original).

“Helvetica even has its own movie. I haven’t seen it yet, but please comment in the section below if you have.” I have seen it a few times now. It’s quite a pleasure to watch, but there’s a lot of propaganda involved as well. You have the likes of Massimo Vignelli drooling over how great Helvetica is. The man was a pretty great graphic designer (although insisting on always using Helvetica has little to do with graphic design, as one ought to select the perfect typeface for the job, not use one typeface for every job), but he had no insight in type design. On the other hand, you have Erik Spiekermann formulate perfectly what Helvetica stands for. I would say for a type designer the Helvetica documentary is quite pleasant to watch. For the layman I’m afraid the documentary amounts to propaganda. It gives the layman the feeling this is one of the best typefaces out there and it’s simply not, by far.

“Besides its Hollywood (Indie) status, Helvetica is a font that looks great on both print and on screen.” Absolutely not! On Windows computers, websites set in Helvetica tend to look horrendous. The problem is that Helvetica is not well hinted, and so rendering problems occur. Helvetica was obviously not designed for monitors. Neue Helvetica doesn’t have the rendering problem to the same extent I believe, but relatively few people have Neue Helvetica, so it wouldn’t be wise to use that on your website, unless you embed the fonts. For websites I highly recommend using Arial rather than Helvetica.

“Baskerville’s history goes all the way back to 1757 when John Baskerville designed a typeface that works well in print and easy to read.” Easy to read? Not particularly, though it’s not bad either. Baskerville is a transitional typeface, meaning the weight modulation is vertical and the contrast is high. This is the tradition of the Baroque, but it’s not the most pleasant to read. However, Baskerville does look quite academic. For typefaces that are more pleasant to read, I would look at the Garalde style. Garamond and Caslon belong to that classification. They have a diagonal weight modulation, which naturally leads the eyes to the next letters. Typefaces with vertical weight modulation and high contrast tend to feature a fence effect, which disturbs the reading experience. To see this effect well, look at Didone typefaces like Didot and Bodoni.

“This font works best when used in long blocks of text. Try to keep this font between 8 and 14pts for best results.” 14pt seems quite large. Try 9–12pt. This goes for any serif typeface to be used for body text that is intended for print (for the web try 10–14pt, also depending on which device it’s intended for). But again, it will depend on the layout, and always make test prints to make sure it’s pleasant to read.

“Garamond is a great font to be used in long proses such as textbooks, dissertations and theses. Keeping it at 9 point is optional. In fact, my master’s thesis was in Garamond.” I distinctly remember years ago I noticed my Harry Potter book was set in Garamond. Both Garamond and Caslon are still used extensively for books.

However, Garamond may be a bit much for scientific documents. It’s quite classical and it has a low x-height, which these days is not preferable. Caslon is a bit less expressive and has a taller x-height. I would say Caslon is probably better for scientific articles.

One group of typefaces that certainly seems to be missing here is Century. Typefaces like Century Roman and Century Schoolbook. They belong to the Clarendon classification and are reminiscent of typefaces like Baskerville. These typefaces have been popular since the late 19th century and are still used extensively in academic literature. But I suppose you should also make a consideration of whether your article should be about the most comfortable typefaces to read, or the best suitable for scientific work, because they most certainly don’t amount to the same thing, yet you seem to be equating the two in this article.

Hi Martin! Thank you so much for your in-depth note! I have to look over and digest all your excellent points. Would you be open to expanding your writing and be a guest author or send me a link to your website/blog so the readers can have more information about what types to use for their work?


THE quick brown fox jumps over the lazy dog!!!!!


Leelawadee is a bit underrated. It is easy on the eyes, and simple. It could use a bit of a TimesNewRoman-punch to it, though.


Where can I download Helvetica from? I couldn’t find it anywhere

Charlie Stricklen

Seriously? I don’t know what this smug guy does with typography, in which he seems to be well versed, but if he were to take up writing he would need to work on his grammar.

Michael Phan

I’m not an expert on fonts, but I’m currently using Helvetica for headlines and other Sans text in my thesis and DejaVu for the main text. Feels pretty scientific to me 🙂

Michael Beshai

I enjoyed the historical aspect of this article. Thanks! PS. I see you use a sans serif font.

Best Tech

How i download these font types?


How To Choose The Thesis Font Type For Your Dissertation – Deatils Information

Writing a dissertation is one of the most significant academic achievements you will undertake. Choosing the right font type for your thesis is essential to presenting your research professionally and elegantly.

The type of font you choose can affect your research’s readability, clarity, and overall impression. With so many font options available, deciding which font type is best suited for your research can be challenging. We’ll guide you through choosing the perfect font type for your research.

We’ll discuss key factors to consider when choosing a font, such as legibility, readability, and aesthetics, and provide practical tips to help you make an informed decision. Additionally, we will explore different font types commonly used in academic writing, including serif, sans-serif, and monospace fonts, and highlight their unique characteristics and applications. Whether you are an experienced academic writer or a novice dissertation writer, this post will equip you with knowledge and skills.

How To Choose The Thesis Font Type For Your Dissertation

Table of Contents

What Is A Thesis Font Type?

What Is A Thesis Font Type

Choosing the right font type can be an important decision when writing a thesis. The most common font types used for academic writing, including theses, are Times New Roman and Arial. Both fonts are easily read and widely accepted as appropriate for academic writing.

However, some universities or departments may have specific requirements for font type, so it is important to check with your advisor or institution before making a final decision. Ultimately, the most important thing is to choose a font that is easy to read and does not distract from the content of your thesis.

Thesis Font Choosing The Right Typeface For Your Research

When choosing the right font for your thesis, it’s important to consider both readability and professionalism. While many options are available, some fonts may not be appropriate for academic work. Here are some tips for choosing the right typeface for your research:

  • Stick with traditional fonts. Times New Roman, Arial, and Calibri are commonly used in academic papers and have a professional look.
  • Avoid decorative or script fonts . While these may be aesthetically pleasing, they can be difficult to read and may not be taken seriously by your readers.
  • Consider font size and spacing. Ensure that your chosen font is legible when printed at a small size and that there is enough spacing between lines to make reading comfortable.

Choosing the right font is an important part of presenting your research clearly and professionally. Take the time to choose a font that will enhance the readability of your work and reflect the level of professionalism expected in academic writing.

Factors To Consider When Choosing A Thesis Font

When choosing the perfect font for your thesis, there are various factors to consider. First and foremost, readability is a crucial aspect. Choosing a font that is easy on the eyes and doesn’t cause any strain is important. Additionally, professionalism is key in academic writing, so select a font that aligns with the formality required in your dissertation.

Consistency is also vital; use a single font throughout your thesis to maintain a cohesive look. Finally, accessibility should be considered to ensure that everyone can read and understand your work regardless of their visual abilities. Considering these factors, you can find the perfect thesis font type that complements your research topic and style while meeting academic requirements.



Ensuring that your dissertation is readable is crucial when selecting a font type for your thesis. A font that is too small or difficult to read can make your work less accessible and harder to understand, ultimately hindering its impact on readers.

Sans-serif fonts like Arial or Helvetica are often recommended for their clarity and legibility, while serif fonts like Times New Roman can add a more traditional touch. Additionally, it’s essential to consider the spacing between letters and lines and any special characters or symbols required in your thesis.

Legibility is a crucial factor to consider when selecting a font for your thesis. The last thing you want is to make your work less accessible and harder to comprehend by using a font that is illegible or too small in size. Stick with simple, clear fonts like Times New Roman or Arial, which are popular for academic writing due to their easy-to-read letters.

Avoid using overly intricate or decorative fonts that can detract from the legibility of your work. Be mindful of the font size and spacing between letters and lines as well, as these factors can also affect the legibility of your document.

Selecting the appropriate font size for your thesis is crucial to its readability and overall appearance. Most universities require a font size between 10 and 12 points, but it’s essential to check with your specific institution for their guidelines.

Choosing a font size that is too small can make your thesis difficult to read while selecting one that is too large can make it appear unprofessional. Consider the content of your thesis when deciding on a font size – if it contains detailed charts or diagrams, you may need a slightly larger font for optimal clarity.

Tips For Formatting Your Thesis Font

Tips For Formatting Your Thesis Font

When formatting your thesis font, following a few tips can go a long way in creating a professional-looking and readable document. First, choose a font that is easy on the eyes and appropriate for academic writing. Stick to one or two fonts throughout your thesis to maintain consistency and avoid distracting your readers.

Additionally, attention to the font size, line spacing, margins, and indentation. Ensuring that these elements are consistent and properly formatted can make a significant difference in the overall appearance of your thesis. Finally, proofread your work before submission to ensure it meets all necessary guidelines and requirements.


Properly formatted margins can make or break the appearance of your thesis, so it’s essential to get them right. Margins are crucial in improving readability and ensuring that your thesis looks professional.

The standard margin size for academic papers is 1 inch on all sides, but it’s essential to check with your institution’s guidelines as some universities may require different sizes. Paying attention to the margins can help ensure that your thesis looks polished and well put together.

Line Spacing

Effective formatting of a thesis font includes appropriate line spacing to ensure readability. Line spacing is an essential factor that impacts your thesis’s overall appearance and readability. It is important to balance too much space or too little space between each line. Single-spacing can make the text appear cramped, while double-spacing creates too much white space, making reading challenging.

Most universities require a line spacing of 1.5 or 2.0 for academic papers, but it’s crucial to check with your department or advisor for specific guidelines in your academic discipline. Proper line spacing helps improve the document’s visual appeal and makes it easier for readers to engage with the content.


Indentation is an essential factor to consider when formatting your thesis font. It helps create a clear and organized document by separating each paragraph from the previous one. The standard indentation for academic writing is 0.5 inches or five to seven spaces.

Consistent application of indentation throughout your document, including in block quotes and reference lists, can make your thesis look more professional and easier to read. Proper use of indentation gives your work a structured appearance, making it easy for readers to navigate your document easily.

The right font choice is essential when it comes to pagination in your thesis. You want to select a legible and distinguishable font for page numbers. Arial, Times New Roman, and Calibri are popular choices for pagination in academic documents.

Additionally, consider using bold or italic formatting for page numbers to make them stand out and avoid confusion. Remember that choosing the right pagination font is just one of many factors contributing to a professional-looking and well-organized thesis.

How To Change The Thesis Font Type In Adobe Indesign?

How To Change The Thesis Font Type In Adobe Indesign

When it comes to changing the thesis font type in Adobe InDesign , there are a few things to consider. First and foremost, choosing a font that is easily readable and appropriate for academic writing is crucial. Consider the purpose of your thesis and the audience you are writing for when selecting a font.

Adobe InDesign offers a variety of font options, so take the time to explore different choices and find one that suits your needs. Once you’ve selected your font, test it on different devices and screen sizes to ensure readability. Following any specific guidelines or requirements set by your university or academic institution regarding font type and size is essential for achieving a professional-looking document.

Choosing the right font type for your dissertation can be a daunting task. However, there are some guidelines that you can follow to make the process easier. Choosing the right font for your thesis is an important aspect of your dissertation writing process. This can make or break the readability and clarity of your research paper.

Consider font size, readability, and legibility when choosing a typeface for your thesis. Ensure you maintain formatting consistency throughout the dissertation by following proper margins, line spacing, indentation, and page placement tips. Remember, the right font enhances the overall impact of your research paper.

Frequently Asked Questions

What is the best font for the thesis.

Regarding fonts for a thesis, serif fonts like Times New Roman, Georgia, and Garamond are typically the best choices as they tend to be more legible in print. It’s important to choose a font that is easy on the eyes and meets the guidelines of your academic institution. Ultimately, the font choice will depend on personal preference and the specific requirements of your thesis.

What Is The Standard Font Size For The Thesis?

The standard font size for a thesis is generally 12 points, but it’s always a good idea to check with your university or department for any specific requirements. It’s essential to maintain font size consistency throughout the document. However, selecting a legible and professional font that is easy to read is more important than the size of the font.

What Font Is Used For Phd Thesis?

No specific font is required for PhD thesis writing, but most universities have font size and style guidelines. Some popular fonts for academic writing include Times New Roman, Arial, and Calibri. It is important to choose a font that is easy to read and looks professional to ensure your thesis is well-received by readers.

Can I Use Calibri For My Thesis?

Yes, Calibri is an acceptable font for a thesis. However, it’s important to follow the guidelines provided by your academic institution or advisor regarding font type and size. Other popular fonts used in academic writing include Times New Roman and Arial. Regardless of the font you choose, proofread your thesis carefully to ensure the text is clear and legible.

How Can The Font Type Affect The Readability Of My Thesis?

The font type you choose can greatly impact the readability of your thesis. Traditional serif fonts like Times New Roman are often easier to read in printed documents. In contrast, sans-serif fonts like Arial or Calibri may be better suited for on-screen reading. Choosing a font that is easy to read and aesthetically pleasing is important, as this can make a big difference in the overall impression your thesis makes on readers.

David Egee

David Egee, the visionary Founder of FontSaga, is renowned for his font expertise and mentorship in online communities. With over 12 years of formal font review experience and study of 400+ fonts, David blends reviews with educational content and scripting skills. Armed with a Bachelor’s Degree in Graphic Design and a Master’s in Typography and Type Design from California State University, David’s journey from freelance lettering artist to font Specialist and then the FontSaga’s inception reflects his commitment to typography excellence.

In the context of font reviews, David specializes in creative typography for logo design and lettering. He aims to provide a diverse range of content and resources to cater to a broad audience. His passion for typography shines through in every aspect of FontSaga, inspiring creativity and fostering a deeper appreciation for the art of lettering and calligraphy.

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Thesis / dissertation formatting manual (2024).

  • Filing Fees and Student Status
  • Submission Process Overview
  • Electronic Thesis Submission
  • Paper Thesis Submission
  • Formatting Overview
  • Fonts/Typeface
  • Pagination, Margins, Spacing
  • Paper Thesis Formatting
  • Preliminary Pages Overview
  • Copyright Page
  • Dedication Page
  • Table of Contents
  • List of Figures (etc.)
  • Acknowledgements
  • Text and References Overview
  • Figures and Illustrations
  • Using Your Own Previously Published Materials
  • Using Copyrighted Materials by Another Author
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Selecting a Font (Typeface)

Be consistent in the use of font/typeface throughout your manuscript. All text material must be in the same font/typeface; all headings and figure/table titles/captions must be in a consistent typeface.

Please select a font and size that is highly legible and will reproduce clearly. Ornate or decorative fonts such as script, calligraphy, gothic, italics, or specialized art fonts are not acceptable. For electronic submissions, embedded fonts are required.

Any symbols, equations, figures, drawings, diacritical marks, or lines that cannot be typed, and therefore are drawn, must be added in permanent black ink.

Below are suggested fonts and sizes.

Table listing permissible fonts for thesis/dissertation manuscripts. Fonts listed are Arial, Century, Courier New, Garamond, Georgia, Lucida Bright, Microsoft Sans Serif, Tahoma, Times, Times New Roman, Trebuchet MS, Verdana, and CMR for LaTex.. 11 or 12 pt font is recommended.

Establish and follow a consistent pattern for layout of all headings.  All headings should use the same font size, font weight, typeface, etc.

For example: center all major headings; place secondary headings at least two lines below major headings.

Typeface/Printing Quality (Paper Submissions Only)

If you are submitting your manuscript on paper, printer quality is critical to produce a clean, clear image. You are strongly urged to use a laser printer, as ink jet and line printers generally do not produce fully clear, legible results. Dot matrix-type printers are not acceptable.

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  • Formatting Your Dissertation
  • Introduction

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On this page:

Language of the Dissertation

Page and text requirements, body of text, tables, figures, and captions, dissertation acceptance certificate, copyright statement.

  • Table of Contents

Front and Back Matter

Supplemental material, dissertations comprising previously published works, top ten formatting errors, further questions.

  • Related Contacts and Forms

When preparing the dissertation for submission, students must follow strict formatting requirements. Any deviation from these requirements may lead to rejection of the dissertation and delay in the conferral of the degree.

The language of the dissertation is ordinarily English, although some departments whose subject matter involves foreign languages may accept a dissertation written in a language other than English.

Most dissertations are 100 to 300 pages in length. All dissertations should be divided into appropriate sections, and long dissertations may need chapters, main divisions, and subdivisions.

  • 8½ x 11 inches, unless a musical score is included
  • At least 1 inch for all margins
  • Body of text: double spacing
  • Block quotations, footnotes, and bibliographies: single spacing within each entry but double spacing between each entry
  • Table of contents, list of tables, list of figures or illustrations, and lengthy tables: single spacing may be used

Fonts and Point Size

Use 10-12 point size. Fonts must be embedded in the PDF file to ensure all characters display correctly. 

Recommended Fonts

If you are unsure whether your chosen font will display correctly, use one of the following fonts: 

If fonts are not embedded, non-English characters may not appear as intended. Fonts embedded improperly will be published to DASH as-is. It is the student’s responsibility to make sure that fonts are embedded properly prior to submission. 

Instructions for Embedding Fonts

To embed your fonts in recent versions of Word, follow these instructions from Microsoft:

  • Click the File tab and then click Options .
  • In the left column, select the Save tab.
  • Clear the Do not embed common system fonts check box.

For reference, below are some instructions from ProQuest UMI for embedding fonts in older file formats:

To embed your fonts in Microsoft Word 2010:

  • In the File pull-down menu click on Options .
  • Choose Save on the left sidebar.
  • Check the box next to Embed fonts in the file.
  • Click the OK button.
  • Save the document.

Note that when saving as a PDF, make sure to go to “more options” and save as “PDF/A compliant”

To embed your fonts in Microsoft Word 2007:

  • Click the circular Office button in the upper left corner of Microsoft Word.
  • A new window will display. In the bottom right corner select Word Options . 
  • Choose Save from the left sidebar.

Using Microsoft Word on a Mac:

Microsoft Word 2008 on a Mac OS X computer will automatically embed your fonts while converting your document to a PDF file.

If you are converting to PDF using Acrobat Professional (instructions courtesy of the Graduate Thesis Office at Iowa State University):  

  • Open your document in Microsoft Word. 
  • Click on the Adobe PDF tab at the top. Select "Change Conversion Settings." 
  • Click on Advanced Settings. 
  • Click on the Fonts folder on the left side of the new window. In the lower box on the right, delete any fonts that appear in the "Never Embed" box. Then click "OK." 
  • If prompted to save these new settings, save them as "Embed all fonts." 
  • Now the Change Conversion Settings window should show "embed all fonts" in the Conversion Settings drop-down list and it should be selected. Click "OK" again. 
  • Click on the Adobe PDF link at the top again. This time select Convert to Adobe PDF. Depending on the size of your document and the speed of your computer, this process can take 1-15 minutes. 
  • After your document is converted, select the "File" tab at the top of the page. Then select "Document Properties." 
  • Click on the "Fonts" tab. Carefully check all of your fonts. They should all show "(Embedded Subset)" after the font name. 
  •  If you see "(Embedded Subset)" after all fonts, you have succeeded.

The font used in the body of the text must also be used in headers, page numbers, and footnotes. Exceptions are made only for tables and figures created with different software and inserted into the document.

Tables and figures must be placed as close as possible to their first mention in the text. They may be placed on a page with no text above or below, or they may be placed directly into the text. If a table or a figure is alone on a page (with no narrative), it should be centered within the margins on the page. Tables may take up more than one page as long as they obey all rules about margins. Tables and figures referred to in the text may not be placed at the end of the chapter or at the end of the dissertation.

  • Given the standards of the discipline, dissertations in the Department of History of Art and Architecture and the Department of Architecture, Landscape Architecture, and Urban Planning often place illustrations at the end of the dissertation.

Figure and table numbering must be continuous throughout the dissertation or by chapter (e.g., 1.1, 1.2, 2.1, 2.2, etc.). Two figures or tables cannot be designated with the same number. If you have repeating images that you need to cite more than once, label them with their number and A, B, etc. 

Headings should be placed at the top of tables. While no specific rules for the format of table headings and figure captions are required, a consistent format must be used throughout the dissertation (contact your department for style manuals appropriate to the field).

Captions should appear at the bottom of any figures. If the figure takes up the entire page, the caption should be placed alone on the preceding page, centered vertically and horizontally within the margins.

Each page receives a separate page number. When a figure or table title is on a preceding page, the second and subsequent pages of the figure or table should say, for example, “Figure 5 (Continued).” In such an instance, the list of figures or tables will list the page number containing the title. The word “figure” should be written in full (not abbreviated), and the “F” should be capitalized (e.g., Figure 5). In instances where the caption continues on a second page, the “(Continued)” notation should appear on the second and any subsequent page. The figure/table and the caption are viewed as one entity and the numbering should show correlation between all pages. Each page must include a header.

Landscape orientation figures and tables must be positioned correctly and bound at the top so that the top of the figure or table will be at the left margin. Figure and table headings/captions are placed with the same orientation as the figure or table when on the same page. When on a separate page, headings/captions are always placed in portrait orientation, regardless of the orientation of the figure or table. Page numbers are always placed as if the figure were vertical on the page.

If a graphic artist does the figures, Harvard Griffin GSAS will accept lettering done by the artist only within the figure. Figures done with software are acceptable if the figures are clear and legible. Legends and titles done by the same process as the figures will be accepted if they too are clear, legible, and run at least 10 or 12 characters per inch. Otherwise, legends and captions should be printed with the same font used in the text.

Original illustrations, photographs, and fine arts prints may be scanned and included, centered between the margins on a page with no text above or below.

Use of Third-Party Content

In addition to the student's own writing, dissertations often contain third-party content or in-copyright content owned by parties other than you, the student who authored the dissertation. The Office for Scholarly Communication recommends consulting the information below about fair use, which allows individuals to use in-copyright content, on a limited basis and for specific purposes, without seeking permission from copyright holders.

Because your dissertation will be made available for online distribution through DASH , Harvard's open-access repository, it is important that any third-party content in it may be made available in this way.

Fair Use and Copyright 

What is fair use?

Fair use is a provision in copyright law that allows the use of a certain amount of copyrighted material without seeking permission. Fair use is format- and media-agnostic. This means fair use may apply to images (including photographs, illustrations, and paintings), quoting at length from literature, videos, and music regardless of the format. 

How do I determine whether my use of an image or other third-party content in my dissertation is fair use?  

There are four factors you will need to consider when making a fair use claim.

1) For what purpose is your work going to be used?

  • Nonprofit, educational, scholarly, or research use favors fair use. Commercial, non-educational uses, often do not favor fair use.
  • A transformative use (repurposing or recontextualizing the in-copyright material) favors fair use. Examining, analyzing, and explicating the material in a meaningful way, so as to enhance a reader's understanding, strengthens your fair use argument. In other words, can you make the point in the thesis without using, for instance, an in-copyright image? Is that image necessary to your dissertation? If not, perhaps, for copyright reasons, you should not include the image.  

2) What is the nature of the work to be used?

  • Published, fact-based content favors fair use and includes scholarly analysis in published academic venues. 
  • Creative works, including artistic images, are afforded more protection under copyright, and depending on your use in light of the other factors, may be less likely to favor fair use; however, this does not preclude considerations of fair use for creative content altogether.

3) How much of the work is going to be used?  

  • Small, or less significant, amounts favor fair use. A good rule of thumb is to use only as much of the in-copyright content as necessary to serve your purpose. Can you use a thumbnail rather than a full-resolution image? Can you use a black-and-white photo instead of color? Can you quote select passages instead of including several pages of the content? These simple changes bolster your fair use of the material.

4) What potential effect on the market for that work may your use have?

  • If there is a market for licensing this exact use or type of educational material, then this weighs against fair use. If however, there would likely be no effect on the potential commercial market, or if it is not possible to obtain permission to use the work, then this favors fair use. 

For further assistance with fair use, consult the Office for Scholarly Communication's guide, Fair Use: Made for the Harvard Community and the Office of the General Counsel's Copyright and Fair Use: A Guide for the Harvard Community .

What are my options if I don’t have a strong fair use claim? 

Consider the following options if you find you cannot reasonably make a fair use claim for the content you wish to incorporate:

  • Seek permission from the copyright holder. 
  • Use openly licensed content as an alternative to the original third-party content you intended to use. Openly-licensed content grants permission up-front for reuse of in-copyright content, provided your use meets the terms of the open license.
  • Use content in the public domain, as this content is not in-copyright and is therefore free of all copyright restrictions. Whereas third-party content is owned by parties other than you, no one owns content in the public domain; everyone, therefore, has the right to use it.

For use of images in your dissertation, please consult this guide to Finding Public Domain & Creative Commons Media , which is a great resource for finding images without copyright restrictions. 

Who can help me with questions about copyright and fair use?

Contact your Copyright First Responder . Please note, Copyright First Responders assist with questions concerning copyright and fair use, but do not assist with the process of obtaining permission from copyright holders.

Pages should be assigned a number except for the Dissertation Acceptance Certificate . Preliminary pages (abstract, table of contents, list of tables, graphs, illustrations, and preface) should use small Roman numerals (i, ii, iii, iv, v, etc.). All pages must contain text or images.  

Count the title page as page i and the copyright page as page ii, but do not print page numbers on either page .

For the body of text, use Arabic numbers (1, 2, 3, 4, 5, etc.) starting with page 1 on the first page of text. Page numbers must be centered throughout the manuscript at the top or bottom. Every numbered page must be consecutively ordered, including tables, graphs, illustrations, and bibliography/index (if included); letter suffixes (such as 10a, 10b, etc.) are not allowed. It is customary not to have a page number on the page containing a chapter heading.

  • Check pagination carefully. Account for all pages.

A copy of the Dissertation Acceptance Certificate (DAC) should appear as the first page. This page should not be counted or numbered. The DAC will appear in the online version of the published dissertation. The author name and date on the DAC and title page should be the same. 

The dissertation begins with the title page; the title should be as concise as possible and should provide an accurate description of the dissertation. The author name and date on the DAC and title page should be the same. 

  • Do not print a page number on the title page. It is understood to be page  i  for counting purposes only.

A copyright notice should appear on a separate page immediately following the title page and include the copyright symbol ©, the year of first publication of the work, and the name of the author:

© [ year ] [ Author’s Name ] All rights reserved.

Alternatively, students may choose to license their work openly under a  Creative Commons  license. The author remains the copyright holder while at the same time granting up-front permission to others to read, share, and (depending on the license) adapt the work, so long as proper attribution is given. (By default, under copyright law, the author reserves all rights; under a Creative Commons license, the author reserves some rights.)

  • Do  not  print a page number on the copyright page. It is understood to be page  ii  for counting purposes only.

An abstract, numbered as page  iii , should immediately follow the copyright page and should state the problem, describe the methods and procedures used, and give the main results or conclusions of the research. The abstract will appear in the online and bound versions of the dissertation and will be published by ProQuest. There is no maximum word count for the abstract. 

  • double-spaced
  • left-justified
  • indented on the first line of each paragraph
  • The author’s name, right justified
  • The words “Dissertation Advisor:” followed by the advisor’s name, left-justified (a maximum of two advisors is allowed)
  • Title of the dissertation, centered, several lines below author and advisor

Dissertations divided into sections must contain a table of contents that lists, at minimum, the major headings in the following order:

  • Front Matter
  • Body of Text
  • Back Matter

Front matter includes (if applicable):

  • acknowledgements of help or encouragement from individuals or institutions
  • a dedication
  • a list of illustrations or tables
  • a glossary of terms
  • one or more epigraphs.

Back matter includes (if applicable):

  • bibliography
  • supplemental materials, including figures and tables
  • an index (in rare instances).

Supplemental figures and tables must be placed at the end of the dissertation in an appendix, not within or at the end of a chapter. If additional digital information (including audio, video, image, or datasets) will accompany the main body of the dissertation, it should be uploaded as a supplemental file through ProQuest ETD . Supplemental material will be available in DASH and ProQuest and preserved digitally in the Harvard University Archives.

As a matter of copyright, dissertations comprising the student's previously published works must be authorized for distribution from DASH. The guidelines in this section pertain to any previously published material that requires permission from publishers or other rightsholders before it may be distributed from DASH. Please note:

  • Authors whose publishing agreements grant the publisher exclusive rights to display, distribute, and create derivative works will need to seek the publisher's permission for nonexclusive use of the underlying works before the dissertation may be distributed from DASH.
  • Authors whose publishing agreements indicate the authors have retained the relevant nonexclusive rights to the original materials for display, distribution, and the creation of derivative works may distribute the dissertation as a whole from DASH without need for further permissions.

It is recommended that authors consult their publishing agreements directly to determine whether and to what extent they may have transferred exclusive rights under copyright. The Office for Scholarly Communication (OSC) is available to help the author determine whether she has retained the necessary rights or requires permission. Please note, however, the Office of Scholarly Communication is not able to assist with the permissions process itself.

  • Missing Dissertation Acceptance Certificate.  The first page of the PDF dissertation file should be a scanned copy of the Dissertation Acceptance Certificate (DAC). This page should not be counted or numbered as a part of the dissertation pagination.
  • Conflicts Between the DAC and the Title Page.  The DAC and the dissertation title page must match exactly, meaning that the author name and the title on the title page must match that on the DAC. If you use your full middle name or just an initial on one document, it must be the same on the other document.  
  • Abstract Formatting Errors. The advisor name should be left-justified, and the author's name should be right-justified. Up to two advisor names are allowed. The Abstract should be double spaced and include the page title “Abstract,” as well as the page number “iii.” There is no maximum word count for the abstract. 
  •  The front matter should be numbered using Roman numerals (iii, iv, v, …). The title page and the copyright page should be counted but not numbered. The first printed page number should appear on the Abstract page (iii). 
  • The body of the dissertation should be numbered using Arabic numbers (1, 2, 3, …). The first page of the body of the text should begin with page 1. Pagination may not continue from the front matter. 
  • All page numbers should be centered either at the top or the bottom of the page.
  • Figures and tables Figures and tables must be placed within the text, as close to their first mention as possible. Figures and tables that span more than one page must be labeled on each page. Any second and subsequent page of the figure/table must include the “(Continued)” notation. This applies to figure captions as well as images. Each page of a figure/table must be accounted for and appropriately labeled. All figures/tables must have a unique number. They may not repeat within the dissertation.
  • Any figures/tables placed in a horizontal orientation must be placed with the top of the figure/ table on the left-hand side. The top of the figure/table should be aligned with the spine of the dissertation when it is bound. 
  • Page numbers must be placed in the same location on all pages of the dissertation, centered, at the bottom or top of the page. Page numbers may not appear under the table/ figure.
  • Supplemental Figures and Tables. Supplemental figures and tables must be placed at the back of the dissertation in an appendix. They should not be placed at the back of the chapter. 
  • Permission Letters Copyright. permission letters must be uploaded as a supplemental file, titled ‘do_not_publish_permission_letters,” within the dissertation submission tool.
  •  DAC Attachment. The signed Dissertation Acceptance Certificate must additionally be uploaded as a document in the "Administrative Documents" section when submitting in Proquest ETD . Dissertation submission is not complete until all documents have been received and accepted.
  • Overall Formatting. The entire document should be checked after all revisions, and before submitting online, to spot any inconsistencies or PDF conversion glitches.
  • You can view dissertations successfully published from your department in DASH . This is a great place to check for specific formatting and area-specific conventions.
  • Contact the  Office of Student Affairs  with further questions.


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Dissertation layout and formatting

Published on October 21, 2015 by Koen Driessen . Revised on February 20, 2019.

The layout requirements for a dissertation are often determined by your supervisor or department. However, there are certain guidelines that are common to almost every program, such as including page numbers and a table of contents.

If you are writing a paper in the MLA citation style , you can use our  MLA format guide .

Table of contents

Font, font size, and line spacing, tables and figures, referencing, paragraph marks, headers and footers, page numbering, dissertation printing.

Use a clear and professional font. Some examples include Verdana, Times New Roman, and Calibri (which is the default font in Microsoft Word). Font size is best set to 10 or 11.

In scientific articles and theses, a line spacing of 1.15 or 1.5 is generally preferred, as it makes the document more readable and enables your supervisor to post comments between the lines of text.

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With tables, the number and title should be placed above; with figures and all other illustrations, the number and title should be placed below.

Microsoft Word has a feature that can help you to automatically place these numbers and titles in the correct position. Select the graphic, right-click, and choose “Insert Caption…” In the dialogue box that appears, specify whether it is a table or figure and enter a title. Once you click “Okay,” the number and the title will be generated in the right place.

Another advantage of using this Word feature to label your graphics is that you will later be able to generate lists of tables and figures with a push of a button.

Different heading styles are frequently used to help the reader differentiate between chapters, sections, and subsections of your dissertation. For instance, you may choose to bold all chapter headings but to italicize all lower-level headings.

Once you decide on the scheme you will use, it is important that you apply it consistently throughout your entire dissertation. Using the “Styles” feature of Microsoft Word can be very helpful in this regard. After you have created a heading, just highlight it and select a style (such as Heading 1 or Heading 2) from the home tool bar. Keeping a list may help you keep track of what style to use when.

Citing sources in a correct and appropriate manner is crucial in a dissertation, as failing to do so can make you guilty of plagiarism . It is important that these references follow certain standards.

The APA standard is most commonly used. After realizing how difficult it is to create correctly formatted citations manually, we developed the APA Citation Generator  to assist you. You can use this free and simple tool to easily generate citations that follow the official APA style.

We also recommend that you use a plagiarism scanner to check for unintended plagiarism.

Paragraph marks in Word

Using the “Show paragraph marks” feature can help you to avoid this scenario. To turn it on, click on the paragraph symbol in your home tool bar (as shown in the above illustration). A black paragraph symbol will then be shown after every paragraph and “hard return” in your document, which allows you to see how the layout is constructed.

This can be very helpful when you are trying to determine the cause of mysterious jumps and other problems.

Headers and footers can give your dissertation a very professional look. They also make it immediately clear to readers what document is before them.

A header or footer can be added by double-clicking respectively at the top or bottom of a page in your document. There are generally no firm rules about what you must include; the following are common choices:

  • The name/logo of your home educational institution
  • The name/logo of the company or organization where you completed a placement
  • The title of your dissertation (which may be shortened if necessary)
  • Page numbers

Page numbers are commonly placed in the lower right-hand corner of the page. They can easily be added by simply creating a footer. Bear in mind that a page number is usually not included on the title page of a dissertation.

  • To ensure that the page numbering doesn’t start on the cover page, but the numbering begins on page 1, place the cursor on the bottom of the page where you want to start with page numbering (if you want to start on page 2, click at the bottom of the first page).
  • Next go to “Page layout” and then “Breaks”. Next, choose the submenu “Next page”.
  • Switch to the side, where the numbering should begin (in this case, page 2). In the edit mode of the header or footer, choose “link to previous”, after that click on “Move to footer” and click on the “Link to previous” again.
  • Now, to add a page number, click on the “Insert” tab, then on the “Header and footer” group, and then click “Page number”. Now you can also choose where the page number should be (top of the page, bottom of the page or page margins) and you can choose a design.
  • Finally select the option “format page number” and enter the page numbers, in what page you want the numbering to begin. After you have pressed “ok”, the page number then begins with the number from the previously selected break.

A clear and well-presented title page is a nice finishing touch for your dissertation. Certain information should be included here by default. We have prepared a separate article on title pages that includes a handy checklist you can use to make sure you don’t forget anything.

Always make sure that everything in your dissertation is in the correct order and placed in the appropriate chapter. More information on how to put your document together can be found in our article on structure a dissertation .

If you are interested in seeing how other students have tackled preparing their theses, you may find it useful to check out these dissertation examples .

The last step is usually to prepare a hardcopy of your final document. There are many issues to think about, such as whether you will make it single- or double-sided.

Before you print, however, we recommend that you check one last time that your document meets all of the below requirements!

Cite this Scribbr article

If you want to cite this source, you can copy and paste the citation or click the “Cite this Scribbr article” button to automatically add the citation to our free Citation Generator.

Driessen, K. (2019, February 20). Dissertation layout and formatting. Scribbr. Retrieved February 22, 2024, from https://www.scribbr.com/tips/dissertation-layout-and-formatting/

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The Modern Language Association (MLA) provides explicit, specific recommendations for the margins and spacing of academic papers. (See: Document Format .) But their advice on font selection is less precise: “Always choose an easily readable typeface (e.g. Times New Roman) in which the regular style contrasts clearly with the italic, and set it to a standard size (e.g. 12 point)” ( MLA Handbook , 7th ed., §4.2).

So which fonts are “easily readable” and have “clearly” contrasting italics? And what exactly is a “standard” size?

For academic papers, an “easily readable typeface” means a serif font, and a “standard” type size is between 10 and 12 point.

Use A Serif Font

Serifs are the tiny strokes at the end of a letter’s main strokes. Serif fonts have these extra strokes; sans serif fonts do not. ( Sans is French for “without.”) Serif fonts also vary the thickness of the letter strokes more than sans serifs, which have more uniform lines.

best font for my thesis

Books, newspapers, and magazines typically set their main text in a serif font because they make paragraphs and long stretches of text easier to read. Sans serifs (Arial, Calibri, Helvetica, Gill Sans, Verdana, and so on) work well for single lines of text, like headings or titles, but they rarely make a good choice for body text.

Moreover, most sans serifs don’t have a true italic style. Their “italics” are really just “obliques,” where the letters slant slightly to the right but keep the same shape and spacing. Most serifs, on the other hand, do have a true italic style, with distinctive letter forms and more compact spacing.

best font for my thesis

Since they’re more readable for long passages and have sharper contrast in their italics, you should always use a serif font for the text of an academic paper.

Use A Readable Type Size

The standard unit for measuring type size is the point . A point is 1 / 72 of an inch, roughly one pixel on a computer screen. The point size of a font tells you the size of the “em square” in which your computer displays each letter of the typeface. How tall or wide any given letter is depends on how the type designer drew it within the em square, thus a font’s height and width can vary greatly depending on the design of the typeface. That’s why if you set two fonts at the same point size, one usually looks bigger than the other.

Compare the following paragraphs, both set at 12 point but in different fonts:

best font for my thesis

For body text in academic papers, type sizes below 10 point are usually too small to read easily, while type sizes above 12 point tend to look oversized and bulky. So keep the text of your paper between 10 and 12 point .

Some teachers may require you to set your whole text at 12 point. Yet virtually every book, magazine, or newspaper ever printed for visually unimpaired grown-ups sets its body type smaller than 12 point. Newspapers use even smaller type sizes. The New York Times , for example, sets its body text in a perfectly legible 8.7 point font. So with proper spacing and margins, type sizes of 11 or 10 point can be quite comfortable to read.

Font Recommendations

I usually ask my students to use Century Schoolbook or Palatino for their papers. If your teacher requires you to submit your papers in a particular font, do so. (Unless they require you to use Arial , in which case drop the class.)

One thing to consider when choosing a font is how you submit your essay. When you submit a hard copy or a PDF, your reader will see the text in whatever typeface you use. Most electronic submission formats, on the other hand, can only use the fonts available on the reader’s computer. So if you submit the paper electronically, be sure to use a font your instructor has.

What follows is a list of some widely available, highly legible serif fonts well-suited for academic papers. I’ve divided them into four categories: Microsoft Word Fonts, Mac OS Fonts, Google Fonts, and Universal Fonts.

Microsoft Word Fonts

Microsoft Word comes with lots of fonts of varying quality. If your teacher asks you to submit your paper in Word format, you can safely assume they have Word and all the fonts that go with it.

best font for my thesis

Morris Fuller Benton designed Century Schoolbook in 1923 for elementary-school textbooks, so it’s a highly readable font. It’s one of the best fonts available with Microsoft Word. Because it’s so legible, U. S. Supreme Court Rule 33.1.b madates that all legal documents submitted to the Court be set in Century Schoolbook or a similar Century-style font.

best font for my thesis

Hermann Zapf designed Palatino in 1948 for titles and headings, but its elegant proportions make it a good font for body text. Named for Renaissance calligrapher Giambattista Palatino, this font has the beauty, harmony, and grace of fine handwriting. Palatino Linotype is the name of the font included with Microsoft Word; Mac OS includes a version of the same typeface called simply Palatino.

Microsoft Word includes several other fonts that can work well for academic essays: Bell MT , Californian FB , Calisto MT , Cambria , Garamond , and Goudy Old Style .

Mac OS Fonts

Apple has a well-deserved reputation for design excellence which extends to its font library. But you can’t count on any of these Mac OS fonts being on a computer that runs Windows.

best font for my thesis

Finding his inspiration in the typography of Pierre Simon Fournier, Matthew Carter designed Charter in 1987 to look good even on crappy mid-80s fax machines and printers. Its ability to hold up even in low resolution makes Charter work superbly well on screen. Bitstream released Charter under an open license, so you can add it to your font arsenal for free. You can download Charter here .

best font for my thesis

In 1991 Apple commissioned Jonathan Hoefler to design a font that could show off the Mac’s ability to handle complex typography. The result was Hoefler Text , included with every Mac since then. The bold weight of Hoefler Text on the Mac is excessively heavy, but otherwise it’s a remarkable font: compact without being cramped, formal without being stuffy, and distinctive without being obtrusive. If you have a Mac, start using it.

Other Mac OS fonts you might consider are Baskerville and Palatino .

Google Fonts

When you submit a paper using Google Docs, you can access Google’s vast library of free fonts knowing that anyone who opens it in Google Docs will have those same fonts. Unfortunately, most of those free fonts are worth exactly what you paid for them, so choose wisely.

best font for my thesis

IBM Plex is a super-family of typefaces designed by Mike Abbink and the Bold Monday type foundry for — you guessed it — IBM. Plex serif is a solid, legible font that borrows features from Janson and Bodoni in its design. Plex is, not surprisingly, a thoroughly corporate font that aims for and achieves a bland neutrality suitable for most research papers.

best font for my thesis

John Baskerville originally designed this typeface in the 1850s, employing new techniques to make sharper contrasts between thin and thick strokes in the letter forms. The crisp, elegant design has inspired dozens of subsequent versions. Libre Baskerville is based on the American Type Founder’s 1941 version, modified to make it better for on-screen reading.

Unfortunately. Google Fonts has few really good serif fonts. Some others you might consider are Crimson Pro and Spectral .

Universal Fonts

Anyone you send your document to will have these fonts because they’re built in to both Windows and Mac OS.

best font for my thesis

Matthew Carter designed Georgia in 1993 for maximum legibility on computer screens. Georgia looks very nice on web sites, but in print it can look a bit clunky, especially when set at 12 point. Like Times New Roman, it’s on every computer and is quite easy to read. The name “Georgia” comes from a tabloid headline: “Alien Heads Found in Georgia.”

best font for my thesis

Times New Roman is, for better or worse, the standard font for academic manuscripts. Many teachers require it because it’s a solid, legible, and universally available font. Stanley Morison designed it in 1931 for The Times newspaper of London, so it’s a very efficient font and legible even at very small sizes. Times New Roman is always a safe choice. But unless your instructor requires it, you should probably use something a bit less overworked.

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PhD thesis formatting

There is no official pre-made departmental or University-wide style template for PhD theses. Some argue that learning (and advancing!) the art of beautifully typesetting a thesis is a crucial part of getting a PhD.

Here are some practical recommendations, examples, and useful starting points.

Most PhD authors in the Computer Laboratory prefer LaTeX as their typesetting system (under both Linux or Windows), mainly because of its

  • excellent and yet unmatched support for mathematical formulae;
  • good support for managing bibliographic references;
  • good support for high-quality typography;
  • easy integration with software-engineering tools (make, revision control, etc.);
  • very safe and robust handling of large documents;
  • long-term stability;
  • comprehensive free tool support.

A common approach is to use the report style, with a suitable title page added, margins changed to make good use of the A4 format, and various other changes to suit submission requirements and individual tastes (e.g., other fonts).

For preparing publication-quality diagrams, some of the most powerful and popular tools used include:

  • PGF/TikZ – the probably most sophisticated drawing package for LaTeX
  • matplotlib – Matlab-style function plotting in Python

Official requirements

There used to be detailed Student Registry PhD format requirements , regarding font sizes and line spacing, but most Degree Committees have dropped these, recognizing that they were mainly motivated by past typewriter conventions. The rules left are now mainly about the word count .

In particular, it is no longer necessary for dissertations to be printed single sided or in “one-and-a-half spaced type”. If you still like to increase the line spacing, for easier proofreading, you can achieve this in LaTeX by placing into the preamble the line “ \usepackage{setspace}\onehalfspacing ”.


One Cambridge thesis-binding company, J.S. Wilson & Son , recommend on their web page to leave 30 mm margin on the spine and 20 mm on the other three sides of the A4 pages sent to them. About a centimetre of the left margin is lost when the binder stitches the pages together.

Write your thesis title and section headings in “sentence case”, that is use the same capitalization that you would have used in normal sentences (capitalize only the first word, proper nouns and abbreviations). Avoid the US-style “title case” that some conference-proceedings publishers require.

  • Sentence case is normal typographic practice in the UK (see any UK-published newspaper, magazine, journals such as Nature , etc.).
  • The catalogues of both the University Library thesis collection and our departmental Technical Report series record titles this way, and you don't want the cataloguers mess with your title capitalization when your thesis finally reaches them.
  • It preserves useful information about the correct capitalization of any names or technical terms used.

Page numbers

Use a single page-number sequence for all pages in your thesis, i.e. do not use a separate sequence of Roman numerals for front-matter (title page, abstract, acknowledgements, table of contents, table of figure). In LaTeX that means using the report style, not the book style.

  • PDF viewers number pages continuously starting from 1, and using anything else as printed page numbers causes confusion.
  • This will save you some reformatting when submitting your thesis as a techreport .

Bibliographic references

If you use purely-numeric bibliographic references, do not forget to still mention authors’ surnames, as a courtesy to both the authors and your readers. Also, try to add the exact page number on which the quoted point is found in the reference; LaTeX supports this really well. (“suggested by Crowcroft and Kuhn [42,p107]”)

Technical Report submission

After a thesis has been approved by the examiners, the author normally submits it for publication as a Computer Laboratory Technical Report .

It is a good idea to read early on the submission guidelines for technical reports , as this may reduce the need to change the formatting later.

If you want to minimize any changes needed between your submitted thesis and the corresponding technical report version, then – in addition to applying all the above advice – you can

  • make page 1 the title page,
  • make page 2 the required declaration of originality,
  • make page 3 the summary, and
  • choose a layout suitable for double-sided printing (required for techreport, since 2010 also allowed for final PhD submission).

This way, there is a very high chance that turning your thesis into a techreport could be as simple as replacing pages 1 and 2 with the standard Technical Report title page (which the techreport editor can do for you).

More information

  • The Computer Laboratory house style page explains where to find the University identifier that many put on the title page of their thesis.
  • Markus Kuhn’s simple PhD thesis template ( snapshot ) is just one possible starting point.
  • The cam-thesis LaTeX class is a collaborative effort to maintain a Cambridge PhD thesis template for Computer Laboratory research students, initiated by Jean Martina, Rok Strniša, and Matej Urbas.
  • Effective scientific electronic publishing – Markus Kuhn’s notes on putting scientific publications onto the web, especially for LaTeX/LNCS users.
  • International Standard ISO 7144 Presentation of theses and similar documents (1986) contains also some general guidelines for formatting dissertations that may be of use.
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Thesis and Dissertation Guide

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  • Introduction
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Non-Traditional Formats

Font type and size, spacing and indentation, tables, figures, and illustrations, formatting previously published work.

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Thesis and Dissertation Guide

II. Formatting Guidelines

All copies of a thesis or dissertation must have the following uniform margins throughout the entire document:

  • Left: 1″ (or 1 1/4" to ensure sufficient room for binding the work if desired)
  • Right: 1″
  • Bottom: 1″ (with allowances for page numbers; see section on Pagination )
  • Top: 1″

Exceptions : The first page of each chapter (including the introduction, if any) begins 2″ from the top of the page. Also, the headings on the title page, abstract, first page of the dedication/ acknowledgements/preface (if any), and first page of the table of contents begin 2″ from the top of the page.

Non-traditional theses or dissertations such as whole works comprised of digital, artistic, video, or performance materials (i.e., no written text, chapters, or articles) are acceptable if approved by your committee and graduate program. A PDF document with a title page, copyright page, and abstract at minimum are required to be submitted along with any relevant supplemental files.

Fonts must be 10, 11, or 12 points in size. Superscripts and subscripts (e.g., formulas, or footnote or endnote numbers) should be no more than 2 points smaller than the font size used for the body of the text.

Space and indent your thesis or dissertation following these guidelines:

Spacing and Indentation with mesaurements described in surrounding text

  • The text must appear in a single column on each page and be double-spaced throughout the document. Do not arrange chapter text in multiple columns.
  • New paragraphs must be indicated by a consistent tab indentation throughout the entire document.
  • The document text must be left-justified, not centered or right-justified.
  • For blocked quotations, indent the entire text of the quotation consistently from the left margin.
  • Ensure headings are not left hanging alone on the bottom of a prior page. The text following should be moved up or the heading should be moved down. This is something to check near the end of formatting, as other adjustments to text and spacing may change where headings appear on the page.

Exceptions : Blocked quotations, notes, captions, legends, and long headings must be single-spaced throughout the document and double-spaced between items.

Paginate your thesis or dissertation following these guidelines:

  • Use lower case Roman numerals (ii, iii, iv, etc.) on all pages preceding the first page of chapter one. The title page counts as page i, but the number does not appear. Therefore, the first page showing a number will be the copyright page with ii at the bottom.
  • Arabic numerals (beginning with 1, 2, 3, 4, etc.) start at chapter one or the introduction, if applicable. Arabic numbers must be included on all pages of the text, illustrations, notes, and any other materials that follow. Thus, the first page of chapter one will show an Arabic numeral 1, and numbering of all subsequent pages will follow in order.
  • Do not use page numbers accompanied by letters, hyphens, periods, or parentheses (e.g., 1., 1-2, -1-, (1), or 1a).
  • Center all page numbers at the bottom of the page, 1/2″ from the bottom edge.
  • Pages must not contain running headers or footers, aside from page numbers.
  • If your document contains landscape pages (pages in which the top of the page is the long side of a sheet of paper), make sure that your page numbers still appear in the same position and direction as they do on pages with standard portrait orientation for consistency. This likely means the page number will be centered on the short side of the paper and the number will be sideways relative to the landscape page text. See these additional instructions for assistance with pagination on landscape pages in Microsoft Word .

Pagination example with mesaurements described in surrounding text

Format footnotes for your thesis or dissertation following these guidelines:

Footnote spacing  with mesaurements described in surrounding text

  • Footnotes must be placed at the bottom of the page separated from the text by a solid line one to two inches long.
  • Begin at the left page margin, directly below the solid line.
  • Single-space footnotes that are more than one line long.
  • Include one double-spaced line between each note.
  • Most software packages automatically space footnotes at the bottom of the page depending on their length. It is acceptable if the note breaks within a sentence and carries the remainder into the footnote area of the next page. Do not indicate the continuation of a footnote.
  • Number all footnotes with Arabic numerals. You may number notes consecutively within each chapter starting over with number 1 for the first note in each chapter, or you may number notes consecutively throughout the entire document.
  • Footnote numbers must precede the note and be placed slightly above the line (superscripted). Leave no space between the number and the note.
  • While footnotes should be located at the bottom of the page, do not place footnotes in a running page footer, as they must remain within the page margins.

Endnotes are an acceptable alternative to footnotes. Format endnotes for your thesis or dissertation following these guidelines:

Endnotes with mesaurements described in surrounding text

  • Always begin endnotes on a separate page either immediately following the end of each chapter, or at the end of your entire document. If you place all endnotes at the end of the entire document, they must appear after the appendices and before the references.
  • Include the heading “ENDNOTES” in all capital letters, and center it 1″ below the top of the first page of your endnotes section(s).
  • Single-space endnotes that are more than one line long.
  • Number all endnotes with Arabic numerals. You may number notes consecutively within each chapter starting over with number 1 for the first note in each chapter, or you may number notes consecutively throughout the entire document.
  • Endnote numbers must precede the note and be placed slightly above the line (superscripted). Leave no space between the number and the note.

Tables, figures, and illustrations vary widely by discipline. Therefore, formatting of these components is largely at the discretion of the author.

For example, headings and captions may appear above or below each of these components.

These components may each be placed within the main text of the document or grouped together in a separate section.

Space permitting, headings and captions for the associated table, figure, or illustration must be on the same page.

The use of color is permitted as long as it is consistently applied as part of the finished component (e.g., a color-coded pie chart) and not extraneous or unprofessional (e.g., highlighting intended solely to draw a reader's attention to a key phrase). The use of color should be reserved primarily for tables, figures, illustrations, and active website or document links throughout your thesis or dissertation.

The format you choose for these components must be consistent throughout the thesis or dissertation.

Ensure each component complies with margin and pagination requirements.

Refer to the List of Tables, Figures, and Illustrations section for additional information.

If your thesis or dissertation has appendices, they must be prepared following these guidelines:

Appendices with mesaurements described in surrounding text

  • Appendices must appear at the end of the document (before references) and not the chapter to which they pertain.
  • When there is more than one appendix, assign each appendix a number or a letter heading (e.g., “APPENDIX 1” or “APPENDIX A”) and a descriptive title. You may number consecutively throughout the entire work (e.g., 1, 2 or A, B), or you may assign a two-part Arabic numeral with the first number designating the chapter in which it appears, separated by a period, followed by a second number or letter to indicate its consecutive placement (e.g., “APPENDIX 3.2” is the second appendix referred to in Chapter Three).
  • Include the chosen headings in all capital letters, and center them 1″ below the top of the page.
  • All appendix headings and titles must be included in the table of contents.
  • Page numbering must continue throughout your appendix or appendices. Ensure each appendix complies with margin and pagination requirements.

You are required to list all the references you consulted. For specific details on formatting your references, consult and follow a style manual or professional journal that is used for formatting publications and citations in your discipline.

References with mesaurements described in surrounding text

Your reference pages must be prepared following these guidelines:

  • If you place references after each chapter, the references for the last chapter must be placed immediately following the chapter and before the appendices.
  • If you place all references at the end of the thesis or dissertation, they must appear after the appendices as the final component in the document.
  • Select an appropriate heading for this section based on the style manual you are using (e.g., “REFERENCES”, “BIBLIOGRAPHY”, or “WORKS CITED”).
  • Include the chosen heading in all capital letters, and center it 1″ below the top of the page.
  • References must be single-spaced within each entry.
  • Include one double-spaced line between each reference.
  • Page numbering must continue throughout your references section. Ensure references comply with margin and pagination requirements.

In some cases, students gain approval from their academic program to include in their thesis or dissertation previously published (or submitted, in press, or under review) journal articles or similar materials that they have authored. For more information about including previously published works in your thesis or dissertation, see the section on Use of Your Own Previously Published Materials and the section on Copyrighting.

If your academic program has approved inclusion of such materials, please note that these materials must match the formatting guidelines set forth in this Guide regardless of how the material was formatted for publication.

Some specific formatting guidelines to consider include:

Formatting previously published work with mesaurements described in surrounding text

  • Fonts, margins, chapter headings, citations, and references must all match the formatting and placement used within the rest of the thesis or dissertation.
  • If appropriate, published articles can be included as separate individual chapters within the thesis or dissertation.
  • A separate abstract to each chapter should not be included.
  • The citation for previously published work must be included as the first footnote (or endnote) on the first page of the chapter.
  • Do not include typesetting notations often used when submitting manuscripts to a publisher (i.e., insert table x here).
  • The date on the title page should be the year in which your committee approves the thesis or dissertation, regardless of the date of completion or publication of individual chapters.
  • If you would like to include additional details about the previously published work, this information can be included in the preface for the thesis or dissertation.

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8 Best Fonts for Thesis Writing to Make It Presentable

Best Fonts for Thesis Writing

Table Of Contents

How do font plays a critical role in thesis, 8 best fonts for thesis writing, tips to choose the best font for thesis, mistakes to avoid while choosing a font, how to format your thesis perfectly.

  • Can’t Write a Thesis? Let Our Experts Do It for You

When your professor assigns you a thesis, he excepts it to be perfect at the time of submission. The textual content of the document is the utmost source of information. So, while creating content, you should take care of the font selection. Choosing the best font for the thesis provides an attractive appearance and preserves the aesthetic value of your document. Also, the font professionally presents information. Choosing font in both ways (either online or printed form) of the thesis is crucial. If you are submitting it online, then the font makes a difference in the readability. If you are providing it in the printed form, then the font reflects professionalism.

You May Like This: The Complete Guide to Breaking Down a 10000-Word Dissertation

Sometimes, it is questioned that why the font is necessary. Well, the font is as mandatory as the content. You should know that everything is in proper fonts   for the thesis.

  • To highlight headings, you can use bold and stylish fonts.
  • To highlight the subheadings, you can use italic and cursive fonts.
  • The information that you want to convey must be in a simple and decent font.

This particular formula will grab the reader’s attention to your document. If you don’t focus on the font, then your document will look imprudent. It can create a bad impact on your professor. If you don't show creativity while writing, then the reader will get bored and won’t show interest in your document. So, make sure to always use different fonts in the thesis according to the needs. Now, let’s talk about some of the most appropriate fonts included in the thesis.

This Might Be Helpful: A to Z of Assignment Writing: Everything You Need to Know About It

A thesis can look presentable if you include appropriate fonts in it. The following fonts will create a positive impression on your professor. Let’s take a look:

  • Times New Roman Times New Roman was particularly designed for Times Newspaper for London. This font has a separate and different value in a formal style. Most of the universities and colleges suggest students use this font in a document.
  • Georgia Georgia font was designed in 1883, especially for Microsoft Corporation. This is the best font for the students who want to submit the document online. It is preferred for the elegant and small appearance for low-resolution screens.
  • Serif Serif is originated from Roman from a font written on a stone. Earlier, this font was not accepted universally. The specialty of this font is that every alphabet has a small line or stroke attached to the end of the larger stroke.
  • Garamond Garamond is usually used for book printing and body text. If you want to write the main body or long paragraphs, then you can use this font. It is simple and easy to read.
  • Cambria Cambria is founded by Microsoft and later distributed with Windows and Office. This font is the easiest to read in a hurry because it contains spaces and proportions between the alphabets. This is suitable for the body and the long sentence.
  • Century Gothic Century Gothic is basically in the geometric style released in 1881. This font has a larger height instead of other fonts. If the university allows you to choose the font of your own choice, you can go for this one.
  • Palatino Linotype Palatino Linotype font is highly legible for online documents. It enhances the quality of the letter when displayed on the screen. This font is majorly used for books, periodicals, and catalogs.
  • Lucida Bright Lucida Bright has a unique quality that the text looks larger at smaller point sizes also. This font can fit words on a single line. To write a thesis, you can choose this font easily.

After getting brief knowledge about the fonts, let's now come to the tips to choose the best font for the thesis. Here are some major key points that you should follow while choosing a font.

  • Make sure your font looks attractive.
  • It should match your tone.
  • Headings and subheadings must be highlighted.
  • It should not look congested.
  • Avoid choosing complicated or fancy fonts.

Take a Look: How to Write a Good Thesis Statement for an Essay? Best Tips & Examples

Students make some mistakes while choosing a font, which the professor dislikes the most. So, to avoid those, keep the below points in mind.

  • Don’t choose fonts on your likes and dislikes.
  • Put the reader's preference first and then choose the font.
  • Avoid too many fonts as they make the work look unorganized.
  • Make sure all fonts match your document instead of making it look like a disaster.
  • Choose different fonts for titles, subtitles, paragraphs.

When preparing the thesis for submission, students must follow strict formatting requirements. Any deviations in these requirements may lead to the rejection of the thesis.

  • The language should be perfect.
  • The length of the thesis should be divided appropriately among the sections.
  • The page size, margins, and spacing on the page should be correct.
  • The font and point size should be displayed correctly.

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11 ideal fonts for dissertation writing |helpwithassignment.com.

  • Dissertation

Times New Roman, Georgia, Garamond, Arial, Verdana, Cambria, Century Gothic, Constantia, and Arial Narrow are some of the ideal fonts for dissertation writing.

What is Dissertation Writing ?

In the term – Dissertation writing, the word “Dissertation” has originated from the Latin language where ‘ dissertare’ means ‘to debate’. This word was first used in the English language in around 1651 which gave us a definition to write extensively on a certain subject. It is also defined as a long piece of writing on any particular topic which you have studied.

best font for dissertation

In a dissertation writing, the writer should always choose to write with the help of using a clear font like Arial, Times New Roman, etc. They should also set perfect font sizes such are 10 to 12 also the line spacing should be done of 1.15 or 1.5 which is generally accepted as it makes the document appear more neat and tidy and allows the reader to put comments in between.

Mistakes that should be avoided while choosing the Font for dissertation writing:

  • Do not choose fonts on the basis of your personal likes and dislikes. Always the writer should keep in mind that they should choose the font on the basis of the reader’s perspective as it is not easy to go through a 20 pages dissertation with a complex font.
  • Always avoid using too many fonts as the write-ups become too much complicated and is also not considered well organized.
  • All fonts for dissertation do not match or work together, therefore, a student should make sure that they should choose fonts which go along their write up
  • Try separating the fonts of your subtitles and the paragraphs as the same fonts used might make your writing monotonous and boring for the reader.

11 Best Font for Dissertation Writing

Times new roman: most common fonts for dissertation.

This font was originally designed for Times Newspaper of London. This font has a separate and different aesthetician a formal style that is prescribed or assigned by many universities and colleges. It is also quite easy to read.

This is a serif type font designed by Matthew Carter and was founded by Microsoft Corporation. It was created and released in 1993 and 1996 respectively.

This another font which has a pleasant-looking appearance on dissertation writing and is also considered as an old-style serif typeface which was named for 16th-century Parisian engraver Claude Garamond. This font is very much popular and is used for printing books etc.

This is also a Serif style typeface commissioned by Microsoft which was designed by Steve Matteson, Robin Nicholas and Jelle Bosma in 2004. It is distributed by windows and office.

Century Gothic:

This is also designed in a sans serif typeface style and a geometric style that was released in 1991 by Monotype Imaging. 

Palatino Linotype:

This font was first released in 1949 by Stempel foundry. This serif typeface style font was designed by Hermann Zapf. It has bee also classified as old style font.

This font style is one of the commonly used font styles which is also displayed sometimes as Arial MT. It has been classified as neo-grotesque sans-serif which was released in 1982 and was designed by Robin Nicholas and Patricia Saunders.

This font style is widely used for writing dissertations or any other academic papers as they provide a very cleaned and very simple – smooth look to the paper and also to the eyes of the reader. This was designed by Matthew Carter for Microsoft Corporation.


This was designed by John Hudson, a serif style design that was commissioned by Microsoft. The developmental work for this writing began in 2003 and was finally released in 2006

Century schoolbook: Fonts for dissertation

It is again a serif style typeface that was designed by Linn Boyd and Morris F Benton. This belongs to the century writing font family which was released in between 1894-1923.

Arial Narrow:

This is a high style font that is available for free download for personal and commercial use. However, the free version provides all upper case and lower case with some special character and features.

Therefore above are some of the most popularly used ideal fonts for dissertation writing. Times Roman is the most chosen font styles for thesis and dissertation writing but still, it has some common drawbacks as this font was created mostly to create spaces in between the words and letters but according to some professionals, the usage of this font causes overuse of view.

Similarly, Verdana and Arial fonts for dissertation might provide a simple and clear look on the screen but on the paper, it appears a little congested and a little less formal. But still, all of these fonts discussed above are some of the most appropriate fonts which are ideally used in writing a thesis, dissertation, essays or any writing assignment given to a student in college.

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best font for my thesis

Font To Choose for Your Research Paper: Best Font for Essays

Font To Choose for Your Research Paper: Best Font for Essays

We’ve all, at some time in our lives, pondered the question of how to create an essay that gets good grades. You may find millions of instructions that will walk you through the process of writing an excellent essay by doing a simple search on Google. However, a lot of individuals neglect to think about typefaces. In addition to learning how to acquire material and present it in an organized manner, students should also be taught how to style their written assignments, such as essays. When it concerns font for essay , typefaces are also a very important factor.

You will require to choose a typeface that is easy on the eyes. The issue is that there are literally thousands upon thousands of typefaces from which to choose. And after you’ve decided which one is the greatest, you’ll need to choose the appropriate size. Is it preferable to have a font size of 12 for the body paragraph and 14 for the titles? Let’s see what the best fonts for essays are out there check DoMyEssay  .

What About the Font Size?

When it comes to standard font size for essays, it’s usually 12 or 14. But 12 is usually recommended font size for college papers. New Times Roman, Arial, and Calibri are most often seen in this size. The typefaces you choose should be large enough so that your work can be read without putting undue strain on the eyes of the reader. Points are the standard unit of measurement for distances. MLA, American Psychological Association, and Harvard are the most used citation styles and conventions for scientific research publications. The value indicates the proportion of the display that the typeface uses.

Generally, 12 points are considered the minimum acceptable size for academic writing. Size-wise, it’s ideal for the target demographic without seeming too big or cumbersome. The text size you choose for your research paper is crucial in letting it seem professional and attractive. When completing the assignment, the author should utilize the prescribed font size. In figuring out how many webs pages your work needs, this aspect ratio is crucial. To ensure that we don’t go over or under the page count for the whole project, we’ve been using a font size of 12 to do the calculations.

Wensley Modern Serif Font Family

This one is a standard essay font that people use nowadays. Wensley is a contemporary serif font design that is widely used by undergraduates in a variety of educational institutions. This is the ideal look to go for if you wish to give off an air of sophistication and competence to your teachers, which is exactly what you should strive for. This typeface supports a variety of non-English letters, making it suitable for use in any language.

Serif Or Sans Serif, That’s Always A Dilemma

Serif and Sans Serif are always in sort of a rivalry within academic fonts. When deciding whether to choose one of them for your study, the level of formality of the document and the environment in which it will be presented are the two most important factors to consider. The informality of sans serif typefaces makes them a good choice for casual presentations, while the beauty of serif fonts makes them a good choice for more official scholarly articles. It is often advised to choose a sans serif since it is more readable and less tiresome to write on a pc screen. If we are thinking about the place it will be released, we should take this into consideration.

The majority of analyses and publications, regardless of the publication venue in which they appear, benefit from having either serif or sans serif font for college essay included in the same document. The headlines or restricted quotations in a piece of writing will often benefit link from using one style, whereas the main section of the text may benefit from using the other.

Our further font research leads us to Calibri. The popularity of this typeface is comparable to that of the font Times New Roman. In addition to that, Calibri is a Sans typeface. There are a number of advantages to using this font, including the fact that it is not unusual, that it is simple to read, that it is user-friendly for cell devices, and many more. It is one of the safest options for some of the best research paper writing services too. However, this does not always imply that every aspect of this typeface has solely positive qualities. The fact that it is easy to forget about and not particularly thrilling is another one of its many drawbacks. On the other hand, it is commonly used by electronic firms who are responsible for the creation of websites.

Times New Roman

If you ask any best essay writer service which font is the most appropriate to choose, he or she will pick Times New Roman. The Times of London, a magazine published in the United Kingdom, is where this typeface got its name. A new font was commissioned to be designed by the Times in 1929 by typographer Stanley Morison. He was in charge of leading the project, while Victor Lardent, an advertisement designer for the Times, was the one who designed the letterings under his supervision.

Even when it was brand new, Times New Roman was met with opposition. The fact that the new typeface was featured in a daily paper contributed to its meteoric rise to fame among manufacturers of the era. Times New Roman has consistently been one of the very first typefaces offered for each new writing device, despite the fact that composing technologies have changed significantly in the intervening decades.  As a consequence of this, its scope has grown even more.

Creating an essay for high school or university requires the student to pay attention to numerous details. Among the most crucial aspects of an excellent college essay are its subject, structure, substance, trustworthiness of resources, the writer’s voice, simplicity of ideas, and continuity of views. There is, nevertheless, a factor that many university learners grossly undervalue. Making sure you choose a legible typeface is just as important as providing a well-thought-out argument throughout your academic paper.


Headers and Footers in Your PhD thesis – How to Use them Right

Headers and footers in your PhD thesis can be a valuable guide for your readers – but only if you use them right! In this article, I will tell you what to do and what not to do. I will also cover the thumb index, meaning the chapter number at the edge of the page.

What are headers and footers?

If you read the Ultimate guide to designing a Dutch university PhD thesis , you already know a little bit about headers and footers. Here, I will go into more detail about them.

Each text page in your PhD thesis will have a block of text in the middle. This is the main area of the page. Everything above that is the header. Everything below it is the footer.

header and footer and thumb index in a PhD thesis

The only thing that is mandatory to have is the page number, for obvious reasons. The page number in PhD theses is usually displayed in the footer. In theory, you could leave the header entirely blank. But then you would pass up a chance to improve the reading experience!

The header of a PhD thesis can convey valuable information

In order to healp your reader orient herself, you can put useful information in the header. Some examples of this are the chapter number, the chapter title, or the section title. That way, your reader (i.e. your opponent) will always know which part of your thesis they are reading. What is more, they will be able to jump to that chapter quickly while reading the discussion and be reminded what it was about without having to delve back into the text.

However, there are pitfalls when layouting the headers and footers of your PhD thesis. First of all, be aware that you are layouting a book. Books are double-page, meaning the left- and right-hand pages are mirrored! Hence, the header text, page number and thumb index need be left-aligned on the left-hand page and right-aligned on the right-hand pages.

Set your layout to double-paged before you start

Every layouting program – the free Scribus , or the pay-through-your-teeth Adobe InDesign, even Microsoft Word – allows you to set a double-paged layout.

With that out of the way, let’s look at a few more mistakes to avoid when styling your headers and footers

A practical example: Imagine that your second chapter is called “Interaction of the soil microbiome with biotic and abiotic factors of the ecosystem in Kenyan potato farming”. If you choose to display the chapter number on the left-hand page header and the chapter title on the right-hand page header, it could look something like this:

best font for my thesis

So far, so good? Well, not really. Even if you can’t make out the words, you will immediately see that the chapter title is too long for a single line. You should never have more than one line of text in the header! Therefore, if you have very long chapter titles, you should come up with shorter ones for the headers. We could shorten the above example to: “Soil microbiome-ecosystem interactions in Kenyan potato farming”. Now the header looks like this:

PhD thesis header

As you can see, the title in the header is now shorter than the line the separates the header from the main area. This looks better than if the title were the same length as that line.

Sounds too complicated? Contact me for help with your PhD thesis layout

Guiding your reader with the header and footer of your phd thesis.

Now, to guide your reader even more thoroughly, you could also omit the chapter number in the header – in that case, I strongly recommend using a thumb index. Instead, you can print the (shortened) chaper title in the header of the left-hand page and the section title in the header on the right-hand page. If your first section is called “Composition of the soil microbiome”, your header would look like this:

best font for my thesis

However, this approach has some drawbacks. If you have a very short section somewhere, you may end up with two section titles on one double page. Then, you would have to omit one section title from the header. Also, having long lines of text in both headers can make it look overfull. In the end, though, this is a question of personal taste.

So much for the header – what about the footer of your PhD thesis?

When writing a PhD thesis in a European language – like English – you will write it from left to right, from top to bottom. We are so used to this that a reader’s eye will always snap to the upper left corner first when they turn the page. Hence, the header is the best place to put the most useful information.

The footer, however, contains a piece of mandatory information: the page numbers. Without them, the reader will not be able to navigate your PhD thesis at all. I strongly recommend to put the page number on the lower right corner. In theory, you could put it in the middle of the page, But then, your reader will have to open the book wider when searching for a page. This makes leafing through the book harder. Hence, I don’t recommend it.

I also don’t recommend putting any other information in the footer than the page number. The reader subconsiously expects the chapter title, etc. in the header, not in the footer. Plus, putting text in the footer makes the page look bottom-heavy, which is not pleasing to the eye.

How should you style the header and footer of your PhD thesis?

In the above examples, there is a line below the header text. This line serves to tell the reader that the text in the header is not part of the main text. It does so subconsciously by guiding the reader’s eye.

Don’t like the line? There are ways to make it less conspicuous or even omit it completely. You can, for example make it very thin. Or, instead of black, you can make it a shade of gray. But whatever you do – always make the line exactly as wide as the main text. Everything else makes the page look cluttered!

Another good styling rule is to set the headers and footers of your PhD thesis in the same font, same font size and same font style. Ideally, you will pick a different font or at least a different font size than you use for the main text. That way, your reader can easily differentiate between the main text and the header and footer. If you choose not to have a line below the header, having a different font and/or a different font size from the main text is mandatory.

best font for my thesis

A good stylistic practice is to have the header and footer in the same font as your section, subsection, etc. headings and at a smaller size than the main text.

For numerous examples of header and footer layout, check out the Example PhD thesis !

A thumb index makes your thesis utterly browsable

A thumb index is a colored field at the edge of every page. This field contains the chapter number and moves further down the page with every chapter. That way, your reader only needs to open your thesis a fraction (with their thumb) to find the chapter they are looking for.

thumb index

There are two things that you must always do when styling a thumb index. You must give it a color. And it has to reach the edge of the page. Otherwise, your reader will not be able to see it when the book is closed – and that is the whole point of a thumb index!

However, the thumb index reaching the edge of the page is not as trivial as it sounds! After all, printing companies have an error margin of 3 mm when cutting a page. So, if you put the thumb index exactly until the edge of the page and the printing company cuts slightly outisde of that edge, you have a problem – the thumb index won’t reach the page edge anymore! Therefore, always let the colored box of the thumb index run over the edge of the page by at least 3 mm. This is called bleed and is covered in more detail here.

The printing company might also cut too far inside the page. Therefore, make sure that the chapter number at the page edge is at least 3 mm away from the edge. This is called crop and is also covered here.

Which color should the thumb index be?

As to the color of the thumb index, I recommend a shade of gray. Whether you make it light gray or dark gray is up to you. You can keep this in mind, though: If your pages are very dark in general because you either have long stretches of dense text or a lot of dark figures, you can make the thumb index dark gray. If your pages are light because you have short stretches of text with light figures or mathematic equations in between, you should make the thumb index llight gray so it doesn’t call undue attention to itself.

If you have the funds, you can even make the thumb index a color that fits the general color theme of your thesis. However, this will make every page a color page and your thesis quite expensive! It might also jump out of the page and pull attention away from the text if the color is too intense. By the way, to learn all about color space and whether you should use RGB or CMYK for your thesis, check out this article .

The chapter number in the thumb index should usually be white or a different, clearly discernible shade of gray. If you want the chapter number to be black, choose a thin font so the number isn’t too dominant.

Here a few examples of thumb indices:

thumb index examples

If you want to see some more thumb indices in action, check out the Example PhD thesis .

Too many things to pay attention to? Contact me for help with your PhD thesis layout!

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The 9 best monospace fonts for coding in 2024

T he best monospace fonts are ideal for programmers writing code. Monospaced fonts are designed to be easier to read, especially when you're scanning reams of code. That's because they give equal space to each character, hence the name. The letter 'l', for example, gets as much horizontal space as 'w'.

We've chosen fonts that we believe offer ideal readability during long sessions, with clearly legible glyphs. We've been sure to seek out some options with larger punctuation than usual. Some of the fonts below can even be customised, so you can tailor them to your preferences (see our guide to font design for some tips).

If you're a coder looking to upgrade your work setup, check out our roundups of the best code editors and the best laptops for programming. And whether you're just starting out or developing your skills further, take a look at our guide to the best online coding courses .

The best monospace fonts for coding

If you can't find what you're looking for in our pick of the best monospace fonts below, we recommend MyFont's collection of fonts (see the link below). For different types of fonts, we also have a selection of the best free fonts around.

Buy fonts from myfonts.com

Find thousands of fonts for all kinds of projects at myfonts.com by Monotype. It has over 130,000 fonts, from brush fonts to display fonts, and more than 900 of them are completely free. View Deal

01. Andalé Mono Paneuropean

  • Buy Arndalé Mono Paneuropean from MyFonts

The Andale Mono Paneuropean Font Family was designed by American type designer Steve Matteson for terminal emulation and software development environments, originally for Apple and IBM's Taligent project. Published by Monotype, it has four styles and 660 glyphs, including some special IBM glyphs from IBM Courier. 

02. MonoLisa

  • Buy MonoLisa from MonaLisa.dev

This font has been designed specifically to reduce fatigue and help to improve developers' productivity. With all the glyphs the same width apart, MonoLisa is a super clear font. The font set also has increased character width, clear distinction and brilliant legibility, making it one of the best fonts available to any developer. 

03. Apercu Mono

  • Buy Apercu from Colophon Foundry

Apercu Mono was designed by The Entente and is part of the Apercu font family. Apercu was to create an amalgamation of classic realist typefaces such as Johnston, Gill Sans, Neuzeit and Franklin Gothic. With this in mind, the team created a font family that was perfect for coding. 

In the Mono family, there are now four variations including Mono Light, Mono Regular, Mono Medium and Mono Bold. There is also a pro version in the collection that adds in old-style number glyphs, 100 symbols and even more ligatures.  

04. Fira Code

  • Get Fira Code from GitHub

Fira Code is an extension of Fira Mono, a monospaced font designed for Mozilla to fit in with the character of Firefox OS. The code variant of Fira includes programming ligatures – special renderings of certain character combinations that are designed to make code easier to read and understand. So, for example, the == and != combinations are rendered as proper equality glyphs, which are supposedly easier for the brain to process than two separate characters that have their own individual meanings. 

How you feel about this of course depends on personal taste. If you’ve already been reading normal code for years, there's every chance you might not want to make the change. But if this does appeal, Fira Code is a widely supported, popular programming font that makes code easy to read. It's also free and open source. The GitHub page has coding samples from a range of languages so you can see how things look.

05. Input Mono

  • Get Input from DJR

Input is a system of fonts designed specifically for coding by David Jonathan Ross. It comes in both proportional and monospaced variants, but since it's been designed with coding in mind, the proportional spacing is tailored, so you may consider it over the monospaced version.

There’s a range of widths, weights and styles, each with serif, sans and monospaced variants, resulting in 168 different styles in total. That means you really can get whatever you want from this font set. It's described as having generous spacing, large punctuation, and easily distinguishable characters, and a lot of consideration has been given to the size and positioning of symbols frequently used in coding. You can also customise the forms of certain key characters including the letters 'i', 'l', 'a' and 'g'. 

Input is free to use for private, unpublished usage in your personal coding app. If you want to publish text using something from the Input font family, you can see the prices here (from $5). 

06. Dank Mono

  • Buy Dank Mono from Phil Plückthun on Gumroad

Phil Plückthun's Dank Mono is billed as a font "designed for aesthetes with code and Retina displays in mind". Like Fira Code, it has programming ligatures, and there’s also a cursive italic variant that’s useful for distinguishing different types of text within your code. Overall this font has been created for coders who have an eye for design, and the unusual lowercase 'f' is known for being particularly beloved among Dank fans. 

Dank supports the Western, Eastern, Central and Southern European Latin character sets, and you can use it within CodePen. To get Dank, you'll need to pay – a personal licence is £24 and a commercial one is £60. But if you’re a type connoisseur and you’re smitten with that jaunty 'f', it might well be worth treating yourself to some Dankness. 

07. Gintronic

  • Buy Gintronic from Mark Frömberg

Creator Mark Frömberg describes Gintronic as "jovial" and "gentle" – an antidote to what he sees as the overly technical and mechanical style of many programming fonts. The font is relaxed and easy to look at, with a few particular characters adding a special personality – check out the curly brackets, the question mark, the lower case ‘k’ and the numerals. Extra attention has been given to glyphs that can be hard to tell apart, such as 'B' and '8', 'i'’ and 'l' and so on, in order to make them easy to distinguish at a glance. 

There are 1,174 glyphs in total, so Gintronic has a massive character set, which includes Latin, Cyrillic and Greek characters as well as a full range of mathematical and technical symbols. Gintronic is priced at €50 for the single font, €100 for the Roman or Italic bundle and €150 for the complete family.

  • Get Monoid from larsenwork.com

Andreas Larsen drew up a list of priorities when he set out to design Monoid. He wanted it to be legible, compact (the more code you can fit on one screen, the better), and "pretty". To achieve all this, he compared three other programming fonts – Fira Mono, Source Code Pro and Pragmata Pro – and took note of features he liked and those he didn't in order to inform his design. 

Like many programming fonts, Monoid has extra-large punctuation marks and operators, apertures are large to help make characters more distinguishable, and ascenders and descenders are kept short. Smart design decisions have been taken to make Monoid both compact and highly legible. It has programming ligatures, and there's also a special feature called Monoisome which enables you to see Font Awesome icons in your code. Monoid is free and open source, so you can even tweak it to your tastes if you like.

  • Get Hack from sourcefoundry.org

The fonts we’ve covered so far include some with huge character sets and several variants, so it’s likely you’ll find something that’s just right. But if you have very specific needs, Hack could be the best monotype font for your coding. It offers a whole library of alternative glyphs made by users that you can add to if you like. 

Hack is therefore highly customisable – you can dif right down into the detail of each glyph and edit it yourself if no one else has done it exactly as you want. Hack is free and open source. Go to alt-hack , the alternative glyph library, to find out how to create your own custom version. 

What is a monospace font?

A monospace font, or monospaced font, is a non-proportional font. That means that it uses a fixed width: each character (letters, numbers and other symbols) occupies the same amount of horizontal space. This is different to what happens with most fonts, in which the space assigned to each letter is usually varied to prevent spaces appearing between wider and narrower letters. Monospace fonts can look strange in some cases because some glyphs, will appear to have more space around them, for example a narrow letter like an 'I'. However it can make code much easier to read and makes it possible to view text on a grid.

  • Perfect font pairings
  • Font vs typeface : the ultimate guide
  • Free web fonts : The best fonts for web

 The 9 best monospace fonts for coding in 2024


  1. Greatest fonts countdown: 89

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  2. Top 5 Best Font For Dissertation in UK To Make it Look Organized

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  3. Best Font for Dissertation Recommended by UK Tutors

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  4. Thesis Font Style

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  5. What are the best fonts for college essays?

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  6. Thesis Font Style

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  4. my thesis or final assigment

  5. Completing a thesis episode 1 learning from others’ mistakes


  1. What font should I choose for my thesis?

    Popular combinations are Garamond/Helvetica; Minion Pro/Myriad Pro; Times New Roman/Arial Narrow. But don't create a dog's breakfast by having more than two typefaces in your thesis - use point sizes, bold and italics for variety. Of late, I've become quite fond of Constantia.

  2. Great fonts for a PhD thesis

    Great fonts for a PhD thesis: Serif vs. sans-serif As I explained in my Ultimate Guide to preparing a PhD thesis for printing, there are two basic kinds of fonts: Serif fonts and sans-serif fonts. Serif fonts have small lines - serifs - at the ends of all lines. Sans-serif fonts don't have those lines.

  3. Fonts

    Dissertation & Thesis Preparation » » Fonts Choice of font For most theses, the font should be one that is appropriate for an academic paper. Generally, the same font should be used throughout the thesis (dedication page and scholarship-appropriate alterations excepted). Size

  4. 5 fonts that add credibility and professionalism to scientific research

    This font works best when used in long blocks of text. Try to keep this font between 8 and 14pts for best results. This font looks dignified, so use this for your important professional occasions-award ceremonies, recognitions, etc. [bra_divider height='40'] 4. Caslon- "When in doubt, use Caslon".

  5. How To Choose The Thesis Font Type For Your Dissertation

    David Egee What Is A Thesis Font Type? Choosing the right font type can be an important decision when writing a thesis. The most common font types used for academic writing, including theses, are Times New Roman and Arial. Both fonts are easily read and widely accepted as appropriate for academic writing.

  6. Fonts/Typeface

    Ornate or decorative fonts such as script, calligraphy, gothic, italics, or specialized art fonts are not acceptable. For electronic submissions, embedded fonts are required. Any symbols, equations, figures, drawings, diacritical marks, or lines that cannot be typed, and therefore are drawn, must be added in permanent black ink.

  7. Formatting Your Dissertation

    Check the box next to Embed fonts in the file. Click the OK button. Save the document. Note that when saving as a PDF, make sure to go to "more options" and save as "PDF/A compliant". To embed your fonts in Microsoft Word 2007: Click the circular Office button in the upper left corner of Microsoft Word.

  8. Dissertation layout and formatting

    Some examples include Verdana, Times New Roman, and Calibri (which is the default font in Microsoft Word). Font size is best set to 10 or 11. In scientific articles and theses, a line spacing of 1.15 or 1.5 is generally preferred, as it makes the document more readable and enables your supervisor to post comments between the lines of text.

  9. What Font Should I Use?

    The Modern Language Association (MLA) provides explicit, specific recommendations for the margins and spacing of academic papers. (See: Document Format.)But their advice on font selection is less precise: "Always choose an easily readable typeface (e.g. Times New Roman) in which the regular style contrasts clearly with the italic, and set it to a standard size (e.g. 12 point)" (MLA ...

  10. Department of Computer Science and Technology: Thesis formatting

    Title. Write your thesis title and section headings in "sentence case", that is use the same capitalization that you would have used in normal sentences (capitalize only the first word, proper nouns and abbreviations). Avoid the US-style "title case" that some conference-proceedings publishers require. Good:

  11. 7 Perfect Dissertation Fonts to Impress Your Professors

    1 Dissertation and Thesis, these two terms can be interchangeable and may vary between countries and universities. A dissertation is the most substantial piece of independent work in...

  12. Formatting Guidelines

    To ensure clear and legible text for all copies, choose a TrueType font recommended by ProQuest Dissertation Publishing. A list of recommended fonts can be found on ProQuest's site. Fonts must be 10, 11, or 12 points in size.

  13. 8 Best Fonts for Thesis Writing

    Choosing the best font for the thesis provides an attractive appearance and preserves the aesthetic value of your document. Also, the font professionally presents information. Choosing font in both ways (either online or printed form) of the thesis is crucial. If you are submitting it online, then the font makes a difference in the readability.

  14. 11 Ideal Fonts for Dissertation Writing

    Times New Roman, Georgia, Garamond, Arial, Verdana, Cambria, Century Gothic, Constantia, and Arial Narrow are some of the ideal fonts for dissertation writing. What is Dissertation Writing? In the term - Dissertation writing, the word "Dissertation" has originated from the Latin language where 'dissertare' means 'to debate'.

  15. 14 Best Fonts For Reports and Papers

    9. Autor. Autor is a set of sans serifs with a clean and sharp look. Created for editorials and body text, this typeface is a great font choice for papers and reports that utilize varying headers and titles. 10. Maine. Maine is a modernized version of the classic Book Antiqua serif, with 12 font styles.

  16. Thesis Fonts

    Thesis Fonts Explore thesis fonts at MyFonts. Discover a world of captivating typography for your creative projects. Unleash your design potential today!

  17. Choice of consistent unicode open-type fonts for Phd Thesis in

    15 Having written about 60% of my Phd thesis, I gave it to my advisor for review. I used Pdflatex and Latin Modern fonts for text and math. For source code listings, I did not change anything in particular and went with the standard \texttt {} variant of the font. My focus was to get content in quickly.

  18. [Request] What font should I use for my thesis? : r/typography

    [Request] What font should I use for my thesis? Hey r/typography , I'm currently writing my thesis and it'll be finished in about two weeks. I think it's time to think about what fonts I should use. Can anyone help me out with this? 1 22 Sort by: Add a Comment m7nd3w • 9 yr. ago So im assuming u have: -Header -Sub header -Main body text ? 4

  19. Font To Choose for Your Research Paper: Best Font for Essays

    When it comes to standard font size for essays, it's usually 12 or 14. But 12 is usually recommended font size for college papers. New Times Roman, Arial, and Calibri are most often seen in this size. The typefaces you choose should be large enough so that your work can be read without putting undue strain on the eyes of the reader.

  20. 20 Best Fonts for Presentations In 2024 [PowerPoint or Not]

    20 Best Fonts for Presentations In 2024 [PowerPoint or Not] Written by: Chloe West. Mar 14, 2022. Some of the best fonts for presentations include Lato, Roboto, Bentham, Fira Sans, Montserrat, Open Sans, Dosis, Libre-Baskerville and more. This list will help you find the best font for your next presentation, regardless if you're using ...

  21. PhD thesis headers and footers

    Hence, the header is the best place to put the most useful information. ... Another good styling rule is to set the headers and footers of your PhD thesis in the same font, same font size and same font style. Ideally, you will pick a different font or at least a different font size than you use for the main text. That way, your reader can ...

  22. Font Setup for an Academic Thesis, no Computer Modern Wanted

    What font setup (math/text) would you recommend to spice a document up a little (it is still a academic thesis). It will be written in German and will contain a fair amount of math and listings too. It should look good on a screen too. I once read that Lucida Bright is a great font regarding my demands.

  23. Font Choice and Classic Thesis

    This is from the "some kind of manual" that comes with classicthesis (LyX version): XeLaTeX and LuaLaTeX make the use of Unicode fonts possible through the package fontspec. The global font options set by classicthesis.sty are: \setmainfont {TeX Gyre Pagella} \setmathfont {TeX Gyre Pagella Math} \setmonofont {Liberation Mono}

  24. The 9 best monospace fonts for coding in 2024

    Buy fonts from myfonts.com. Find thousands of fonts for all kinds of projects at myfonts.com by Monotype. It has over 130,000 fonts, from brush fonts to display fonts, and more than 900 of them ...